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Mr. Fathead
''Mr. Fathead'' is an album by saxophonist David Newman recorded in 1977 and released on the Warner Bros label. accessed November 29, 2018 Reception In his review for , Alex Henderson stated: "Newman showed a lot of R&B fans that improvisatory horn solos weren't something to be afraid of. Improvisation, however, isn't something that you will hear a lot of on 1976's disappointing ''Mr. Fathead'' ... For the most part, this erratic and unfocused LP isn't soul-jazz, most of the material is either disco-funk or lightweight instrumental pop. ... for the most part, ''Mr. Fathead'' wastes Newman's considerable ta ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David "Fathead" Newman
David "Fathead" Newman (February 24, 1933 – January 20, 2009) was an American jazz and rhythm-and-blues saxophonist, who made numerous recordings as a session musician and leader, but is best known for his work as a sideman on seminal 1950s and early 1960s recordings by Ray Charles. The AllMusic Guide to Jazz wrote that "there have not been many saxophonists and flutists more naturally soulful than David 'Fathead' Newman." Newman was a leading exponent of the "Texas Tenor" saxophone style, a big-toned, bluesy approach popularized by jazz tenor players from that state. Early life Newman was born in Corsicana, Texas, United States, on February 24, 1933, but grew up in Dallas, where he studied first the piano and then the saxophone. According to one account, he got his nickname "Fathead" in school when "an outraged music instructor used it as an epithet after catching Mr. Newman playing a Sousa march from memory rather than from reading the sheet music, which rested upside down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Piano
An electric piano is a musical instrument which produces sounds when a performer presses the keys of a piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone (a lamellophone with a keyboard & pickups). The earliest electric pianos were invented in the late 1920s; the 1929 ''Neo- Bechstein'' electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuba
The tuba (; ) is the lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece. It first appeared in the mid-19th century, making it one of the newer instruments in the modern orchestra and concert band. The tuba largely replaced the ophicleide. ''Tuba'' is Latin for "trumpet". A person who plays the tuba is called a tubaist, a tubist, or simply a tuba player. In a British brass band or military band, they are known as bass players. History Prussian Patent No. 19 was granted to Wilhelm Friedrich Wieprecht and Johann Gottfried Moritz (1777–1840) on September 12, 1835 for a "bass tuba" in F1. The original Wieprecht and Moritz instrument used five valves of the Berlinerpumpen type that were the forerunners of the modern piston valve. The first tenor tuba was invented in 1838 by Carl Wilhelm Moritz (1810–1855), son of Johann Gottfried Moritz. The addition of valves made it po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Morrow
Buddy Morrow (born Muni Zudekoff, aka Moe Zudekoff; February 8, 1919 – September 27, 2010) was an American trombonist and bandleader. Career On a scholarship at age 16, Morrow studied trombone with Ernest Horatio Clarke (1865–1947) at Juilliard from October to December 1936. During the next year he began playing trombone with Sharkey Bonano's Sharks of Rhythm, an Eddie Condon group. He then worked with Eddy Duchin, Vincent Lopez, and Artie Shaw. He became known as "Buddy Morrow" in 1938 when he joined the Tommy Dorsey band. In 1939 he performed with Paul Whiteman's Concert Orchestra for their recording of Gershwin's ''Concerto in F''. In 1940, Morrow joined the Tony Pastor band, but this was only a short detour on his way to replacing Ray Conniff in the Bob Crosby band. Shortly thereafter, he joined the U.S. Navy, during which he recorded with Billy Butterfield, leading a ten-piece band with three trombones, accompanying Red McKenzie singing four arrangements, including "Swe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burt Collins
Burton L. Collins (March 27, 1931, New York City – February 23, 2007, Philadelphia) was an American jazz trumpeter. Collins was born in New York but raised in Philadelphia. He worked in the 1950s with Dizzy Gillespie, Urbie Green, Neal Hefti, Woody Herman, Elliot Lawrence, Johnny Richards, and Claude Thornhill. He relocated to New York again around 1960, where he played in Broadway orchestras and in ensembles with Cannonball Adderley, Albert Ayler, Jimmy McGriff, Blue Mitchell, Duke Pearson, and Stanley Turrentine, among others. He and Joe Shepley formed the group Collins-Shepley Galaxy in 1970, which recorded two albums, including a Lennon/McCartney tribute. Later the 1970s he worked with Urbie Green again as well as with Janis Ian (where he played the featured flugelhorn break on '' At Seventeen''), Lee Konitz and David Matthews, and played flugelhorn on T. Rex's album ''Electric Warrior''. His other associations include work with Sal Salvador, Pat Moran, Astrud Gilberto, G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clavinet
The Clavinet is an electrically amplified clavichord invented by Ernst Zacharias and manufactured by the Hohner company of Trossingen, West Germany, from 1964 to 1982. The instrument produces sounds by a rubber pad striking a point on a tensioned string, and was designed to resemble the Renaissance-era clavichord. Although originally intended for home use, the Clavinet became popular on stage, and could be used to create electric guitar sounds on a keyboard. It is strongly associated with Stevie Wonder, who used the instrument extensively, particularly on his 1972 hit "Superstition", and was regularly featured in rock, funk and reggae music throughout the 1960s and 1970s. Modern digital keyboards can emulate the Clavinet sound, but there is also a grass-roots industry of repairers who continue to maintain the instrument. Description The Clavinet is an electromechanical instrument that is usually used in conjunction with a keyboard amplifier. Most models have 60 keys ranging ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pat Rebillot
Patrick Earl "Pat" Rebillot (born April 21, 1935) is an American jazz pianist and composer. Early life and education Born in Louisville, Ohio, Rebilliot studied music at Mt. Union College and the Cincinnati Conservatory of Music with Jeno Takacs. He graduated with a Bachelor of Music Education in 1957. Career Rebillot is associated with fellow session and studio musicians Hugh McCracken, Tony Levin, Steve Gadd, Ray Barretto and Ralph MacDonald. A long-time member of Herbie Mann's various line-ups, for which he is also credited as arranger, Rebillot also appears on recordings by John Klemmer, Steely Dan, the Average White Band, Gloria Gaynor, Irene Worth, Bette Midler, Flora Purim, Hall & Oates, David Newman, Jon Faddis, Morrissey–Mullen and others. Discography As leader *''Free Fall'' - with Tony Levin on bass, Steve Gadd on drums, Armen Halburian on percussion and Sam Brown on guitar. Produced by Herbie Mann (1974) - Atlantic Records As sideman With Patti Austin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keyboard Instrument
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Another important use of the word ''keyboard'' is in historical musicology, where it means an instrument whose identity cannot be firmly established. Particularly in the 18th century, the harpsichord, the clavichord, and the early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
