Moon Byung-nam
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Moon Byung-nam
Byung-nam Moon graduated from the Department of Dance in Chosun University, in 1984 and the Graduate School, dept. of dance of Sejong University in 1998. He entered Korea National Ballet in 1984 and took the leading roles in all performances of the company until 1992. Also he studied at the Tokyo City Ballet in 1988. He was selected as beneficiary for overseas training by the Arts Council Korea to study in the U.S. in 1989. He worked as one of the ballet masters in the Korea National Ballet in 1993. In 1996, he went to Russia to complete the doctoral course in the Sankt Peterburg National University of Culture and Art and obtained a ph.D in Culture. He studied choreography at the Sankt Peterburg Boris Eifman Ballet in 1997. He worked as a senior choreographer and one of the ballet masters in the Korea National Ballet from 1999 to 2002 and has enthusiastically worked as an assistant artistic director of the Korea National Ballet since 2005. He recently choreographed '' Prince Hodo ...
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Korea National Ballet
The Korea National Ballet is a South Korean ballet company. It was founded in 1962 in Seoul as the National Ballet Company. It was one of the affiliates of the National Theater of Korea until 1999, when it separated to independently reestablish itself in the Seoul Arts Center in the following year. It has sixty-five dancers, chosen annually through open audition. There are currently 80 members in the company, including regular members, associate members, and trainees. Equipped with the nation's top dancers and diverse repertoires, the Korea National Ballet has taken the lead in developing the field of performance. Welcoming artistic director Tae-ji Choi who was reappointed in 2011, the Korea National Ballet reflects on its past achievements done under the slogan of Globalization, Refinement and Popularization of ballet for the past half century. Overseas tours have included performances in Egypt and Israel in 1997, China in 2000 and 2001, Japan in 2002, and more recent trips to R ...
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Sejong University
Sejong University (SJU; ) is a private university located in Seoul, South Korea known for its standing in hospitality and tourism management, dancing, animation and rhythmic gymnastics. Founded as the Kyung Sung Humanities Institute, it was renamed in 1978 to its present name in honor of Sejong the Great, the fourth king of the Joseon Dynasty and overseer of the creation of the Korean alphabet Hangul. Sejong University has nine colleges: College of Liberal Arts, College of Social Sciences, College of Business Administration, College of Hospitality and Tourism Management, College of Natural Sciences, College of Life Sciences, College of Electronics and Information Engineering, College of Engineering, and College of Arts and Physical Education, and has a Faculty of General Education and seven graduate schools. History Beginnings (1940–1987) The history of Sejong University began in May 1940 when the Kyung Sung Humanities Institute was founded by Dr. Youngha Choo and Dr. Okja ...
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Prince Hodong (ballet)
The ballet ''Prince Hodong'', sponsored by the Ministry of Culture, Sports, and Tourism as a part of the Nation Branding project, is an original work based on a traditional tale, Prince Hodong and Nakrang Princess. Sung-nam Lim, the 1st Artistic Director of the Korea National Ballet, choreographed ''Prince Hodong'' in 1988 and Byung-nam Moon, the Deputy Artistic Director, newly interpreted it as a 21st-century ballet. Although there have been many dances created based on Korean literature over the last 50 years of the Korea National Ballet, the ballet ''Prince Hodong'' is itself a great piece of art because the tale ''Prince Hodong'' consists of a dramatic plot. ''Prince Hodong'' is based on our cultural text and with the themes - the nations, war, love, betrayal, and death - this work is composed of 2 acts and 12 scenes which combine modern techniques and classical sentiment. ''Prince Hodong'' is a ballet which presents an example of the globalization of Korean culture in the 2 ...
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Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical Western canon, canon; the "Habanera (aria), Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of th ...
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Swan Lake
''Swan Lake'' ( rus, Лебеди́ное о́зеро, r=Lebedínoye ózero, p=lʲɪbʲɪˈdʲinəjə ˈozʲɪrə, link=no ), Op. 20, is a ballet composed by Russian composer Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular ballets of all time. The scenario, initially in two acts, was fashioned from Russian and German folk tales and tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The choreographer of the original production was Julius Reisinger (Václav Reisinger). The ballet was premiered by the Bolshoi Ballet on at the Bolshoi Theatre in Moscow. Although it is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the 1895 revival of Marius Petipa and Lev Ivanov, first staged for the Imperial Ballet on 15 January 1895, at the Mariinsky Theatre in St. Petersburg. For this revival, Tchaikovsky's score was revised by ...
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The Nutcracker
''The Nutcracker'' ( rus, Щелкунчик, Shchelkunchik, links=no ) is an 1892 two-act ballet (""; russian: балет-феерия, link=no, ), originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky (Op. 71). The libretto is adapted from E. T. A. Hoffmann's 1816 short story "The Nutcracker and the Mouse King". Although the original production was not a success, the 20-minute suite that Tchaikovsky extracted from the ballet was. The complete ''Nutcracker'' has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of ''The Nutcracker''. The ballet's score has been used in several film adaptations of Hoffmann's story. Tchaikovsky's score has become one of his most famous compositions. Among other things, the score is ...
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Les Sylphides
''Les Sylphides'' () is a short, non-narrative ''ballet blanc'' to piano music by Frédéric Chopin, selected and orchestrated by Alexander Glazunov. The ballet, described as a "romantic reverie","Ballet Theater", until 1955. A compact disk of ABT's production, with Mikhail Baryshnikov as the dreamer, is available from Kultor, entitled "American Ballet Theatre at the Met – Mixed Bill (1985)". See Olga Maynard's definitive account, based on information from Fokine's son Vitale Fokine: "Les Sylphides", ''Dance Magazine'' Portfolio: December 1971, advertised separately by some online booksellers. is frequently cited as the first ballet to be simply about mood and dance. ''Les Sylphides'' has no plot but instead consists of several white-clad sylphs dancing in the moonlight with the "poet" or "young man" dressed in white tights and a black tunic. Its original choreography was by Michel Fokine, with Chopin's music orchestrated by Alexander Glazunov. Glazunov had already set som ...
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The Hunchback Of Notre Dame (ballet)
''The Hunchback of Notre-Dame'' (french: Notre-Dame de Paris, translation=''Our Lady of Paris'', originally titled ''Notre-Dame de Paris. 1482'') is a French Gothic novel by Victor Hugo, published in 1831. It focuses on the unfortunate story of Quasimodo, the Gypsy street dancer Esmeralda and Quasimodo's guardian the Archdeacon Claude Frollo in 15th-century Paris. All its elements—Renaissance setting, impossible love affairs, marginalized characters—make the work a model of the literary themes of Romanticism. The novel has been described as a key text in French literature and has been adapted for film over a dozen times, in addition to numerous television and stage adaptations, such as a 1923 silent film with Lon Chaney, a 1939 sound film with Charles Laughton, and a 1996 Disney animated film with Tom Hulce. The novel sought to preserve values of French culture in a time period of great change, which resulted in the destruction of many French Gothic structures. The novel ...
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Giselle
''Giselle'' (; ), originally titled ''Giselle, ou les Wilis'' (, ''Giselle, or The Wilis''), is a romantic ballet (" ballet-pantomime") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Wilis, the ghosts of unmarried women who died after being betrayed by their lo ...
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Don Quixote (ballet)
''Don Quixote'' is a ballet in three acts, based on episodes taken from the famous novel ''Don Quixote de la Mancha'' by Miguel de Cervantes. It was originally choreographed by Marius Petipa to the music of Ludwig Minkus and first presented by Moscow's Bolshoi Ballet on . Petipa and Minkus revised the ballet into a more elaborate and expansive version in five acts and eleven scenes for the Mariinsky Ballet, first presented on at the Imperial Bolshoi Kamenny Theatre of St. Petersburg. All modern productions of the Petipa/Minkus ballet are derived from the version staged by Alexander Gorsky for the Bolshoi Theatre of Moscow in 1900, a production the ballet master staged for the Imperial Ballet of St. Petersburg in 1902. History Earlier versions The two chapters of the novel that the ballet is mostly based on were first adapted for the ballet in 1740 by Franz Hilverding in Vienna, Austria. In 1768, Jean Georges Noverre mounted a new version of ''Don Quixote'' in Vienna to ...
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Romeo And Juliet (ballet)
''Romeo and Juliet'' (russian: Ромео и Джульетта, Romeo i Dzhulyetta), Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play ''Romeo and Juliet''. First composed in 1935, it was substantially revised for its Soviet premiere in early 1940. Prokofiev reused music from the ballet in three suites for orchestra and a solo piano work. Background and premiere Based on a synopsis created by Adrian Piotrovsky (who first suggested the subject to Prokofiev) and Sergey Radlov, the ballet was composed by Prokofiev in September 1935 to their scenario which followed the precepts of "drambalet" (dramatised ballet, officially promoted at the Kirov Ballet to replace works based primarily on choreographic display and innovation). Following Radlov's acrimonious resignation from the Kirov in June 1934, a new agreement was signed with the Bolshoi Theatre in Moscow on the understanding that Piotrovsky would remain involved. However, the ballet's original happy en ...
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South Korean Male Ballet Dancers
South is one of the cardinal directions or compass points. The direction is the opposite of north and is perpendicular to both east and west. Etymology The word ''south'' comes from Old English ''sūþ'', from earlier Proto-Germanic ''*sunþaz'' ("south"), possibly related to the same Proto-Indo-European root that the word ''sun'' derived from. Some languages describe south in the same way, from the fact that it is the direction of the sun at noon (in the Northern Hemisphere), like Latin meridies 'noon, south' (from medius 'middle' + dies 'day', cf English meridional), while others describe south as the right-hand side of the rising sun, like Biblical Hebrew תֵּימָן teiman 'south' from יָמִין yamin 'right', Aramaic תַּימנַא taymna from יָמִין yamin 'right' and Syriac ܬܰܝܡܢܳܐ taymna from ܝܰܡܝܺܢܳܐ yamina (hence the name of Yemen, the land to the south/right of the Levant). Navigation By convention, the ''bottom or down-facing side'' of a ...
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