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Mrdanga
The khol is a terracotta two-sided drum used in northern and eastern India for accompaniment with devotional music (''bhakti''). It is also known as a mridanga (< + , ), not to be confused with ''''. It originates from the Indian states of , and . The drum is played with palms and fingers of both hands. Description The khol is regarded as resembling to the ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirtan
Kirtana ( sa, कीर्तन; ), also rendered as Kirtan, is a Sanskrit word that means "narrating, reciting, telling, describing" of an idea or story, specifically in Indian religions. It also refers to a genre of religious performance arts, connoting a musical form of narration or shared recitation, particularly of spiritual or religious ideas, native to the Indian subcontinent. With roots in the Vedic ''anukirtana'' tradition, a kirtan is a call-and-response style song or chant, set to music, wherein multiple singers recite or describe a legend, or express loving devotion to a deity, or discuss spiritual ideas. It may include dancing or direct expression of ''bhavas'' (emotive states) by the singer. Many kirtan performances are structured to engage the audience where they either repeat the chant,Sara Brown (2012), ''Every Word Is a Song, Every Step Is a Dance'', PhD Thesis, Florida State University (Advisor: Michael Bakan), pages 25-26, 87-88, 277 or reply to the call of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sattriya
''Sattriya'' ( as, সত্ৰীয়া), or ''Sattriya Nritya'', is a major Indian classical dance. This dance was initially created as part of Bhaona which are performances of '' Ankiya Nat'', one-act plays, originally created by Sankardev, the 15th-16th century polymath from Assam.Ankiya Nat UNESCO: Asia-Pacific Database on Intangible Cultural Heritage (ICH), Japan These dances are part of the living traditions today of s, which are communities of live-in devotees belonging to the , the religion established by Sankardev. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odisha
Odisha (English: , ), formerly Orissa ( the official name until 2011), is an Indian state located in Eastern India. It is the 8th largest state by area, and the 11th largest by population. The state has the third largest population of Scheduled Tribes in India. It neighbours the states of Jharkhand and West Bengal to the north, Chhattisgarh to the west, and Andhra Pradesh to the south. Odisha has a coastline of along the Bay of Bengal in Indian Ocean. The region is also known as Utkala and is also mentioned in India's national anthem, " Jana Gana Mana". The language of Odisha is Odia, which is one of the Classical Languages of India. The ancient kingdom of Kalinga, which was invaded by the Mauryan Emperor Ashoka (which was again won back from them by King Kharavela) in 261 BCE resulting in the Kalinga War, coincides with the borders of modern-day Odisha. The modern boundaries of Odisha were demarcated by the British Indian government when Orissa Province wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Govindadasa
Govindadasa (1535–1613, bn, গোবিন্দদাস) was a Bengali Vaishnava poet known for his body of devotional songs addressed to Krishna. Living in an atmosphere of Krishna-bhakti preached by Sri Chaitanya (1486–1533), he composed extensively on the Radha-Krishna love legend. He is also known as Govindadasa Kaviraja. Life Govindadasa came from a Baidya family. The younger son of Chiranjeeva and Sunanda, Govindadasa was born in his mother's ancestral home in Srikhanda, a village in Bardhaman district which was one of the centers of Gaudiya Vaishnavism. His grandfather (Sunanda's father) Damodar Sen was also a poet, the author of '' Sangit Damodar''. His brother Ramachandra was a noted philosopher-poet. After the death of his father, Ramachandra went to live in Srikhanda with his maternal grandfather( Even now the members of his family live here and everyone knows them as Karta Roy) , Damodar Sen, who was a disciple of Narahari Sarkar. Later, for a short duratio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chandidas
Chandidas (born 1408) was a medieval poet of Bengal, or possibly more than one. Over 1250 poems related to the love of Radha and Krishna in Bengali with the ''bhanita'' of Chandidas are found with three different sobriquets along with his name, ', ''Dvija'' and ''Dina'' as well as without any sobriquet also. It is not clear whether these ''bhanita''s actually refer to the same person or not. It is assumed by some modern scholars that the poems which are current in the name of Chandidas are actually the works of at least four different Chandidas, who are distinguished from each other by their sobriquets found in the ''bhanita''s. It is also assumed that the earliest of them was Ananta Chandidas, who has been more or less identified as a historical figure born in the 14th century in Birbhum district of the present-day West Bengal state and wrote the lyrical ''Srikrishna Kirtan'' (Songs in praise of Krishna). ''Srikrishna Kirtan'' In 1916, the Bangiya Sahitya Parishad published ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arati
''Arti'' (Sanskrit: Ārātrika, Hindi: Ārtī) is a Hindu ritual employed in worship, often part of '' puja'', in which light (usually from a flame) is offered to one or more deities. ''Arti(s)'' also refers to the songs sung in praise of the deity, when the light is being offered. Origin Arti is derived from the Sanskrit word () which means something that removes , darkness (or light waved in darkness before an icon). A Marathi language reference says it is also known as ( sa, महानीराञ्जना). ''Arti'' is said to have descended from the Vedic concept of fire rituals, or '' homa/yajna''. In the traditional ''arti'' ceremony, the flower represents the earth (solidity), the water and accompanying handkerchief correspond with the water element (liquidity), the ghee or oil lamp represents the fire component (heat), the peacock fan conveys the precious quality of air (movement), and the yak-tail fan represents the subtle form of ether (space). The incense rep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaishnavites
Vaishnavism ( sa, वैष्णवसम्प्रदायः, Vaiṣṇavasampradāyaḥ) is one of the major Hindu denominations along with Shaivism, Shaktism, and Smartism. It is also called Vishnuism since it considers Vishnu as the sole supreme being leading all other Hindu deities, i.e. ''Mahavishnu''. Its followers are called Vaishnavites or ''Vaishnava''s (), and it includes sub-sects like Krishnaism and Ramaism, which consider Krishna and Rama as the supreme beings respectively. According to a 2010 estimate by Johnson and Grim, Vaishnavism is the largest Hindu sect, constituting about 641 million or 67.6% of Hindus. The ancient emergence of Vaishnavism is unclear, and broadly hypothesized as a fusion of various regional non-Vedic religions with Vishnu. A merger of several popular non-Vedic theistic traditions, particularly the Bhagavata cults of Vāsudeva-krishna and ''Gopala-Krishna'', and Narayana, developed in the 7th to 4th century BCE. It was integrated wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taal (instrument)
The taal, manjira (also spelled manjīrā or manjeera), jalra, karatala, kartal or gini is a pair of clash cymbals, originating in the Indian subcontinent, which make high-pitched percussion sounds. In its simplest form, it consists of a pair of small hand cymbals. The word taal comes from the Sanskrit word ''Tālà'', which literally means a clap. It is a part of Indian music and culture, used in various traditional customs e.g. Bihu music, Harinaam etc. It is a type of Ghana vadya. In Hindu religious contexts it is known as karatalas (; ''kara'' "hand", "arm" and ''tāla'' "rhythm", "beat"), typically used to accompany devotional music such as bhajan and kirtan. They are commonly used by Hare Krishna devotees when performing harinam, but are ubiquitous to all Hindu devotional music. It is also called karatala or kartal (pronounced as “kartel”) in some contexts. Types There are many types of Taal, categorised by size, weight and appearance. * Bortaal is the big size cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Borgeet
Borgeets ( as, বৰগীত, lit=songs celestial, translit=Borgeet) are a collection of lyrical songs that are set to specific ragas but not necessarily to any tala. These songs, composed by Srimanta Sankardeva and Madhavdeva in the 15th-16th centuries, are used to begin prayer services in monasteries, e.g. Satra and Namghar associated with the Ekasarana Dharma; and they also belong to the repertoire of Music of Meghalaya outside the religious context. They are a lyrical strain that express the religious sentiments of the poets reacting to different situations, and differ from other lyrics associated with the Ekasarana Dharma. Similar songs composed by others are not generally considered . The first Borgeet was composed by Srimanta Sankardeva during his first pilgrimage at Badrikashram in c1488, which is contemporaneous to the birth of Dhrupad in the court of Man Singh Tomar (1486-1518) of Gwalior. Brajavali dialect is a language native to the Braj region of Uttar Prade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gayan-bayan
In Assam, north India, gayan-bayan (''gāyan-bāyan'') is a religious dance performed by disciples of Sankardev in ''satra''s. The phrase ''gāyan-bāyan'' comes from ''gāyan'' (‘singer’) and ''bāyan'' (‘drummer’). The drums used by the ''bayan'' are mainly khols and cymbals are used. The Gayan bayan may differ according to the different Satras Satras are institutional centers associated with the Ekasarana tradition of Vaishnavism, largely found in the Indian state of Assam and neighboring regions. Numbering in the hundreds, these centers are generally independent of each other and ... and sects. See also References Bhakti movement Cultural history of Assam Vaishnavism {{hinduism-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_Aarti_Thali%2C_Prayer_Plate_India.jpg "Click for more on -> Arati")
