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Morettisches Opernhaus
The Morettische Opernhaus (also Moretti-Theater) was the most frequently performed opera house in Dresden from the end of the 18th century, in the era of Carl Maria von Weber and until the construction of the first Königliches Hoftheater Dresden. History From 1664 to 1667 a first opera house had been built in Dresden near the Dresden Castle, castle (Opernhaus am Taschenberg near the Zwinger (Dresden), Zwingers). In 1719 the Opernhaus am Zwinger followed. In the middle of the 18th century, the impresario Pietro Moretti, who was a guest in Dresden, was granted the privilege of building a "standing theatre" here. This was then built in 1754/55, initially by Julius Heinrich Schwarze and court room, mechanical engineering and theatre builder Christian Gottlieb Reuß, of half-timbering and wood on the site of the (where the north-east side of the Theaterplatz (Dresden), Theaterplatz at the Semper Opera is today). In 1761, after Moretti had made an interim guest appearance in Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinando Paër
Ferdinando Paer (1 July 1771 – 3 May 1839) was an Italian composer known for his operas. He was of Austrian descent and used the German spelling Pär in application for printing in Venice, and later in France the spelling Paër. Life and career He was born in Parma into a family of Austrian descent. He came from a musical family. His grandfather Michael Pär was a regimental band member from Peterwardein (today Petrovaradin, part of Novi Sad). His father Giulio Paer was a trumpeter with the Ducal Bodyguards and also performed at church and court events; his mother was Francesca Cutica. He was named Ferdinando after Duke Ferdinand of Parma by Archduchess Maria Amalia of Austria, Duke Ferdinand's wife. He studied the music theory under the violinist Ghiretti, a pupil of the Conservatorio della Pietà de' Turchini in Naples. His first Italian opera, ''Circe'', was given during the Carnival of Venice in 1792; others rapidly followed, and his name was soon famous throughout Italy. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures Demolished In The 1840s
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artisti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1750s Architecture
Year 175 ( CLXXV) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Piso and Iulianus (or, less frequently, year 928 ''Ab urbe condita''). The denomination 175 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Marcus Aurelius suppresses a revolt of Avidius Cassius, governor of Syria, after the latter proclaims himself emperor. * Avidius Cassius fails in seeking support for his rebellion and is assassinated by Roman officers. They send his head to Aurelius, who persuades the Senate to pardon Cassius's family. * Commodus, son of Marcus Aurelius and his wife Faustina, is named Caesar. * M. Sattonius Iucundus, decurio in Colonia Ulpia Traiana, restores the Thermae of Coriovallum (modern Heerlen) there are sources that state this happ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Houses In Germany
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelmine Schröder-Devrient
Wilhelmine Schröder-Devrient, born Wilhelmine Schröder (6 December 180426 January 1860), was a German operatic soprano. As a singer, she combined a rare quality of tone with dramatic intensity of expression, which was as remarkable on the concert platform as in opera. Biography Schröder was born in Hamburg, the daughter of the actress Sophie Schröder and the tenor Friedrich Schröder. The poet Johann Wolfgang von Goethe was her 2nd cousin. Her first role was at the age of 15 as Aricia in Schiller's translation of Racine's ''Phèdre'', and in 1821, aged 17, she was received with so much enthusiasm as Pamina in Mozart's ''The Magic Flute'' that her future career in opera was assured. In 1823, she married Karl Devrient, becoming known as Wilhelmine Schröder-Devrient, but separated from him in 1828. Meanwhile, she had maintained her popularity at Dresden and elsewhere. She made her first Paris appearance in 1830, and sang in London in 1833 and 1837. Richard Wagner, born in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friederike Funk
Friederike Funk, married name La Grua bzw. Funk La Grua (14 November 1796 - after 1863) was a German operatic soprano and Royal Saxon Kammersinger in Dresden. Life Born in Meissen, the daughter of a postmaster from her hometown received her vocal training from Johann Aloys Miksch in Dresden from 1813. In May 1816, she received her first engagement at the Dresdner Hoftheater under the direction of Francesco Morlacchi. Afterwards, accompanied by her brother and at the behest of the Saxon king she spent two years in Italy to perfect her voice. She received this royal scholarship through the mediation of Morlacchi. In Italy she performed among others in Naples and St. Carlo and took lessons in Naples with Niccolò Antonio Zingarelli and Luigi Mosca. In the autumn of 1818, now engaged at the Italian and German Operas in Dresden, she sang the title role in Rossini's ''Elisabetta, regina d'Inghilterra'', and in 1822 Agathe in Weber's ''Der Freischütz''. In 1824, she sang Eglantine in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Großes Sängerlexikon
''Großes Sängerlexikon'' (''Biographical Dictionary of Singers'', literally: Large singers' lexicon) is a single-field dictionary of singers in classical music, edited by Karl-Josef Kutsch and Leo Riemens and first published in 1987. The first edition was in two volumes and contained the biographies of nearly 7000 singers from the 1590s through the 1980s. It grew out of ''Unvergängliche Stimmen. Kleines Sängerlexikon'' (Immortal voices. Small singers' lexicon), published in 1962, which covered only singers who had made recordings. A 1992 review in ''Neue Zeitschrift für Musik'' described the ''Großes Sängerlexikon'' as "indispensable in the search for concise background information about those persons who are undoubtedly the most important to the performance of opera."Arndt, Michael (1992) "Reviewed Work: ''Großes Sängerlexikon Ergänzungsband'' by Karl-Josef Kutsch, Leo Riemens" ''Neue Zeitschrift für Musik'', Vol. 153, No. 9, p. 50. Retrieved via JSTOR 26 March 2019 . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Riemens
Leonardus Antony Marinus Riemens (3 December 1910 – 3 April 1985) was a Dutch musicologist and cultural journalist. He wrote a book about Maria Callas, and together with Karl-Josef Kutsch began a reference book about opera singers in 1962, which grew to ''Großes Sängerlexikon'', the standard reference in the field. Background and career Born in Zevenbergen, Riemens grew up in a family of physicians in Amsterdam. He studied musicology in Amsterdam and worked from 1931 as a feature editor for the newspaper '. Later he was a member of the extreme-right NSB. During the Second World War he worked for the nazified ''Nederlandsche Omroep''. From 1954 to 1976 he was an opera and television critic for the newspaper ''De Telegraaf''. Riemens published numerous articles in the professional journals ''Opera'', ', '' Gramophone'' and '' Opera News''. He wrote an opera guide and a biography about Maria Callas. At Radio Hilversum he designed the series ''Uren der Zangkunst''. Riemens ow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl-Josef Kutsch
Karl-Josef Kutsch, also known as K. J. Kutsch, (born 11 May 1924) is a German physician and co-author with Leo Riemens of the ''Großes Sängerlexikon'', the standard reference for opera singers. Life and work Born in Gangelt, Kutsch studied medicine, was drafted and participated as a soldier in the Russia campaign of the Second World War. He then completed his studies at the Goethe University Frankfurt in 1948. He practised as a physician from 1952 to 1989 in his hometown, together with his wife. From the 1950s, Kutsch built a collection of records and singers' biographies. Together with the Dutch musicologist Leo Riemens, he published a small biographical dictionary of singers in 1962 under the title ''Unvergängliche Stimmen'' (''Immortal Voices'').Jan David SchmitzSängerlexikon CD-ROMhsozkult.de In 1975 the work was revised as ''Unvergängliche Stimmen / Sängerlexikon'', which was again revised in 1985 with his and Riemens' cooperation and became the standard work. Under t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torquato Tasso (play)
''Torquato Tasso'' is a play in verse by the German dramatist Johann Wolfgang von Goethe about the sixteenth-century Italian poet and courtier Torquato Tasso and his descent into madness. The composition of the play began in Weimar in 1780 but most of it was written between 1786 and 1788, while Goethe was in Italy Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical re .... He completed the play in 1790.Lamport (1990, 90). Notes References * Lamport, Francis John. 1990. ''German Classical Drama: Theatre, Humanity and Nation, 1750–1870''. Cambridge: Cambridge University Press. .Tasso External links English translation of ''Tasso'' Plays by Johann Wolfgang von Goethe 1790 plays Torquato Tasso Plays set in Italy Cultural depictions of poets Cultural depictions of Italian men P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Paganini
Niccolò (or Nicolò) Paganini (; 27 October 178227 May 1840) was an Italian violinist and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars of modern violin technique. His 24 Caprices for Solo Violin Op. 1 are among the best known of his compositions and have served as an inspiration for many prominent composers. Biography Childhood Niccolò Paganini was born in Genoa (then capital of the Republic of Genoa) on 27 October 1782, the third of the six children of Antonio and Teresa (née Bocciardo) Paganini. Paganini's father was an unsuccessful trader, but he managed to supplement his income by playing music on the mandolin. At the age of five, Paganini started learning the mandolin from his father and moved to the violin by the age of seven. His musical talents were quickly recognized, earning him numerous scholarships for violin lessons. The young Paganini studied under various local violinists, including Giovanni Serve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
