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Mtiebi
Mtiebi is a Georgian singing ensemble performing traditional vocal polyphony from Georgia (country). Ensemble Mtiebi was formed in 1980 by Edisher Garakanidze (1957–1998), noted Georgian ethnomusicologist, scholar and performer. The ensemble was formed as a reaction to the increasing modernisation of the performance practices of Georgian traditional music, in order to reconstruct the traditional performance practice of Georgian villagers. The principles of the ensemble became: (1) to bring back the natural unity of singing and dancing (which was and still is disconnected in most of the contemporary Georgian folk ensembles), (2) to recover the tradition of the live improvisation on stage, including improvising poetry in traditional poetic competitions, (3) to present the traditional choreographic movements instead of the professionally developed staged dances. Garakanidze did not organize the ensemble from seasoned singers of Georgian traditional songs. Instead he taught Georgian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Georgia (country)
Georgia has rich and still vibrant traditional music, which is primarily known as arguably the earliest polyphonic tradition of the Christian world. Situated on the border of Europe and Asia, Georgia is also the home of a variety of urban singing styles with a mixture of native polyphony, Middle Eastern monophony and late European harmonic languages. Georgian performers are well represented in the world's leading opera troupes and concert stages. Folk music The folk music of Georgia consists of at least fifteen regional styles, known in Georgian musicology and ethnomusicology as "musical dialects". According to Edisher Garaqanidze, there are sixteen regional styles in Georgia. These sixteen regions are traditionally grouped into two, eastern and western Georgian groups. The Eastern Georgian group of musical dialects consists of the two biggest regions of Georgia, Kartli and Kakheti (Garakanidze united them as "Kartli-Kakheti"); several smaller north-east Georgian mountain regi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georgia (country)
Georgia (, ; ) is a transcontinental country at the intersection of Eastern Europe and Western Asia. It is part of the Caucasus region, bounded by the Black Sea to the west, by Russia to the north and northeast, by Turkey to the southwest, by Armenia to the south, and by Azerbaijan to the southeast. The country covers an area of , and has a population of 3.7 million people. Tbilisi is its capital as well as its largest city, home to roughly a third of the Georgian population. During the classical era, several independent kingdoms became established in what is now Georgia, such as Colchis and Iberia. In the early 4th century, ethnic Georgians officially adopted Christianity, which contributed to the spiritual and political unification of the early Georgian states. In the Middle Ages, the unified Kingdom of Georgia emerged and reached its Golden Age during the reign of King David IV and Queen Tamar in the 12th and early 13th centuries. Thereafter, the kingdom decl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ethnomusicologist
Ethnomusicology is the study of music from the cultural and social aspects of the people who make it. It encompasses distinct theoretical and methodical approaches that emphasize cultural, social, material, cognitive, biological, and other dimensions or contexts of musical behavior, in addition to the sound component. Within musical ethnography it is the first-hand personal study of musicking as known as the act of taking part in a musical performance. Folklore studies, Folklorists, who began preserving and studying folklore music in Europe and the US in the 19th century, are considered the precursors of the field prior to the World War II, Second World War. The term ''ethnomusicology'' is said to have been coined by Jaap Kunst from the Greek language, Greek words ἔθνος (''ethnos'', "nation") and μουσική (''mousike'', "music"), It is often defined as the anthropology or ethnography of music, or as musical anthropology.Seeger, Anthony. 1983. ''Why Suyá Sing''. Lon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Improvisation
Improvisation is the activity of making or doing something not planned beforehand, using whatever can be found. Improvisation in the performing arts is a very spontaneous performance without specific or scripted preparation. The skills of improvisation can apply to many different faculties, across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines; see Applied improvisation. Improvisation also exists outside the arts. Improvisation in engineering is to solve a problem with the tools and materials immediately at hand. Improvised weapons are often used by guerrillas, insurgents and criminals. Engineering Improvisation in engineering is to solve a problem with the tools and materials immediately at hand. Examples of such improvisation was the re-engineering of carbon dioxide scrubbers with the materials on hand during the Apollo 13 space mission, or the use of a knife in place of a screwdriver to turn a screw. Engineering improvisations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kavkasia
Trio Kavkasia is a U.S. trio performing traditional vocal polyphony from Georgia. Trio Kavkasia (Georgian word for Caucasus) was formed in 1994 by Alan Gasser, Stuart Gelzer and Carl Linich, three Americans who together have more than sixty years of experience singing the traditional music of Georgia. They sing concerts and lead workshops in North America, and they have made several extended visits to Georgia Georgia most commonly refers to: * Georgia (country), a country in the Caucasus region of Eurasia * Georgia (U.S. state), a state in the Southeast United States Georgia may also refer to: Places Historical states and entities * Related to the ... to study with singers there, both in professional ensembles and in remote villages. In 1997 each of them was made a State Prize Laureate and was awarded the Silver Medal of the Georgian Ministry of Culture "for profound knowledge of the folk music of Georgia and his role in its popularization around the world." Discography * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darbazi
Darbazi ( ka, დარბაზი; from fa, italic=yes, darvāze, "gate") is a term used in Georgia to describe a chamber with a distinctive "swallow dome"-type roof structure found in the traditional domestic architecture of Asia Minor and the South Caucasus. The central feature is a pyramidal vault (''gvirgvini''), supported on pillars and constructed of a stepped series of hewn logs and beams, with a central opening at the top which serves as a window and smoke flue. The Roman authority Vitruvius (1st century BC) includes in his ''De architectura'' a description of a Colchian dwelling, the ancient prototype of a ''darbazi''. Lang, David Marshall (1966), ''The Georgians'', pp. 119-123. Praeger Publishers. Such lantern roofs are called ''harazashen'' or ''glkhatun'' in Armenia, ''kirlangiç kubbe'' or ''kirlangiç ortu'' in Turkey, and ''karadam'' in Azerbaijan. The ''darbazi'' house, with local variations, continued to be constructed into the 20th century in Georgia. It occur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_GEORGIAN_NOBLEMAN'S_HOUSE_IN_TIFLIS.jpg "Click for more on -> Darbazi")