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More Of Old Golden Throat
''More of Old Golden Throat'' is a compilation album and 32nd overall album released by American country musician Johnny Cash exclusively in the UK on CBS Records in 1969 (see 1969 in music). Culled from single sides that had not previously appeared on albums (with the exceptions of " Honky-Tonk Girl" and "Lorena"), it is primarily made up of lesser-known songs, although " You Beat All I Ever Saw" and " Second Honeymoon" reached No. 20 and No. 15 respectively on the Country charts. Tracks 4, 7, 10 and 13 are instrumentals originally credited to "The Tennessee Two and Friend." As with its predecessor, '' Old Golden Throat'', this album was only available in monaural since its source material was originally mixed for single release. This album has not been released on CD. Although the Cash solo recordings featured here were later included in the 63-disc 2012 release '' Johnny Cash: The Complete Columbia Album Collection'' on the bonus disc titled "The Singles, Plus", the four trac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monaural
Monaural or monophonic sound reproduction (often shortened to mono) is sound intended to be heard as if it were emanating from one position. This contrasts with stereophonic sound or ''stereo'', which uses two separate audio channels to reproduce sound from two microphones on the right and left side, which is reproduced with two separate loudspeakers to give a sense of the direction of sound sources. In mono, only one loudspeaker is necessary, but, when played through multiple loudspeakers or headphones, identical signals are fed to each speaker, resulting in the perception of one-channel sound "imaging" in one sonic space between the speakers (provided that the speakers are set up in a proper symmetrical critical-listening placement). Monaural recordings, like stereo ones, typically use multiple microphones fed into multiple channels on a recording console, but each channel is " panned" to the center. In the final stage, the various center-panned signal paths are usually mixed d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floyd Cramer
Floyd Cramer (October 27, 1933 – December 31, 1997) was an American pianist who became famous for his use of melodic "half step" attacks. He was inducted into both the Country Music Hall of Fame and the Rock and Roll Hall of Fame. His signature playing style was a cornerstone of the pop-oriented "Nashville sound" of the 1950s and 1960s. Cramer's "slip-note" or "bent-note" style, in which a passing note slides almost instantly into or away from a chordal note, influenced a generation of pianists. His sound became popular to the degree that he stepped out of his role as a sideman and began touring as a solo act. In 1960, his piano instrumental solo, " Last Date" went to number two on the ''Billboard'' Hot 100 pop music chart and sold over one million copies. Its follow-up, " On the Rebound", topped the UK Singles Chart in 1961. As a studio musician, he became one of a cadre of elite players dubbed the Nashville A-Team and he performed on scores of hit records. Biography Cram ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Harman
Murrey Mizell "Buddy" Harman, Jr. (December 23, 1928 – August 21, 2008) was an American country music session musician. Career Born in Nashville, Tennessee, Harman played drums on over 18,000 sessions for artists such as Elvis Presley, Jerry Lee Lewis, Moon Mullican, SongwriteLarry Petree Martha Carson, Dolly Parton, Brenda Lee, Tammy Wynette, Loretta Lynn, Roy Orbison, Connie Francis, Chet Atkins, Marty Robbins, Ray Price, Roger Miller, Johnny Cash, Willie Nelson, Waylon Jennings, George Jones, Kenny Rogers, Barbara Mandrell, Eddy Arnold, Perry Como, Merle Haggard, Reba McEntire, Gillian Welch and many more. With Patsy Cline Harman appeared on almost all of Cline's Decca sessions from her first in November 1960 to her last in February 1962, during which time he backed her on songs such as: *Crazy *She's Got You *Foolin' Around *Seven Lonely Days * You Belong to Me * Heartaches * True Love *Faded Love *Someday (You'll Want Me to Want You) * Sweet Dreams *Crazy Arms * S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norman Blake (American Musician)
Norman Blake (born March 10, 1938) is a traditional American stringed instrument artist and songwriter. He is half of the eponymous Norman & Nancy Blake band with his wife, Nancy Blake. Music career Early performing Blake was born in Chattanooga, Tennessee, and grew up in Sulphur Springs, Alabama. He listened to old-time and country music on the radio by the Carter Family, the Skillet Lickers, Roy Acuff, and the Monroe Brothers (Charlie Monroe, Charlie and Bill Monroe). He learned guitar at age 11 or 12, then mandolin, dobro, and fiddle in his teens. When he was 16, he dropped out of school to play music professionally. In the 1950s, Blake joined the Dixieland Drifters and performed on radio broadcasts, then joined the Lonesome Travelers. When he was drafted in 1961, he served as an Army radio operator in the Panama Canal Zone. He started a popular band known as the Fort Kobbe, Kobbe Mountaineers. A year later, while he was on leave, he recorded the album ''Twelve Shades of Bl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autry Inman
Robert Autry Inman (January 6, 1929 – September 6, 1988) was an American country and rockabilly musician. Biography Inman was born in Florence, Alabama, and was performing on local radio station WLAY by age 14. He used his middle name "Autry" (or "Autrey") as his stage name. After completing school he worked as a reporter for the ''Lauderdale Co. Law & Equity Court''. Shortly thereafter he was tapped to join Cowboy Copas's band, the ''Oklahoma Cowboys'', as a bassist. Aside from this he also played in George Morgan's Candy Kids until 1952. He released his first solo singles on the small label Bullet Records; in 1952 he signed with Decca Records, for whom he recorded over 40 country songs. However, service in the Army interrupted his career. After his discharge he switched to playing rockabilly music in 1956, then at the height of its popularity. His first single in the style, "Be Bop Baby" b/w "It Would Be a Doggone Lie", became the best-known of his rockabilly titles. He c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hank Thompson (music)
Henry William Thompson (September 3, 1925 – November 6, 2007) was an American country music singer-songwriter and musician whose career spanned seven decades. Thompson's musical style, characterized as honky-tonk Western swing, was a mixture of fiddles, electric guitar, and steel guitar that featured his distinctive, smooth baritone vocals. His backing band, The Brazos Valley Boys, was voted the top Country Western Band for 14 years in a row by '' Billboard''. Thompson pursued a "light" version of the Western swing sound that Bob Wills and others played; the primary difference between his music and that of Bob Wills was that Thompson, who used the swing beat and instrumentation to enhance his vocals, discouraged the intense instrumental soloing from his musicians that Wills encouraged; however, the "Hank Thompson sound" exceeded Bob Wills in top-40 country hits. Although not as prominent on the top country charts in later decades, Thompson remained a recording artist and co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marshall Grant
Marshall Garnett Grant (May 5, 1928 – August 7, 2011) was the upright bassist and electric bassist of singer Johnny Cash's original backing duo, the Tennessee Two, in which Grant and electric guitarist Luther Perkins played. The group became known as The Tennessee Three in 1960, with the addition of drummer W. S. Holland. Grant also served as road manager for Cash and his touring show company. Early life Grant was raised in Bessemer City, North Carolina. He was one of twelve children born of Willie Leander (1888–1968) and Mary Elizabeth (Simmonds) Grant (1895–1965). His siblings are Wade (1910–1985), Olson (1912–1993), Burlas (1914–1915), Vernal (1916–1971), Eulean (1918–2012), Hershel (1921–2014), Doris (1923–2006), Odell (1925–2011), Ed (1931–2012), Norma Jean (b. 1935) and Aubrey Grant (b. 1937). Grant married Etta May Dickerson on November 9, 1946. They had one son, Randy. Grant and his wife settled in Memphis, Tennessee in 1947. Grant worked as a mec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
June Carter Cash
June Carter Cash (born Valerie June Carter; June 23, 1929 – May 15, 2003) was an American singer, songwriter and dancer. A five-time Grammy award-winner, she was a member of the Carter Family and the second wife of singer Johnny Cash. Prior to her marriage to Cash, she was professionally known as June Carter and occasionally was still credited as such after her marriage (as well as on songwriting credits predating it). She played guitar, banjo, harmonica, and autoharp, and acted in several films and television shows. Carter Cash won five Grammy Awards and was inducted into the Christian Music Hall of Fame in 2009. Early life June Carter Cash was born Valerie June Carter in Maces Spring, Virginia, to Maybelle Carter (nee Addington) and Ezra Carter. Her parents were country music performers and she performed with the Carter Family from the age of 10, in 1939. In March 1943, when the Carter Family trio stopped recording together at the end of the WBT contract, Maybelle Carte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Horton
John LaGale Horton (April 30, 1925 – November 5, 1960) was an American singer-songwriter and musician. Initially performing traditional country, Horton later performed rockabilly songs. He is best known for a series of history-inspired narrative country saga songs that became international hits. His 1959 single "The Battle of New Orleans" was awarded the 1960 Grammy Award for Best Country & Western Recording. The song was awarded the Grammy Hall of Fame Award and in 2001 ranked No. 333 of the Recording Industry Association of America's "Songs of the Century". His first No. 1 country song was in 1959, "When It's Springtime in Alaska (It's Forty Below)". He had two successes in 1960 with both " Sink the Bismarck" and "North to Alaska," the latter used over the opening credits to the John Wayne film of the same name. Horton died in November 1960 at the peak of his fame in a traffic collision, less than two years after his breakthrough. Horton is a member of the Rockabilly Hal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girl In Saskatoon
"Girl in Saskatoon" is a song co-written by Johnny Cash with Johnny Horton and originally recorded by Cash for Columbia. It was released as a single (Columbia 4-41920, with "Locomotive Man" on the opposite side). in December 1960, the same month Sun Records released "Oh, Lonesome Me" / "Life Goes On" (Sun 355). U.S. ''Billboard'' picked the song "Girl in Saskatoon" as one of the "Spotlight winners of the week", giving it four stars that corresponded to a "very strong sales potential". The review called the song "another fine folkish effort by Cash" and continued: Nevertheless, the song didn't chart on ''Billboard'' at all: On the ''Cash Box'' country singles chart, "Girl in Saskatoon" reached number 25 during its nine weeks stay. Later the song was included on Johnny Cash's albums "Heart of Cash" (1968) & "More of Old Golden Throat ''More of Old Golden Throat'' is a compilation album and 32nd overall album released by American country musician Johnny Cash exclusively in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luther Perkins
Luther Monroe Perkins (January 8, 1928 – August 5, 1968) was an American country music guitarist and a member of the Tennessee Three, the backup band for singer Johnny Cash. Perkins was an iconic figure in what would become known as rockabilly music. His creatively simple, sparsely embellished, rhythmic use of Fender Esquire, Jazzmaster and Jaguar guitars is credited for creating Cash's signature "boom-chicka-boom" style. Early life and musical beginnings Perkins was born in Como, Mississippi, the son of a Baptist preacher. He grew up in Como, and taught himself to play rhythm guitar. Perkins started his career in 1953 as a mechanic at Automobile Sales Company in Memphis. He specialized in electrical systems and radio repairs. Roy Cash Sr., older brother of Johnny Cash, was the service manager at the dealership. At the time, the younger Cash was stationed in Germany with the US Air Force. At Automobile Sales, Perkins met co-workers Marshall Grant and A.W. 'Red' Kernodle. Gran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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