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Mort Weiss
Mort Weiss was a jazz clarinet player. On his first album as leader he performed with Joey DeFrancesco on the Hammond B3 organ, featured also on his second album ''B3 and Me'' (recorded in 2003 but not released until 2006). According to Scott Yanow, "Clarinet-organ groups are far from common. In fact, prior to Mort Weiss' debut CD with organist Joey DeFrancesco, it is possible that combination had never been utilized before." Weiss has performed with Bill Cunliffe, Sam Most, Ramon Banda, Dave Carpenter, Roy McCurdy, and Luther Hughes and has written essays for the website All About Jazz. Weiss died October 13, 2021, in Woodbridge, Virginia, and is survived by his son Michael H Weiss. Cause of death was a combination of MRSA and heart failure. Career Weiss began clarinet lessons when he was nine years old. After moving with his family to Los Angeles, he continued playing classical music. During his teens he studied with clarinetist Antonio Remondi of the Los Angeles Philharmonic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joey DeFrancesco
Joey DeFrancesco (April 10, 1971August 25, 2022) was an American jazz organist, trumpeter, saxophonist, and occasional singer. He released more than 30 albums under his own name, and recorded extensively as a sideman with such leading jazz performers as trumpeter Miles Davis, saxophonist Houston Person, and guitarist John McLaughlin. DeFrancesco signed his first record deal at the age of 16 and over the years recorded and toured internationally with David Sanborn, Arturo Sandoval, Larry Coryell, Frank Wess, Benny Golson, James Moody, Steve Gadd, Danny Gatton, Elvin Jones, Jimmy Cobb, George Benson, Pat Martino, Tony Monaco, John Scofield, Lee Ritenour, Joe Lovano, and had prominent session work with a variety of musicians, including Ray Charles, Bette Midler, Janis Siegel, Diana Krall, Jimmy Smith, and Van Morrison. Early life and education DeFrancesco was born in Springfield, Pennsylvania, on April 10, 1971. He was born into a musical family that included three generatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Westlake School Of Music
Westlake may refer to: Places Australia * Westlake, Canberra, a ghost town suburb of Canberra * Westlake, Queensland, a suburb of Brisbane New Zealand *Westlake, New Zealand, a suburb of Auckland **Westlake Girls High School **Westlake Boys High School United States *Westlake, Daly City, California *Westlake, Los Angeles, California *Westlake, California, a master-planned community which now comprises: **The entirety of Westlake Village, California **A neighborhood in Thousand Oaks, California *Westlake, Florida *Westlake, Georgia *Westlake, Louisiana *Westlake, Ohio *Westlake, Oregon *Westlake, Texas *Westlake, Seattle, Washington **Westlake Center, Seattle, Washington *Westlake Corner, Virginia *Westlake High School (other) *West Lake Hills, Texas People *Clive Westlake (1932–2000), British songwriter *David Westlake, British singer/songwriter *Dean Westlake (1960-2022), American politician *Donald E. Westlake (1933–2008), American author *H.D. Westlake (1906– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bebop Clarinetists
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodies. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
21st-century Clarinetists
The 1st century was the century spanning AD 1 ( I) through AD 100 ( C) according to the Julian calendar. It is often written as the or to distinguish it from the 1st century BC (or BCE) which preceded it. The 1st century is considered part of the Classical era, epoch, or historical period. The 1st century also saw the appearance of Christianity. During this period, Europe, North Africa and the Near East fell under increasing domination by the Roman Empire, which continued expanding, most notably conquering Britain under the emperor Claudius (AD 43). The reforms introduced by Augustus during his long reign stabilized the empire after the turmoil of the previous century's civil wars. Later in the century the Julio-Claudian dynasty, which had been founded by Augustus, came to an end with the suicide of Nero in AD 68. There followed the famous Year of Four Emperors, a brief period of civil war and instability, which was finally brought to an end by Vespasian, ninth Roman emperor, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Living People
Related categories * :Year of birth missing (living people) / :Year of birth unknown * :Date of birth missing (living people) / :Date of birth unknown * :Place of birth missing (living people) / :Place of birth unknown * :Year of death missing / :Year of death unknown * :Date of death missing / :Date of death unknown * :Place of death missing / :Place of death unknown * :Missing middle or first names See also * :Dead people * :Template:L, which generates this category or death years, and birth year and sort keys. : {{DEFAULTSORT:Living people 21st-century people People by status ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ron Eschete
Ron is a shortening of the name Ronald. Ron or RON may also refer to: Arts and media * Big Ron (''EastEnders''), a TV character * Ron (''King of Fighters''), a video game character *Ron Douglas, the protagonist in ''Lucky Stiff'' played by Joe Alasky *Ron Weasley, a character in ''Harry Potter.'' Language * Ron language, spoken in Plat State, Nigeria * Romanian language (ISO 639-3 code ron) People Mononym *Ron (singer), Rosalino Cellamare (born 1953), Italian singer Given name *Ron (given name) Surname *Dana Ron (born 1964), Israeli computer scientist and professor * Elaine Ron (1943-2010), American epidemiologist *Emri Ron (born 1936), Israeli politician *Ivo Ron (born 1967), Ecuadorian football player * Jason De Ron (born 1973), Australian musician * José Ron (born 1981), Mexican actor *Liat Ron, actress, dancer and dance instructor * * Lior Ron (born 1982), Israeli-American film and trailer composer and musician * Michael Ron (born 1932), Israeli fencer * Michael Røn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy DeFranco
Boniface Ferdinand Leonard "Buddy" DeFranco (February 17, 1923 – December 24, 2014) was an Italian-American jazz clarinetist. In addition to his work as a bandleader, DeFranco led the Glenn Miller Orchestra for almost a decade in the 1960s and 1970s. Biography Born in Camden, New Jersey, United States, DeFranco was raised in South Philadelphia. He was playing the clarinet by the time he was nine years old and within five years had won a national Tommy Dorsey swing contest. He began his professional career just as swing music and big bands—many of which were led by clarinetists like Artie Shaw, and Benny Goodman—were in decline. While most jazz clarinet players did not adapt to this change, DeFranco successfully continued to play clarinet exclusively, and was one of the few bebop clarinetists. In 1950, DeFranco spent a year with Count Basie's septet. He then led a small combo in the early 1950s which included pianist Sonny Clark and guitarist Tal Farlow. In this p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodshedding
"Woodshedding", or shedding, is a term commonly used by musicians to mean rehearsing a difficult passage repeatedly until it can be performed flawlessly. The term is used metaphorically where "the woodshed" means any private place to practice without being heard by anyone else. This is based on the assumption that an actual woodshed would likely be in a remote location, away from the main house. In jazz music In jazz lingo, woodshedding is often shortened to 'shed or 'shedding. According to Paul Klemperer, a Texas-based jazz educator, woodshedding is more than just practicing— it is "the place where you work out the techniques that form the foundation of your improvisational ability". In barbershop singing In barbershop music, woodshedding can mean starting only with a melody and working out harmonies by ear without benefit of notated music. Other uses In legal parlance, "woodshedding" refers to the instruction given to a witness to make him respond in one party's favor. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jam Session
A jam session is a relatively informal musical event, process, or activity where musicians, typically instrumentalists, play improvised solos and vamp over tunes, drones, songs, and chord progressions. To "jam" is to improvise music without extensive preparation or predefined arrangements, except for when the group is playing well-known jazz standards or covers of existing popular songs. Original jam sessions, also called "free flow sessions," are often used by musicians to develop new material (music) and find suitable arrangements. Both styles can be used simply as a social gathering and communal practice session. Jam sessions may be based upon existing songs or forms, may be loosely based on an agreed chord progression or chart suggested by one participant, or may be wholly improvisational. Jam sessions can range from very loose gatherings of amateurs to evenings where a jam session coordinator or host acts as a "gatekeeper" so that appropriate-level performers take the stage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dixieland
Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band (which shortly thereafter changed the spelling of its name to "Original Dixieland Jazz Band"), fostered awareness of this new style of music. A revival movement for traditional jazz began in the 1940s, formed in reaction to the orchestrated sounds of the swing era and the perceived chaos of the new bebop sounds (referred to as "Chinese music" by Cab Calloway), Led by the Assunto brothers' original Dukes of Dixieland, the movement included elements of the Chicago style that developed during the 1920s, such as the use of a string bass instead of a tuba, and chordal instruments, in addition to the original format of the New Orleans style. That reflected that virtually all of the recorded repertoire of New Orleans musicians was from the perio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freddie Martin
Frederick Alfred Martin (December 9, 1906 – September 30, 1983) was an American bandleader and tenor saxophonist. Early life Freddy Martin was born in Cleveland, Ohio, United States. Raised largely in an orphanage and by various relatives, Martin started out playing drums, then switched to C melody saxophone and subsequently tenor saxophone, the latter the one with which he would be identified. Early on, he had intended to become a journalist. He had hoped that he would earn enough money from his musical work to enter Ohio State University, but instead, he wound up becoming an accomplished musician. Martin led his own band while he was in high school, then played in various local bands. Martin spent his spare time selling musical instruments; which also gave him an excuse to listen to the Lombardos play at the "Music Box". After working on a ship's band, Martin joined the Mason-Dixon band, then joined Arnold Johnson and Jack Albin. It was with Albin's "Hotel Pennsylvania Mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
