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Mother's Choice
''Mother's Choice'' is the fourth album for Australian Rock music, rock band Buffalo (band), Buffalo, recorded during 1975 and 1976 and originally released in 1976 by Vertigo Records. After the dismissal of founding guitarist John Baxter at the end of 1974, the band underwent both a major line up change, and a shift towards more commercially oriented hard rock in a bid to attain greater radio airplay (which had eluded them up to this point) and mainstream acceptance. However, ''Mother's Choice'' received a backlash both critically and commercially. Also in contrast to ''Volcanic Rock (album), Volcanic Rock'' and ''Only Want You For Your Body'', the artwork ''Mother's Choice'' was overtly conservative. Whilst partly a result of the band striving for mainstream appeal, it was also partly in reaction to the management of Phonogram Records (parent company to the Vertigo Records, Vertigo label) objecting to two working titles for the album – ''Songs for the Frustrated Housewife ...
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Buffalo (band)
Buffalo was an Australian rock band formed in August 1971 by founding mainstay Dave Tice on lead vocals (ex-Head). Fellow founders, also from Head, were Paul Balbi on drums, John Baxter on guitar, and Peter Wells on bass guitar; together with Alan Milano on lead vocals (ex-Mandala). Milano left after their debut album, '' Dead Forever...'' (June 1972), and Balbi was replaced on drums by Jimmy Economou. Their next two albums, ''Volcanic Rock'' (July 1973) and '' Only Want You for Your Body'' (June 1974), were also issued by Vertigo Records. After 1975 line-up changes resulted in a more commercial sound and the group disbanded in March 1977. Australian musicologist Ian McFarlane noted that there was "nothing subtle about Buffalo's primal, heavyweight sound, but it was delivered with a great deal of conviction ... combining the dense, heavy riffing ... with the progressive blues chops ... the band certainly captured the arrogant disposition of the times in a bold and thunderous fas ...
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Little Queenie
"Little Queenie" is a song written and recorded by Chuck Berry. Released in March 1959 as a double A-side single with " Almost Grown", it was included on ''Chuck Berry Is on Top'' (1959), Berry's first compilation album. He performed the song in the movies ''Go, Johnny Go!'' (1959) and ''Hail! Hail! Rock 'n' Roll'' (1987). One year earlier, Berry had released "Run Rudolph Run", a Christmas song with the same melody. Background The song was recorded on November 19, 1958, in Chicago, Illinois. Backing Berry on vocals and guitar were either Johnnie Johnson or Lafayette Leake on piano, Willie Dixon on bass, and Fred Below on drums. In a song review for AllMusic, Matthew Greenwald calls it an "incredible rock & roll anthem" and "one of the greatest dance/sex ritualistic classics." It is included several of Berry's compilation albums, including ''The Great Twenty-Eight'' and '' Chuck Berry's Golden Decade''. Chart performance The song peaked at number 80 on the ''Billboard'' Hot 100 ...
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Mark Simmonds (saxophonist)
Mark Simmonds (1955 – September 2020) was a New Zealand-Australian jazz tenor saxophonist, composer, and leader of the group The Freeboppers. Born in Christchurch, New Zealand, he moved to Sydney, New South Wales, Australia when he was 10 years old.Jazz - The Australian Accent by John Shand Career Prominent in the Australian jazz scene throughout the 1970s, 80s and 90s, Mark Simmonds also worked in many other musical settings such as soul, funk groups The Dynamic Hepnotics (1985–1986), Jackie Orszaczky's ''Jump Back Jack'', and also contemporary music groups such as Phil Treloar's ''Feeling to Thought'', PipeLine and The Umbrellas. In addition to these, the Australian Rock database lists Simmonds as a member of Drain, Corroboree, Chris Turner Band, Silver Studs, Keys Orchestra, Moonlight, Ol' 55, Bentley's Boogie Band, and Renee Geyer Band. Simmonds led his own groups, mostly under the name of ''The Freeboppers''. In December 1981, Mark Simmonds' Freeboppers played at the ...
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Slide Guitar
Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object (a slide) against the strings, creating the opportunity for glissando effects and deep vibratos that reflect characteristics of the human singing voice. It typically involves playing the guitar in the traditional position (flat against the body) with the use of a slide fitted on one of the guitarist's fingers. The slide may be a metal or glass tube, such as the neck of a bottle. The term bottleneck was historically used to describe this type of playing. The strings are typically plucked (not strummed) while the slide is moved over the strings to change the pitch. The guitar may also be placed on the player's lap and played with a hand-held bar (lap steel guitar). Creating music with a slide of some type has been traced back to African stringed instruments and also to the origin of the steel guitar in Hawaii. Near the beginning of the ...
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Peter Wells (guitarist)
Peter William "Pete" Wells (31 December 194627 March 2006) was the founder and slide guitarist in Australian hard rock band, Rose Tattoo, from 1976 to 1983. He was previously bass guitarist with the pioneering heavy metal music, heavy metal outfit Buffalo (band), Buffalo from 1971 to 1976. Wells also had a solo career and issued albums, ''Everything You Like Tries to Kill You'' (1991), ''The Meaning of Life'' (1992), ''No Hard Feelings'' (1993), ''Orphans'' (1994), ''Go Ahead, Call the Cops'' (1996), ''It's All Fun and Games 'till Somebody Gets Hurt'' (1999), ''Hateball'' (2000) and ''Solo'' (2002). In 2002 he was diagnosed with prostate cancer and, on 27 March 2006, Wells died of the disease, aged 59. Rose Tattoo were inducted into the Australian Recording Industry Association (ARIA) ARIA Hall of Fame, Hall of Fame on 16 August of that same year. Biography Early years to Buffalo Peter William Wells, was born on 31 December 1946. In 1966 he was the bass guitarist of The O ...
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B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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Bobby Troup
Robert William Troup Jr. (October 18, 1918 – February 7, 1999) was an American actor, jazz pianist, singer, and songwriter. He wrote the song " Route 66" and acted in the role of Dr. Joe Early with his wife Julie London in the television program ''Emergency!'' in the 1970s. Early life Robert William Troup Jr. was born in Harrisburg, Pennsylvania. His father Robert William Troup worked for the family business J. H. Troup Music House and founded its Lancaster, Pennsylvania branch store. He graduated from The Hill School, a preparatory school in Pottstown, Pennsylvania, in 1937. He went on to graduate Phi Beta Kappa from the Wharton School at the University of Pennsylvania with a degree in economics. Career Military and music His earliest musical success came in 1941 with the song "Daddy" written for a Mask and Wig production. Sammy Kaye and His Orchestra recorded "Daddy", which was number one for eight weeks on the '' Billboard'' chart and the number five record of 1941; othe ...
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The Girl Can't Help It (song)
"The Girl Can't Help It" is the title song to the film ''The Girl Can't Help It'', with words and music by songwriter Bobby Troup. It was performed by Little Richard and was released in December 1956. In the US, the song peaked at No. 49 on the Billboard Hot 100, ''Billboard'' Top 100 singles chart and No. 7 on the R&B Best Sellers Chart. Overseas, "The Girl Can't Help It" peaked at No. 9 in the UK Singles Chart. It was included on the Rolling Stone's 500 Greatest Songs of All Time at No. 413. Originally, Fats Domino was lined up to record the track, which was not written as a rock song. Cover versions and adaptations The Animals covered it on both their US debut album ''The Animals (American album), The Animals'', on MGM Records and their UK debut album also called ''The Animals (British album), The Animals'', on Columbia (EMI) in 1964. In 1965 by the Everly Brothers, in 1969 by the Flamin' Groovies, in 1970 by Led Zeppelin, in 1975 by Mick Ronson, and in 2001 by Babes in Toyla ...
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Sweet Little Sixteen
"Sweet Little Sixteen" is a rock and roll song written and first recorded by Chuck Berry, who released it as a single in January 1958. His performance of it at that year's Newport Jazz Festival was included in the documentary film ''Jazz on a Summer's Day''. It reached number two on the ''Billboard'' Hot 100, one of two of Berry's second-highest positions—along with Johnny Rivers cover of "Memphis, Tennessee"—on that chart (surpassed only by his suggestive hit " My Ding-A-Ling", which reached number one in 1972). "Sweet Little Sixteen" also reached number one on the R&B Best Sellers chart. In the UK, it reached number 16 on the UK Official Charts. ''Rolling Stone'' magazine ranked the song number 272 on its list of the " 500 Greatest Songs of All Time" in 2004. He used the same melody on an earlier song, "The Little Girl From Central" recorded on Checkmate in 1955. Personnel Recorded December 29–30, 1957 * Chuck Berry – vocals and guitar * Lafayette Leake – piano * Willi ...
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Chuck Berry
Charles Edward Anderson Berry (October 18, 1926 – March 18, 2017) was an American singer, songwriter and guitarist who pioneered rock and roll. Nicknamed the " Father of Rock and Roll", he refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as " Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957) and " Johnny B. Goode" (1958). Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.Campbell, M. (ed.) (2008). ''Popular Music in America: And the Beat Goes On''. 3rd ed. Cengage Learning. pp. 168–169. Born into a middle-class black family in St. Louis, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student, he was convicted of armed robbery and was sent to a reformator ...
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Phonogram Records
Phonogram Incorporated was started in 1970 as a successor to Philips Phonographic Industries, a unit of the Grammophon-Philips Group (GPG), a joint venture of Philips N.V. of the Netherlands and Siemens A.G. of Germany. Phonogram was the name of a parent company that owned and or distributed many different record labels. Phonogram was never a record label as such, but a holding company for labels which included Philips, Fontana, Vertigo and Mercury and many other licensed labels. History In 1972 Grammophon-Philips Group was reorganized as The PolyGram Group. Following PolyGram's acquisition of Mercury in the United States, the corporate name was changed from Mercury Record Productions, Inc., to Phonogram, Inc. In the U.S. Phonogram artists were generally released on Mercury Records, but the label is independent from its U.K. counterpart. By 1982, Mercury and all other PolyGram owned labels including, RSO, Polydor, Total Experience and Casablanca carried the following wor ...
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Trafalgar Studios
Trafalgar Theatre is a new West End theatre in Whitehall, near Trafalgar Square, in the City of Westminster, London. It is set to open in spring 2021 following a major multi-million Pound sterling, pound restoration project aiming to reinstate it back to its original heritage design. The Listed building, Grade II listed building was built in 1930 with interiors in the Art Deco style as the Whitehall Theatre; it regularly staged comedies and revues. It was converted into a television and radio studio in the 1990s, before returning to theatrical use in 2004 as Trafalgar Studios, the name it bore until 2020. History 1930 to 1996 The original Whitehall Theatre, built on the site of the 17th century ''Ye Old Ship Tavern'' was designed by Edward A. Stone, with interiors in the Art Deco style by Marc-Henri and Laverdet. It had 634 seats. The theatre opened on 29 September 1930 with ''The Way to Treat a Woman'' by Walter Hackett, who was the theatre's licensee. In November 1933 Henry D ...
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