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Mughal Painting
Mughal painting is a style of painting on paper confined to miniature (illuminated manuscript), miniatures either as book illustrations or as single works to be kept in albums (muraqqa), from the territory of the Mughal Empire in South Asia. It emerged from Persian miniature painting (itself partly of Chinese painting, Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. Battles, legendary stories, hunting scenes, wildlife, royal life, mythology, as well as other subjects have all been frequently depicted in paintings. The Mughal emperors were Muslims and they are credited with consolidating Islam in South Asia, and spreading Muslim (and particularly Persian) arts and culture as well as the faith. Mughal painting immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums, and were more realistically depicted. Although man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Govardhan
Govardhan also called Giriraj, is a key pilgrimage centre in India and a municipal town; a nagar panchayat; seat of a MLA Member of the Legislative Assembly (India), Member of Legislative Assembly of Uttar Pradesh Legislative Assembly, Uttar Pradesh; a Tehsil, in Mathura district in the India in States and territories of India, state of Uttar Pradesh. About 23 kilometres from Mathura, the town is on the road link between Mathura, Uttar Pradesh, Mathura and Deeg. Geography Govardhana is located at . It has an average elevation of 179 metres (587 feet). Govardhana has been made Tehsil in Mathura District by the Uttar Pradesh government. Demographics In the 2011 Indian Census, Govardhana had a population of 22,576. Males constituted 55% of the population and females 45%. Govardhana has an average literacy rate of 62%, higher than the national average of 59.5%: male literacy is 70%, and female literacy is 52%. In Govardhana, 17% of the population is under 6 years of age. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freer Gallery Of Art
The Freer Gallery of Art is an art museum of the Smithsonian Institution in Washington, D.C. focusing on Asian art. The Freer and the Arthur M. Sackler Gallery together form the National Museum of Asian Art in the United States. The Freer and Sackler galleries house the largest Asian art research library in the country and contain art from East Asia, South Asia, Southeast Asia, the Islamic world, the ancient Near East, and ancient Egypt, as well as a significant collection of American art. The gallery is located on the south side of the National Mall in Washington, D.C., contiguous with the Sackler Gallery. The museum is open 364 days a year (being closed on Christmas), and is administered by a single staff with the Sackler Gallery. The galleries were among the most visited art museums in the world. The Freer houses over 26,000 objects spanning 6,000 years of history from the Neolithic to modern eras. The collections include ancient Egyptian stone sculpture and wooden objects, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milo C
Milo may refer to: Arts and entertainment * ''Milo'' (magazine), a strength sports magazine *'' Milo: Sticky Notes and Brain Freeze'', a 2011 children's novel by Alan Silberberg * ''Milo'' (video game), a first-person adventure-puzzle computer game Computing and technology * MILO (boot loader), a firmware replacement used for booting Linux on older Alpha AXP hardware *Milo, a computer algebra system by Paracomp *Eclipse Milo, an open source implementation of the communication protocol OPC Unified Architecture *Project Milo, a tech demo for Microsoft's Kinect Food and drink *Milo (chocolate bar), an Australian chocolate bar made with Milo powder * Milo (drink), a brand name of a chocolate malt drink by Nestlé Plants *Milo, a common name of ''Thespesia populnea'' and its wood *Milo, a common name for some varieties of commercial sorghum People and fictional characters *Milo (name), a list of people and fictional characters with the name Milo Places Italy * Milo, Catania, a ''c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ustad Mansur
Ustad Mansur (flourished 1590-1624) was a seventeenth-century Mughal painter and court artist. He grew up during the reign of Jahangir (r. 1605 - 1627) during which period he excelled at depicting plants and animals. He was the earliest artist to depict the dodo in colour, apart from being the first to illustrate the Siberian crane. Towards the end of Akbar's reign, he gained the title of ''ustad'' (=master) and during the reign of Mughal Emperor Jahangir his masterpieces earned him the title of ''Nãdir-al-’Asr'' ("Unequalled of the age"). Although largely known for his natural history illustrations, he also portrayed people in various manuscript illustrations. Life and work The year of Mansur's birth is unknown. His name was suffixed in some early miniatures as ''Naqqash'', which can refer to an artist, painter, or carver, indicating that he came from a family that was in an artistic profession. A single miniature showing 'Babur meeting his sister' (folio 8, National Museum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baburnama
The ''Bāburnāma'' ( chg, ; literally: ''"History of Babur"'' or ''"Letters of Babur"''; alternatively known as ''Tuzk-e Babri'') is the memoirs of Ẓahīr-ud-Dīn Muhammad Bābur (1483–1530), founder of the Mughal Empire and a great-great-great-grandson of Timur. It is written in the Chagatai language, known to Babur as ''Türki'' ("Turkic"), the spoken language of the Andijan-Timurids. During the reign of emperor Akbar, the work was translated into Persian, the usual literary language of the Mughal court, by a Mughal courtier, Abdul Rahim Khan-i-Khanan, in AH 998 (1589–90 CE). Bābur was an educated Timurid prince and his observations and comments in his memoirs reflect an interest in nature, society, politics and economics. His vivid account of events covers not just his own life, but the history and geography of the areas he lived in as well as the people with whom he came into contact. The book covers topics as diverse as astronomy, geography, statecraft, military m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rajput Painting
Rajput painting, also called Rajasthan painting, evolved and flourished in the royal courts of Rajputana in northern India, mainly during the 17th century. Artists trained in the tradition of the Mughal miniature were dispersed from the imperial Mughal court and developed styles also drawing from local traditions of painting, especially those illustrating the Hindu religious epics, the ''Mahabharata'' and ''Ramayana''. Subjects varied, but portraits of the ruling family, often engaged in hunting or their daily activities, were generally popular, as were narrative scenes from the epics or Hindu mythology, as well as some genre scenes of unnamed people. The colors were extracted from certain minerals, plant sources, and conch shells, and were even derived by processing precious stones. Gold and silver were used. The preparation of desired colors was a lengthy process, sometimes taking up to two weeks. Traditionally, fine brushes were the norm. Content While there exist a pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Durbar (court)
Durbar is a Persian-derived term (from fa, دربار - ''darbār'') meaning the kings’ or rulers’ noble court or a formal meeting where the king held all discussions regarding the state. It was used in India for a ruler's court or feudal levy as the latter came to be ruled and later administered by foreigners. A durbar may be either a feudal state council for administering the affairs of a princely state, or a purely ceremonial gathering, as in the time of the British Empire in India. The most famous Durbars belonged to great Emperors and Kings. In the north of India cities like Baroda, Gwalior, Udaipur, Jaipur, Jodhpur, Jaiselmer, and Agra and the city of Lahore in Pakistan, have palaces and forts that adorn such magnificent halls. The Mughal Emperor Akbar had two halls; one for his ministers and the other for the general public. Usually Durbar halls are lavishly decorated with the best possible materials available at the time. In the south of India, the Mysore Palace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allah
Allah (; ar, الله, translit=Allāh, ) is the common Arabic word for God. In the English language, the word generally refers to God in Islam. The word is thought to be derived by contraction from '' al- ilāh'', which means "the god", and is linguistically related to the Aramaic words Elah and Syriac (ʼAlāhā) and the Hebrew word '' El'' ('' Elohim'') for God. The feminine form of Allah is thought to be the word Allat. The word ''Allah'' has been used by Arabic people of different religions since pre-Islamic times. The pre-Islamic Arabs worshipped a supreme deity whom they called Allah, alongside other lesser deities. Muhammad used the word ''Allah'' to indicate the Islamic conception of God. ''Allah'' has been used as a term for God by Muslims (both Arab and non-Arab) and even Arab Christians after the term " al- ilāh" and "Allah" were used interchangeably in Classical Arabic by the majority of Arabs who had become Muslims. It is also often, albeit not exclusiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon). This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semiotics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Halo (religious Iconography)
A halo (from the Greek , ; also known as a nimbus, aureole, glory, or gloriole) is a crown of light rays, circle or disk of light that surrounds a person in art. It has been used in the iconography of many religions to indicate holy or sacred figures, and has at various periods also been used in images of rulers and heroes. In the religious art of Ancient Greece, Ancient Rome, Christianity, Hinduism, and Buddhism among other religions, sacred persons may be depicted with a halo in the form of a circular glow, or flames in Asian art, around the head or around the whole body—this last one is often called a mandorla. Halos may be shown as almost any colour or combination of colours, but are most often depicted as golden, yellow or white when representing light or red when representing flames. Ancient Mesopotamia Sumerian religious literature frequently speaks of (loaned into Akkadian as ), a "brilliant, visible glamour which is exuded by gods, heroes, sometimes by kings, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shah Jahan
Shihab-ud-Din Muhammad Khurram (5 January 1592 – 22 January 1666), better known by his regnal name Shah Jahan I (; ), was the fifth emperor of the Mughal Empire, reigning from January 1628 until July 1658. Under his emperorship, the Mughals reached the peak of their architectural achievements and cultural glory. The third son of Jahangir (), Shah Jahan participated in the military campaigns against the Rajputs of Mewar and the Lodis of Deccan. After Jahangir's death in October 1627, Shah Jahan defeated his youngest brother Shahryar Mirza and crowned himself emperor in the Agra Fort. In addition to Shahryar, Shah Jahan executed most of his rival claimants to the throne. He commissioned many monuments, including the Red Fort, Shah Jahan Mosque and the Taj Mahal, where his favorite wife Mumtaz Mahal is entombed. In foreign affairs, Shah Jahan presided over the aggressive campaigns against the Deccan Sultanates, the conflicts with the Portuguese, and the wars with Safavids ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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