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Moritz Mayer-Mahr
Moritz Mayer-Mahr (17 January 1869 – 30 July 1947) was a German pianist and music educator. Life Born in Mannheim, Mayer-Mahr was the youngest of five children of the merchant Michael Mayer-Mahr and his wife Clara ''née'' Rice(s). Already as a pupil he received piano lessons. From 1886 to 1890, he studied musical composition with Woldemar Bargiel and piano with Ernst Rudorff at the Academy of Arts, Berlin. Mayer-Mahr undertook concert tours and performed as a soloist, in a duo with Willy Burmester and in a trio with cellist Heinrich Grünfeld and violinist Bernhard Dessau, who was succeeded by Alfred Wittenberg after his death in 1923. He admired Ferruccio Busoni, whom he knew personally. Between 1910 and 1930 he recorded a series of pieces by Franz Liszt, Frédéric Chopin and others. His late recordings, however, were viewed sceptically. From 1892, Mayer-Mahr taught at the Klindworth-Scharwenka Conservatory in Berlin. Among his students were in particular Manfred G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jascha Spivakovsky
Jascha Spivakovsky (18 August 1896 – 23 March 1970) was a Russian Empire-born Australian piano virtuoso of the 20th century. He was hailed as a child prodigy in Odessa but almost murdered by Imperial Guard (Russia), Imperial Guards during the Odessa pogroms, 1905 Pogrom. He fled to Berlin and was declared the heir of Anton Rubinstein and likened to Ignacy Paderewski and Teresa Carreño before being imprisoned as an Imperial Russian enemy alien during World War I. In the interwar period he became internationally recognized as one of the greatest pianists in the world and regarded in Europe as the finest living interpreter of Brahms. He also formed a piano trio, trio which toured Europe with phenomenal success and was declared the finest in the world. Towards the beginning of 1933 he was warned by Richard Strauss in a musically coded secret message that he had become a Nazi target due to his Jewish heritage. He fled to Australia a few days before the Nazi seizure of power and put h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Occupation Of Norway
The occupation of Norway by Nazi Germany during the Second World War began on 9 April 1940 after Operation Weserübung. Conventional armed resistance to the German invasion ended on 10 June 1940, and Nazi Germany controlled Norway until the capitulation of German forces in Europe on 8 May 1945. Throughout this period, a pro-German government named Den nasjonale regjering (English: the National Government) ruled Norway, while the Norwegian king Haakon VII and the prewar government escaped to London, where they formed a government in exile. Civil rule was effectively assumed by the ''Reichskommissariat Norwegen'' (Reich Commissariat of Norway), which acted in collaboration with the pro-German puppet government. This period of military occupation is, in Norway, referred to as the "war years", "occupation period" or simply "the war". Background Having maintained its neutrality during the First World War (1914–1918), Norwegian foreign and military policy since 1933 was largely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vestre Aker
Vestre Aker (Western Aker) is a borough of the city of Oslo, Norway. It has a population of 50,157 as of 2020. The previous Aker Municipality was merged into the city of Oslo in 1948. The borough of Vestre Aker was organized as part of the 1 January 2004 reform. Previous boroughs Vinderen and Røa became part of the new borough of Vestre Aker. The borough of Vestre Aker does not correspond to Vestre Aker parish of the Church of Norway, that lies east of the borough. The borough of Vestre Aker belongs to Ris, Røa and Voksen parishes of the Church of Norway. Situated in the hillside west of the city centre, Vestre Aker is known for being one of the wealthiest parts of Oslo. Ready started playing in the Norwegian Bandy Premier League 2004–05 and has ever since. The borough consists of the following traditional districts of Oslo: * Holmenkollen, the location of the Holmenkollen ski jump * Tryvann * Vinderen * Røa * Sørkedalen * Smestad, Oslo * Slemdal Politics As a bor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jüdischer Kulturbund
, or (with the definite article) , was a Cultural Federation of German Jews, established in 1933. It hired over 1300 men and 700 women artists, musicians, and actors fired from German institutions, and grew to about 70,000 members, according to some authors. Saul Friedländer speaks of at least 180,000. History 1933–1937 Founded by Kurt Singer (1888-1944), the organization was originally named (Cultural Federation of German Jews) in 1933, but in April 1935 the Nazi authorities – forcing the organisation to delete the term ''German'' from the name – imposed a change of the name into ', i.e. Jewish Cultural Federation.), also known as the ', was an institution created by unemployed Jewish performers with the consent of the Nazis "for" the Jewish population. The Nazis permitted this association to hide its oppression of Jews. The Kulturbund was one of the most famous examples of Jewish creativity in response to cultural exclusion. It provided a semblance of leisure for its 70, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reichsmusikkammer
The Reich Chamber of Music (German: ''Reichsmusikkammer'') was a Nazi Party, Nazi institution. It promoted "good German music" which was composed by Aryan race, Aryans and seen as consistent with Nazi ideals, while suppressing other, Degenerate music, "degenerate" music, which included Atonality, atonal music, jazz, and, especially, music by Jewish composers. The Chamber was founded in 1933 by Joseph Goebbels as part of the Reich Chamber of Culture, and it operated until the fall of the Nazi Germany in 1945. Functions One of the Institute's primary goals — that of extolling and promoting "good German music", specifically that of Beethoven, Wagner, Bach, Mozart, Haydn, Brahms, Anton Bruckner, Bruckner and the like — was to legitimize the claimed world supremacy of Germany culturally. These composers and their music were re-interpreted ideologically to extol German virtues and cultural identity. The Nazis highly censored what was considered ''Entartete Musik'' (Degenerate Music) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Machtergreifung
Adolf Hitler's rise to power began in the newly established Weimar Republic in September 1919 when Hitler joined the '' Deutsche Arbeiterpartei'' (DAP; German Workers' Party). He rose to a place of prominence in the early years of the party. Being one of its best speakers, he was made the party leader after he threatened to otherwise leave. In 1920, the DAP renamed itself to the ''Nationalsozialistische Deutsche Arbeiterpartei'' – NSDAP (National Socialist German Workers' Party, commonly known as the Nazi Party). Hitler chose this name to win over German workers. Despite the NSDAP being a right-wing party, it had many anti-capitalist and anti-bourgeois elements. Hitler later initiated a purge of these elements and reaffirmed the Nazi Party's pro-business stance. By 1922 Hitler's control over the party was unchallenged. In 1923, Hitler and his supporters attempted a coup to remove the government via force. This seminal event was later called the Beer Hall Putsch. Upon its fai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stern Conservatory
The Stern Conservatory (''Stern'sches Konservatorium'') was a private music school in Berlin with many distinguished tutors and alumni. The school is now part of Berlin University of the Arts. History It was founded in 1850 as the ''Berliner Musikschule'' by Julius Stern, Theodor Kullak and Adolf Bernhard Marx. Kullak withdrew from the conservatory in 1855 in order to create a new academy of sculpture and three-dimensional art. With Marx's withdrawal in 1856, the conservatory came exclusively under the Stern family and adopted its name. In 1894 it was taken over by Gustav Hollaender (the uncle of film composer Friedrich Hollaender), who moved the school's location to the Berlin Philharmonic concert hall on Bernburger Strasse in Berlin-Kreuzberg. In the course of the ''Gleichschaltung'' process, the Stern Academy in 1936 was renamed ''Konservatorium der Reichshauptstadt Berlin'' controlled by the Nazi regime. Gustav Hollaender's heirs were disseized, but for a few years they we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Czerny
Carl Czerny (; 21 February 1791 – 15 July 1857) was an Austrian composer, teacher, and pianist of Czech origin whose music spanned the late Classical and early Romantic eras. His vast musical production amounted to over a thousand works and his books of studies for the piano are still widely used in piano teaching. He was one of Ludwig van Beethoven's best-known pupils. Early life Infancy Carl Czerny was born in Vienna (Leopoldstadt) and was baptized in St. Leopold parish. His parents were of Czech origin; his mother was Moravian. His parents spoke Czech with him. Czerny came from a musical family: his grandfather was a violinist at Nymburk, near Prague, and his father, Wenzel, was an oboist, organist and pianist. When Czerny was six months old, his father took a job as a piano teacher at a Polish manor and the family moved to Poland, where they lived until the third partition of Poland prompted the family to return to Vienna in 1795. As a child prodigy, Czerny began playin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
étude
An étude (; ) or study is an instrumental musical composition, usually short, designed to provide practice material for perfecting a particular musical skill. The tradition of writing études emerged in the early 19th century with the rapidly growing popularity of the piano. Of the vast number of études from that era some are still used as teaching material (particularly pieces by Carl Czerny and Muzio Clementi), and a few, by major composers such as Frédéric Chopin, Franz Liszt and Claude Debussy, achieved a place in today's concert repertory. Études written in the 20th century include those related to traditional ones (György Ligeti) and those that require wholly unorthodox technique (John Cage). 19th century Studies, lessons, and other didactic instrumental pieces composed before the 19th century are extremely varied, without any established genres. Domenico Scarlatti's ''30 Essercizi per gravicembalo'' ("30 Exercises for harpsichord", 1738) do not differ in scope fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Brahms
Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid- Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow. Brahms composed for symphony orchestra, chamber ensembles, piano, organ, violin, voice, and chorus. A virtuoso pianist, he premiered many of his own works. He worked with leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms has been considered both a traditionalist and an innovator, by his contemporaries and by later writers. His music is rooted in the structures and compositional techniques of the Classical masters. Emb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Róża Etkin-Moszkowska
Róża Etkin (1908 in Warsaw – 16 January 1945 in Warsaw), known after marriage as Róża Etkin-Moszkowska, was a Polish pianist. Etkin, who showed considerable talent early in life, was the youngest contestant at the inaugural I International Chopin Piano Competition, where she was awarded the 3rd prize. She was a pupil of Aleksander Michałowski and Zbigniew Drzewiecki in Warsaw. During the early 1930s she settled in Berlin to study with Professor Moritz Mayer-Mahr. She developed a very large repertoire, including the late sonatas of Beethoven, the Rachmaninov concerti, the Goldberg Variations, Prokofiev's and Karol Szymanowski's works and Godowsky's arrangements of the Chopin Waltzes. She played a good deal of Chopin, and won critical approval for her performance of his first piano concerto (E minor, op. 11). She made several recordings, some produced under the Berlin Tri-Ergon label. Etkin married Ryszard Moszkowski, nephew of the composer Moritz Moszkowski. Both were murde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
