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Morgen!
"Morgen!" ("Tomorrow!") is the last in a set of four songs composed in 1894 by the German composer Richard Strauss. It is designated Opus 27, Number 4. The text of this Lied, the German love poem "Morgen!", was written by Strauss's contemporary, John Henry Mackay, who was of partly Scottish descent but brought up in Germany. History Strauss had met Mackay in Berlin, and set ''Morgen!'' to music on 21 May 1894. It was one of his four Lieder Opus 27, a wedding present to his wife Pauline. Initially, he set the accompaniment for piano alone, and for piano with violin. In 1897 he arranged the piece for orchestra with violin solo. "Morgen!" remains one of Strauss's best-known and most widely recorded works. Strauss himself recorded it in 1919 accompanying the tenor Robert Hutt on the piano, and again in 1941 conducting the orchestral version with tenor Julius Patzak and the Bavarian State Orchestra. His last recording of it was 11 June 1947, a live broadcast on radio with Strauss con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pauline De Ahna
Pauline Maria de Ahna (also known as Pauline Strauss (4 February 1863 – 13 May 1950) was a German operatic soprano and the wife of composer Richard Strauss. Her singing career was closely tied to her husband's career as a conductor and composer. From 1890 until 1894 she was committed to the Staatskapelle Weimar and from 1894 until 1897 she was committed to the Bavarian State Opera, during which times her husband was the principal conductor of those theaters. She also sang with her husband conducting at the Bayreuth Festival and in the world premiere of his first opera ''Guntram''. Other houses at which performed included the Berlin State Opera, La Monnaie, and the Liceu. Her repertoire included leading roles in the operas of Beethoven, Humperdinck, Mozart, von Weber, and Wagner. After she gave birth to their son Franz Strauss in 1897 she retired from the opera stage. She thereafter continued to periodically perform in concerts of her husband's music, particularly Lieder. Strauss c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Henry Mackay
John Henry Mackay, also known by the pseudonym Sagitta, (6 February 1864 – 16 May 1933) was an egoist anarchist, thinker and writer. Born in Scotland and raised in Germany, Mackay was the author of '' Die Anarchisten'' (The Anarchists, 1891) and ''Der Freiheitsucher'' (The Searcher for Freedom, 1921). Biography Mackay was born in Greenock, Scotland, on 6 February 1864. His mother came from a prosperous Hamburg family. His father was a Scottish marine insurance broker who died when Mackay was less than two years old. Mother and son then returned to Germany, where Mackay grew up. He gained fame as a poet and author of naturalist novels. Some of his earliest poems attracted the attention of censors for their socialist sentiments, so Mackay republished them in Switzerland. During a one-year stay in London (1887/88), he discovered the works of Max Stirner, whose book (''The Ego and its Own'') had nearly been forgotten in the second half of the 19th century. Stirner soon became hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heimliche Aufforderung
"" ("The Secret Invitation" or "The Lovers; Pledge"), Op. 27, No. 3, is one of a set of four songs composed for voice and piano by Richard Strauss in 1894. The German conductor Robert Heger orchestrated it in 1929."Richard Strauss: 'Heimliche Aufforderung' (The Lover’s Pledge) Arranger: Robert Heger The text is from a poem in German by . History Strauss composed the song on 22 May 1894 and gave it as a wedding ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cäcilie (Strauss)
"Cäcilie", Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem "Cäcilie" written by Heinrich Hart (1855–1906), a German dramatic critic and journalist who also wrote poetry. It was written for the poet's wife Cäcilie. , or UK English as "Cecilia". History Strauss composed the song at Marquartstein on 9 September 1894. , the day before his wedding to the soprano Pauline de Ahna. All four of the Opus 27 songs, including ''Cäcilie'' were given as a wedding present to her. Instrumentation and accompaniment The song was originally written with piano accompaniment in the key of E major, but later orchestrated in his 'heroic' key of E. The instrumentation is: 2 flutes, 2 oboes, 2 clarinets in B, 2 bassoons, 4 horns in E, 2 trumpets in E, 3 trombones, tuba, 3 timpani, harp and the orchestral string section. The tempo direction is "Sehr lebhaft und drängend". Strauss, in his rich and lively orchestration, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruhe, Meine Seele!
"", Opus number, Op. 27, No. 1, is the first in a set of four songs composed by Richard Strauss in 1894. It was originally for voice and piano, and not Orchestration, orchestrated by Strauss until 1948, after he had completed one of his ''Four Last Songs'', "". The words are from a poem "" (Rest, my soul) written by the poet Karl Henckell. History Strauss composed the song in May 1894, and that September he gave it as a wedding present to his wife the soprano Pauline de Ahna. Related songs Timothy L. Jackson has noted that Strauss had composed the song "Ruhe, meine Seele!" for piano and voice in 1894 but did not orchestrate it until 1948, just after he had completed "Im Abendrot" and before he composed the other three of his ''Four Last Songs''. Jackson suggests that the addition of "Ruhe, meine Seele!" to the ''Four Last Songs'' forms a five-song unified song cycle, if "Ruhe, meine Seele!" is performed as a prelude to "Im Abendrot", to which it bears motivic similarity. Inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lied
In Western classical music tradition, (, plural ; , plural , ) is a term for setting poetry to classical music to create a piece of polyphonic music. The term is used for any kind of song in contemporary German, but among English and French speakers, is often used interchangeably with " art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest lied date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History For Ger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mute (music)
A mute is a device attached to a musical instrument which changes the instrument's tone quality (timbre) or lowers its volume. Mutes are commonly used on string and brass instruments, especially the trumpet and trombone, and are occasionally used on woodwinds. Their effect is mostly intended for artistic use, but they can also allow players to practice discreetly. Muting can also be done by hand, as in the case of palm muting a guitar or grasping a triangle to dampen its sound. Mutes on brass instruments are typically inserted into the flared end of the instrument (bell). They can also be held in front of or clipped onto the bell. Of brass mutes, the "straight mute" is the most common and is frequently used in classical and jazz music, but a wide variety are available. On string instruments of the violin family, mutes are usually attached to the bridge, the piece of wood that supports the strings. Palm muting a guitar involves placing the side of the hand across the strings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olivier Thouin
Olivier Thouin is a Canadian violinist. He has performed as a soloist with several leading symphony orchestras in Canada, including the Orchestre Métropolitain du Grand Montréal, Les Violons du Roy, and the Montreal Symphony Orchestra. A highly active chamber musician, he has performed several times at the Caramoor International Music Festival, the Marlboro Festival, and the Toronto International Music Festival among others. He is a founding member of Trio Contrastes with whom he actively performed from 1998 to 2003. He can be heard on recordings made for Amberola Records and ATMA Records. Born in Joliette, Quebec, Thouin began studying the violin at the age of four with Hratchia Sevadjian. He is a graduate of the Conservatoire de musique du Québec à Montréal where he studied with Sonia Jelinkova and was awarded the Prix avec Grande Distinction in 1995. After winning the Prix d’Europe and the Canadian Music Centre’s Prize in 1997, he pursued further studies at the Acad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of The Arts (Philadelphia)
The University of the Arts (UArts) is a private art university in Philadelphia, Pennsylvania. Its campus makes up part of the Avenue of the Arts in Center City, Philadelphia. Dating back to the 1870s, it is one of the oldest schools of art or music in the United States. The university is composed of two colleges and two Divisions: the College of Art, Media & Design; the College of Performing Arts; the Division of Liberal Arts; and the Division of Continuing Studies. It is accredited by the Middle States Commission on Higher Education. In addition, the School of Music is accredited by the National Association of Schools of Music. History The university was created in 1985 by a merger between the Philadelphia College of the Performing Arts and the Philadelphia College of Art, two schools that trace their origins to the 1870s. In 1870, the Philadelphia Musical Academy was created. In 1877, the Philadelphia Conservatory of Music was founded. After graduating from South Phil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boosey & Hawkes
Boosey & Hawkes is a British music publisher purported to be the largest specialist classical music publisher in the world. Until 2003, it was also a major manufacturer of brass, string and woodwind musical instruments. Formed in 1930 through the merger of two well-established British music businesses, it controls the copyrights to much major 20th-century music, including works by Leonard Bernstein, Benjamin Britten, Aaron Copland, Sergei Prokofiev, and Igor Stravinsky. It also publishes many prominent contemporary composers, including John Adams, Karl Jenkins, James MacMillan, Mark-Anthony Turnage, and Steve Reich. With subsidiaries in Berlin and New York, it also sells sheet music via its online shop. History Pre-merger Boosey & Hawkes was founded in 1930 through the merger of two respected music companies, Boosey & Company and Hawkes & Son. The Boosey family was of Franco–Flemish origin. Boosey & Company traces its roots back to John Boosey, a bookseller in London i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arpeggio
A broken chord is a chord broken into a sequence of notes. A broken chord may repeat some of the notes from the chord and span one or more octaves. An arpeggio () is a type of broken chord, in which the notes that compose a chord are played or sung in a rising or descending order. An arpeggio may also span more than one octave. Being an Italian noun, its plural is ''arpeggi''. The word ''arpeggio'' comes from the Italian word ''arpeggiare'', which means ''to play on a harp''. Even though the notes of an arpeggio are not played or sung all together at the same time, listeners hear the sequence of notes as forming a chord. When an arpeggio also contains passing tones that are not part of the chord, different music theorists may analyze the same musical excerpt differently. Arpeggios enable composers writing for monophonic instruments that play one note at a time (e.g., flute, saxophone, trumpet), to voice chords and chord progressions in musical pieces. Arpeggios and brok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
