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Mors Et Vita
''Mors et vita'' is an oratorio in three parts by Charles Gounod premiered at the Birmingham Festival in 1885. It was conceived as a sequel to '' La rédemption'' (1882). The 1886 Paris premiere again featured Jean-Baptiste Faure. Gounod considered this oratorio, and its predecessor '' La rédemption'' (1882) as his greatest achievements. Recordings *Michel Plasson Michel Plasson (born 2 October 1933, Paris, France) is a French conductor. Plasson was a student of Lazare Lévy at the Conservatoire de Paris. In 1962, he was a prize-winner at the International Besançon Competition for Young Conductors. ... EMI References {{Charles Gounod 1885 compositions Oratorios based on the Bible Oratorios by Charles Gounod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (Bach/Gounod), Ave Maria (an elaboration of a Johann Sebastian Bach, Bach piece), and ''Funeral March of a Marionette''. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Birmingham Festival
The Birmingham Triennial Musical Festival, in Birmingham, England, founded in 1784, was the longest-running classical music festival of its kind. It last took place in 1912. History The first music festival, over three days in September 1768, was to help raise funds to complete the new General Hospital on Summer Lane. It proved to be very popular and successful, but it took another event in 1778 to achieve the funds required. The hospital opened September 1779. From September 1784 the performances became a permanent feature and ran every three years, becoming the Birmingham Triennial Musical Festival, still with the aim of raising funds for the hospital. Originally hosted in St Philip's Church (later to become the Cathedral) or the Theatre Royal on New Street the available venues became too small for the festival. As a result, the Birmingham Town Hall was built, and opened in 1834 to house it. The festival for 1832 was delayed by two years during its erection. Vocal works ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Rédemption
''La Rédemption'' (''The Redemption'') is an oratorio in three parts by Charles Gounod arranged for the first time in 1882. Composition ''La Rédemption'' is based on much earlier sketches, which were finished only after his publisher, Novello, arranged for its performances at the Birmingham Festival in 1882. The oratorio was a huge popular success and cemented Gounod's position in England. In the chorus of La Pentecôte (The Pentecost), Gounod elaborates his oratoria by developing a theme which he had written for the ''Cantique de nos Martyrs'', which he had written with Father Daller of the Paris Foreign Missions Society in honour of the martyrs of Korea in 1866. Theme ''La Rédemption'' was a return to Christian-themed sacred music which Charles Gounod had adhered to since his time in Rome, or in Berlin when her wrote on oratoria on the subject of Judith in 1842, or during his time as organist for the Chapel of the Paris Foreign Missions Society. In three parts, it is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Faure
Jean-Baptiste Faure () (15 January 1830 – 9 November 1914) was a French operatic baritone and art collector who also composed several classical songs. Singing career Faure was born in Moulins. A choirboy in his youth, he entered the Paris Conservatory in 1851 and made his operatic debut the following year at the Opéra-Comique, as Pygmalion in Victor Massé's ''Galathée''. He remained at the Opéra-Comique for over seven years, singing baritone roles such as Max in Adolphe Adam's '' Le chalet'' and Michel in Thomas's ''Le caïd''. During this time he also created the Marquis d'Erigny in Auber's ''Manon Lescaut'' (1856) and Hoël in Meyerbeer's '' Le pardon de Ploërmel'' (1859; later known as ''Dinorah''), among seven premieres at that house.Soubies, A. & Malherbe, C. ''Histoire de l'Opéra comique; La seconde salle Favart 1840–1887.'' Flammarion, Paris, 1893. He made his debut at the Royal Opera House, London, in 1860 as Hoël, and at the Paris Opera in 1861. He wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Plasson
Michel Plasson (born 2 October 1933, Paris, France) is a French conductor. Plasson was a student of Lazare Lévy at the Conservatoire de Paris. In 1962, he was a prize-winner at the International Besançon Competition for Young Conductors. He studied briefly in the United States, including time with Charles Münch. He became the music director of the city of Metz for 3 years. In 1968, Plasson became principal conductor of the Orchestre et Chœurs du Capitole de Toulouse. His recordings with the orchestra include orchestral works, and operettas of Jacques Offenbach, including ''Orphée aux enfers'', '' La Vie parisienne'', ''La Périchole'' and ''La belle Hélène'', and Bizet's ''Carmen''. Plasson resigned as principal conductor in 2003 and now has the title of "Honorary Conductor", or conductor emeritus. From 1994 to 2001, he was principal conductor of the Dresden Philharmonic. Guest appearances include Grand Théâtre de Genève, De Nederlandse Opera (Amsterdam) and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1885 Compositions
Events January–March * January 3– 4 – Sino-French War – Battle of Núi Bop: French troops under General Oscar de Négrier defeat a numerically superior Qing Chinese force, in northern Vietnam. * January 4 – The first successful appendectomy is performed by Dr. William W. Grant, on Mary Gartside. * January 17 – Mahdist War in Sudan – Battle of Abu Klea: British troops defeat Mahdist forces. * January 20 – American inventor LaMarcus Adna Thompson patents a roller coaster. * January 24 – Irish rebels damage Westminster Hall and the Tower of London with dynamite. * January 26 – Mahdist War in Sudan: Troops loyal to Mahdi Muhammad Ahmad conquer Khartoum; British commander Charles George Gordon is killed. * February 5 – King Leopold II of Belgium establishes the Congo Free State, as a personal possession. * February 9 – The first Japanese arrive in Hawaii. * February 16 – Charles Dow publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorios Based On The Bible
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
