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Mordecai Gorelik
Mordecai (Max) Gorelik (August 25, 1899 – March 7, 1990) was an American theatrical designer, producer and director. Life and work Born August 25, 1899, in Shchedrin near Minsk, Russia, Mordecai (Max) Gorelik immigrated with his family to the United States in 1905 to escape the pogroms that killed most of his family. After graduating from the Pratt Institute of Fine Arts in Brooklyn in 1920, he worked for a time with Robert Edmond Jones, the pioneer American set designer who became his mentor. Gorelik rendered in a wide variety of media and styles working with the most famous designers of the 1920s and 1930s – Robert Edmond Jones, Lee Strasberg, Elia Kazan, Arthur Miller, Norman Bel Geddes, Lee Simonson, Jo Mielziner, Oliver Messel, Aleksandr Golovin, Henri Matisse, André Derain, and Cleon Throckmorton. He worked for the most prestigious companies—the Provincetown Players, the Theatre Guild on Broadway, the Group Theatre New York, and the Actors Laboratory Theater in Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Edmond Jones
Robert Edmond Jones (December 12, 1887 – November 26, 1954) was an American scenic, lighting, and costume designer. He is credited with incorporating the new stagecraft into the American drama. His designs sought to integrate scenic elements into the storytelling instead of having them stand separate and indifferent from the play's action. His visual style, often referred to as simplified realism, combined bold vivid use of color and simple, yet dramatic, lighting. Life Born in Milton, New Hampshire, Jones attended Harvard University and graduated in 1910. Jones eventually moved to New York (1912), where, with friends made at Harvard, he began to do small design jobs. In 1913 Jones and several friends sailed to Europe to study the new stagecraft with Edward Gordon Craig in Florence. The school in Florence would not accept Jones, so he went to Berlin instead, spending a year in informal study with Max Reinhardt's Deutsches Theater. For a 1915 production of ''The Man Who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erwin Piscator
Erwin Friedrich Maximilian Piscator (17 December 1893 – 30 March 1966) was a German theatre director and producer. Along with Bertolt Brecht, he was the foremost exponent of epic theatre, a form that emphasizes the socio-political content of drama, rather than its emotional manipulation of the audience or the production's formal beauty. Biography Youth and wartime experience Erwin Friedrich Max Piscator was born on 17 December 1893 in the small Prussian village of Greifenstein-Ulm, the son of Carl Piscator, a merchant, and his wife Antonia Laparose. His family was descended from Johannes Piscator, a Protestant theologian who produced an important translation of the Bible in 1600. The family moved to the university town Marburg in 1899 where Piscator attended the Gymnasium Philippinum. In the autumn of 1913, he attended a private Munich drama school and enrolled at University of Munich to study German, philosophy and art history. Piscator also took Arthur Kutscher's f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Plough And The Stars
''The Plough and the Stars'' is a four-act play by the Irish writer Seán O'Casey that was first performed on 8 February 1926 at the Abbey Theatre. It is set in Dublin and addresses the 1916 Easter Rising. The play's title references the Starry Plough flag which was used by the Irish Citizen Army. It is the third play of O'Casey's well-known "Dublin Trilogy" – the other two being ''The Shadow of a Gunman'' (1923) and ''Juno and the Paycock'' (1924). Plot The first two acts take place in November 1915, looking forward to the liberation of Ireland. The last two acts are set during the Easter Rising, in April 1916. Characters Residents of the tenement house: *Jack Clitheroe: a bricklayer and former member of the Irish Citizen Army. *Nora Clitheroe: housewife of Jack Clitheroe. *Peter Flynn: a labourer, and uncle of Nora Clitheroe. *The Young Covey: a fitter, ardent socialist and cousin of Jack Clitheroe. *Bessie Burgess: a street fruit-vendor, and Protestant. *Mrs Gogan: a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Hatful Of Rain
''A Hatful of Rain'' is a 1957 American drama film about a young married man with a secret morphine addiction, based on a 1955 Broadway play of the same name.''A Hatful of Rain'' at the Internet Broadway Database It is a medically and sociologically accurate account of the effects of morphine on an addict and his family. The frank depiction of in a feature film was a rarity for its time. The film stars , Don Murray, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Flowering Peach
''The Flowering Peach'' is a 1954 dramatic play by American playwright Clifford Odets with music by Alan Hovhaness. The plot is a modern take on the Bible stories of Noah and Noah's Ark. It was the last original play by Odets produced in his lifetime. The play was revived in 1994. While seldom produced in stock and regional theatres, a musical version titled '' Two by Two'' was produced on Broadway in 1970 by Richard Rodgers, Martin Charnin and Peter Stone. It starred Danny Kaye and ran for a year on Broadway. See also * Timeline of twentieth-century theatre The following timeline of twentieth-century theatre offers a year-by-year account of the performance and publication of notable works of drama and significant events in the history of theatre during the 20th century. Musical theatre works are exc ... * Twentieth-century theatre References External links * 1954 plays Broadway plays Plays by Clifford Odets Noah's Ark in fiction {{1950s-play-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Desire Under The Elms
''Desire Under the Elms'' is a 1924 play written by Eugene O'Neill. Like ''Mourning Becomes Electra'', ''Desire Under the Elms'' signifies an attempt by O'Neill to adapt plot elements and themes of Greek tragedy to a rural New England setting. It was inspired by the myth of Phaedra, Hippolytus, and Theseus. A film version was produced in 1958, and there is an operatic setting by Edward Thomas. Characters The following descriptions are taken from the text of the play. * Eben – He is twenty-five, tall and sinewy. His face is well-formed, good-looking, but its expression is resentful and defensive. His defiant, dark eyes remind one of a wild animal's in captivity. Each day is a cage in which he finds himself trapped but inwardly unsubdued. There is a fierce, repressed vitality about him. He has black hair, moustache, a thin, curly trace of beard. He is dressed in rough farm clothes. * Simeon and Peter – hey aretall men, much older than their half-brother imeon is th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All My Sons
''All My Sons'' is a three-act Play (theatre), play written in 1946 by Arthur Miller. It opened on Broadway theatre, Broadway at the Eugene O'Neill Theatre, Coronet Theatre in New York City on January 29, 1947, closed on November 8, 1949, and ran for 328 performances. It was directed by Elia Kazan (to whom it is dedicated), produced by Kazan and Harold Clurman, and won the New York Drama Critics' Circle Award. It starred Ed Begley, Beth Merrill, Arthur Kennedy (actor), Arthur Kennedy, and Karl Malden and won both the Tony Award for Best Author and the Tony Award for Best Direction of a Play. The play was adapted for films in All My Sons (film), 1948 and 1987. Background Miller wrote ''All My Sons'' after his first play ''The Man Who Had All the Luck'' failed on Broadway theatre, Broadway, lasting only four performances. Miller wrote ''All My Sons'' as a final attempt at writing a commercially successful play; he vowed to "find some other line of work" if the play did not find an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casey Jones (play)
''Casey Jones'' is a 1938 dramatic play by Robert Ardrey. ''Casey Jones'' was produced in the United States by the Group Theater. It was the first of two Robert Ardrey plays that were produced by the Group, the second being the more-famous ''Thunder Rock''. The play had a very short run. it opened at the Fulton Theatre on February 19, 1938, and closed on March 1 after 25 performances. The director was Elia Kazan, the scenic design was by Mordecai Gorelik, and the title role was played by Charles Bickford. Synopsis ''Casey Jones'' is the story of a modernized version of the eponymous hero of folklore. In the play, Casey is dedicated to his locomotive. He uses his dedication to the engine as an escape from a world that he doesn't understand. Aboard his engine he feels like a king. However, Casey neglects his family and personal life to conduct the engine. Furthermore, he learns he is going blind. He insists on running his engine even as his vision fades. Casey is forced into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Golden Boy (play)
''Golden Boy'' is a drama by Clifford Odets. The play was initially produced on Broadway by The Group Theatre in 1937. Odets' biggest hit was made into a 1939 film of the same name, starring William Holden in his breakthrough role, and also served as the basis for a 1964 musical with Sammy Davis, Jr. Plot Joe Bonaparte, a young Italian-American man and talented violinist, dreams of becoming a professional musician. Joe, however, fights a boxing match for manager Tom Moody, which he wins. Joe's father, Mr. Bonaparte, has scraped up enough money to afford a top-of-the-line violin for Joe's 21st birthday. However, upon learning of Joe's fight from Joe's brother Frank, Mr. Bonaparte decides not to give Joe the violin. Two months later, Joe has become a successful boxer for Moody and Roxy Gottlieb, a prizefight promoter. However, Joe won't throw punches, attempting to protect his hands. Later, Joe prepares to go on a boxing tour, where Mr. Bonaparte presents Joe with the violin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Men In White (play)
''Men in White'' is a 1933 play written by American playwright Sidney Kingsley. It was produced by the Group Theatre, Sidney Harmon and James Ramsey Ullman, directed by Lee Strasberg with scenic design created by Mordecai Gorelik. It ran for 351 performances from September 26, 1933 to July 28, 1934 at the Broadhurst Theatre. The play won the 1934 Pulitzer Prize for Drama. It was included in Burns Mantle's ''The Best Plays of 1933–1934''. Cast * Luther Adler as Dr. Gordon * Alan Baxter as Dr. Crawford and as Mac * Phoebe Brand as Barbara Dennin * Morris Carnovsky as Dr. Levine * J. Edward Bromberg as Dr. Hochberg * Grover Burgess as Dr. McCabe * William Challee as Dr. Michaelson * Russell Collins as Dr. Cunningham * Herbert Ratner as Dr. Vitale * Walter Coy as Dr. Bradley and as Peter * Robert Harper as Mr. Drummond * Alexander Kirkland as Dr. Ferguson * Bob Lewis as Dr. Otis and as Shorty * Sanford Meisner as Dr. Wren and as Mr. Smith * Ruth Nelson as Mrs. Smith ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Frisch
Max Rudolf Frisch (; 15 May 1911 – 4 April 1991) was a Swiss playwright and novelist. Frisch's works focused on problems of identity, individuality, responsibility, morality, and political commitment. The use of irony is a significant feature of his post-war output. Frisch was one of the founders of Gruppe Olten. He was awarded the 1965 Jerusalem Prize, the 1973 Grand Schiller Prize, and the 1986 Neustadt International Prize for Literature. Biography Early years Frisch was born in 1911 in Zürich, Switzerland, the second son of Franz Bruno Frisch, an architect, and Karolina Bettina Frisch (née Wildermuth). He had a sister, Emma (1899–1972), his father's daughter by a previous marriage, and a brother, Franz, eight years his senior (1903–1978). The family lived modestly, their financial situation deteriorating after the father lost his job during the First World War. Frisch had an emotionally distant relationship with his father, but was close to his mother. While at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Firebugs
''The Arsonists'' (), previously also known in English as ''The Firebugs'' or ''The Fire Raisers'', was written by the Swiss novelist and playwright Max Frisch in 1953, first as a radio play, then adapted for television and the stage (1958) as a play in six scenes. It was revised in 1960 to include an epilogue. Plot This dark comedy is set in a town that is regularly attacked by arsonists. Disguised as door-to-door salesmen (hawkers), they talk their way into people's homes and settle down in the attic, where they set about planning the destruction of the house. The central character, a businessman called Biedermann, is seen at the outset reading newspaper reports of arson, convinced that he could never be taken in. Within minutes, the first "hawker" has appeared (Schmitz), and through a combination of intimidation and persuasion he talks his way into spending the night in the attic. As the play unfolds, a second arsonist appears (Eisenring), and before Biedermann can do anythi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
