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Muhammad Al-Qubanchi
Muhammad al-Qubanchi (), born Muhammad Abd al-Razzaq al-Ta’i (), is an artist and singer from Baghdad, Iraq. He is one of the creative pioneers in the field of Iraqi maqam who also modernized it, and he is considered one of the most famous maqam reciters in Iraq. Early life Muhammad Abd al-Razzaq al-Ta’i was born in Baghdad in 1904, and he worked with his father in the Shorja market as a crafter with his father. He was nicknamed "al-Qubanchi", a title given to someone who is skilled in weighing agricultural crops with a scale which was also his father's profession. At a young age, he was introduced to Iraqi maqam and its origins which is where his love for the genre began. He would also meet with many Maqam lovers at the market and the Kadouri Café. At age 12, he excelled in singing maqam and other genres and also practiced theatrical acting. Career Al-Qubanchi first considered becoming a grain merchant but decided to depend on singing for his livelihood, and in order t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baghdad
Baghdad (; ar, بَغْدَاد , ) is the capital of Iraq and the second-largest city in the Arab world after Cairo. It is located on the Tigris near the ruins of the ancient city of Babylon and the Sassanid Persian capital of Ctesiphon. In 762 CE, Baghdad was chosen as the capital of the Abbasid Caliphate, and became its most notable major development project. Within a short time, the city evolved into a significant cultural, commercial, and intellectual center of the Muslim world. This, in addition to housing several key academic institutions, including the House of Wisdom, as well as a multiethnic and multi-religious environment, garnered it a worldwide reputation as the "Center of Learning". Baghdad was the largest city in the world for much of the Abbasid era during the Islamic Golden Age, peaking at a population of more than a million. The city was largely destroyed at the hands of the Mongol Empire in 1258, resulting in a decline that would linger through many c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nazem Al-Ghazali
Nazem al-Ghazali ( ar, ناظم الغزالي, given name also spelled ''Nazim'', ''Nadhim'', ''Nadhem'' or ''Nathem'') (1921 – 23 October 1963) was one of the most popular singers in the history of Iraq and his songs are still heard by many in the Arab world. Biography Nazem al-Ghazali was born in the Haydar-Khana locality in Baghdad, and studied at the Institute of Fine Arts in Iraq. He started his career as an actor, and after a few years turned to singing. He worked at the Iraqi Radio in 1948, and was member of the Andalusian Muashahat Ensemble. In that period, he worked with Jamil Bashir, and together they produced some distinguished works, such as Fog el-Nakhal and Marrou 'Alayya el-Hilween. He was also a student of Muhammad al-Qubanchi, one of the most prominent maqam singers of the last century. Nazem was renowned for his popular songs and he had also recorded some maqams. According to many, his refined mellow voice was the finest in the field. He was married to pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1989 Deaths
File:1989 Events Collage.png, From left, clockwise: The Cypress Street Viaduct, Cypress structure collapses as a result of the 1989 Loma Prieta earthquake, killing motorists below; The proposal document for the World Wide Web is submitted; The Exxon Valdez oil tanker runs aground in Prince William Sound, Alaska, causing a large Exxon Valdez oil spill, oil spill; The Fall of the Berlin Wall begins the downfall of Communism in Eastern Europe, and heralds German reunification; The United States United States invasion of Panama, invades Panama to depose Manuel Noriega; The Singing Revolution led to the independence of the Baltic states of Estonia, Latvia, and Lithuania from the Soviet Union; The stands of Hillsborough Stadium in Sheffield, Yorkshire, where the Hillsborough disaster occurred; 1989 Tiananmen Square protests and massacre, Students demonstrate in Tiananmen Square, Beijing; many are killed by forces of the Chinese Communist Party., 300x300px, thumb rect 0 0 200 200 1989 Loma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1904 Births
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Béla Bartók
Béla Viktor János Bartók (; ; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist, and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as Hungary's greatest composers. Through his collection and analytical study of folk music, he was one of the founders of comparative musicology, which later became ethnomusicology. Biography Childhood and early years (1881–98) Bartók was born in the Banatian town of Nagyszentmiklós in the Kingdom of Hungary (present-day Sânnicolau Mare, Romania) on 25 March 1881. On his father's side, the Bartók family was a Hungarian lower noble family, originating from Borsodszirák, Borsod. His paternal grandmother was a Catholic of Bunjevci origin, but considered herself Hungarian. Bartók's father (1855–1888) was also named Béla. Bartók's mother, Paula (née Voit) (1857–1939), also spoke Hungarian fluently. A native of Turócszentmárton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muezzin
The muezzin ( ar, مُؤَذِّن) is the person who proclaims the call to the daily prayer ( ṣalāt) five times a day (Fajr prayer, Zuhr prayer, Asr prayer, Maghrib prayer and Isha prayer) at a mosque. The muezzin plays an important role in ensuring an accurate prayer schedule for the Muslim community. Etymology The English word ''muezzin'' is derived from the ar, مُؤَذِّن, , simplified ''mu'azzin''. The word means "one by the ear", since the word stems from the word for "ear" in Arabic is ''ʾudhun'' (أُذُن). As the ''muʾadh·dhin'' will place both hands on his ears to recite the call to prayer. Roles and responsibilities The professional muezzin is chosen for his good character, voice and skills to serve at the mosque. However, the muezzin is not considered a cleric, but in a position comparable to a Christian verger. He is responsible for keeping the mosque clean, for rolling the carpets, for cleaning the toilets and the place where people wash the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karkh
Karkh or Al-Karkh (Arabic: الكرخ) is historically the name of the western half of Baghdad, Iraq, or alternatively, the western shore of the Tigris River as it ran through Baghdad. The eastern shore is known as Al-Rasafa. ", , May 3–9, 2007. Its name is derived from the Syriac (ܟܪܟܐ) ''Karkha; citadel''. In a more limited sense Karkh is one of nine , with to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dawr
A ''dawr'' (Arabic: دور or الدور; plural: ''adwar'', أدوار; also spelled ''dour'') is a genre of Arabic vocal music sung in regional or colloquial Arabic. The genre faded in popularity after the 1920s and often used the melisma Melisma ( grc-gre, μέλισμα, , ; from grc, , melos, song, melody, label=none, plural: ''melismata'') is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is referr ...tic technique of ''ahaat''.Racy, Ali Jihad. ''Making Music in the Arab World: The Culture and Artistry of Tarab''. Cambridge: Cambridge University Press, 2003. The ''dawr'' often uses a string of ''Arabic maqam, maqamat'', moving from one to the other in sequence. ''Dawr'' can also refer to the first section of a ''muwashshah''. See also *Ragmala References 20th-century music genres Arabic music Vocal music Song forms {{Arabic-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mawwal
In Arabic Music, the ''mawwāl'' ( ar, موال; plural: ''mawāwīl'', ) is a traditional and popular Arabic genre of vocal music that is very slow in beat and sentimental in nature, and is characterised by prolonging vowel syllables, emotional vocals, and is usually presented before the actual song begins. The singer performing a mawwal would usually lament and long for something, such as a past lover, a departed family member or a place, in a wailing manner. Etymology Mawwal is an Arabic word that means "affiliated with", "associated with," or "connected to". The verb is ''waala'' (). It is measure 3 of the root verb "Walia" (), which means to follow, ''be affiliated with'', ''support'', or ''sponsor''. Originally the verbal noun has a ''Yaa'' in the definite form but it loses it when the word is indefinite. History There are many preferences regarding the origin of the mawwal, one of these is the one al-Suyuti attributes it in the book Sharh al-Muwashah to the era of H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Groans
Paralanguage, also known as vocalics, is a component of meta-communication that may modify meaning, give nuanced meaning, or convey emotion, by using techniques such as prosody, pitch, volume, intonation, etc. It is sometimes defined as relating to nonphonemic properties only. Paralanguage may be expressed consciously or unconsciously. The study of paralanguage is known as paralinguistics and was invented by George L. Trager in the 1950s, while he was working at the Foreign Service Institute of the U.S. Department of State. His colleagues at the time included Henry Lee Smith, Charles F. Hockett (working with him on using descriptive linguistics as a model for paralanguage), Edward T. Hall developing proxemics, and Ray Birdwhistell developing kinesics. Trager published his conclusions in 1958, 1960 and 1961. His work has served as a basis for all later research, especially those investigating the relationship between paralanguage and culture (since paralanguage is learned, it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muwashshah
''Muwashshah'' ( ar, موشح ' literally means "girdled" in Classical Arabic; plural ' or ' ) is the name for both an Arabic poetic form and a secular musical genre. The poetic form consists of a multi-lined strophic verse poem written in classical Arabic, usually consisting of five stanzas, alternating with a refrain with a running rhyme. It was customary to open with one or two lines which matched the second part of the poem in rhyme and meter; in North Africa poets ignore the strict rules of Arabic meter while the poets in the East follow them. The musical genre of the same name uses ''muwaššaḥ'' texts as lyrics, still in classical Arabic. This tradition can take two forms: the ''waṣla'' of Aleppo and the Andalusi ''nubah'' of the western part of the Arab world. History While the ''qasida'' and the ''maqama'' were adapted from the Mashreq, strophic poetry is the only form of Andalusi literature known to have its origins in the Iberian Peninsula. Andalusi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
