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Moody-Manners Opera Company
Charles Manners (27 December 18573 May 1935) was a British bass singer and opera company manager. His earliest performances were with the D'Oyly Carte Opera Company, first as a chorus member and then as a principal, creating the role of Private Willis in '' Iolanthe'' in 1882. After leaving D'Oyly Carte the following year, he sang with several opera companies, most notably the Carl Rosa Opera Company and Covent Garden. In 1898, he and his wife, the singer Fanny Moody, set up their own company, dedicated to presenting opera in English. The Moody-Manners company performed in London, the British provinces, North America and South Africa from 1898 to 1916. After his retirement, Manners continued to campaign for a national opera company, which was eventually founded forty years after his death. Life and career Early years Manners was born Southcote Randal Bernard Campbell Mansergh in Hoddesdon, England, son of Colonel J. C. Mansergh, an Irishman.''The Times'', obituary, 7 May 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Comique
The Opera Comique was a 19th-century theatre constructed in Westminster, London, between Wych Street, Holywell Street and the Strand. It opened in 1870 and was demolished in 1902, to make way for the construction of the Aldwych and Kingsway. The theatre was built cheaply as a speculative venture, and was known as one of the "rickety twins" along with the adjacent Globe Theatre. Numerous managements presented plays in English, French and German, and the house was also used for extravaganzas and English versions of French opéras bouffes. It is best remembered as the theatre where several early Gilbert and Sullivan operas had their first runs, between 1877 and 1881. History Background and early years In the 16th century Lyon's Inn, one of the Inns of Chancery attached to London's Inner Temple, stood on the site. By the 1860s the area had deteriorated greatly, and the old inn had been converted into what the historians Mander and Mitchenson describe as "dwellings of a dubious n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Le Diable (opera)
''Robert le diable'' (''Robert the Devil'') is an opera in five acts composed by Giacomo Meyerbeer between 1827 and 1831, to a libretto written by Eugène Scribe and Germain Delavigne. ''Robert le diable'' is regarded as one of the first grand operas at the Paris Opéra. It has only a superficial connection to the medieval legend of ''Robert the Devil''. The opera was immediately successful from its first night on 21 November 1831 at the Opéra; the dramatic music, harmony and orchestration, its melodramatic plot, its star singers and its sensational stage effects compelled Frédéric Chopin, who was in the audience, to say, "If ever magnificence was seen in the theatre, I doubt that it reached the level of splendour shown in ''Robert''...It is a masterpiece...Meyerbeer has made himself immortal".Brown, ''Robert le diable'', p. 572 ''Robert'' initiated the European fame of its composer, consolidated the fame of its librettist, Scribe, and launched the reputation of the new direct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Auber
Daniel-François-Esprit Auber (; 29 January 178212 May 1871) was a French composer and director of the Paris Conservatoire. Born into an artistic family, Auber was at first an amateur composer before he took up writing operas professionally when the family's fortunes failed in 1820. He soon established a professional partnership with the librettist Eugène Scribe that lasted for 41 years and produced 39 operas, most of them commercial and critical successes. He is mostly associated with opéra-comique and composed 35 works in that genre. With Scribe he wrote the first French grand opera, ''La Muette de Portici'' (The Dumb Woman of Portici) in 1828, which paved the way for the large-scale works of Giacomo Meyerbeer. Auber held two important official musical posts. From 1842 to 1871 he was director of France's premier music academy, the Paris Conservatoire, which he expanded and modernised. From 1852 until the fall of the Second Empire in 1870 he was director of the imperial chap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maritana
''Maritana'' is a three-act opera including both spoken dialogue and some recitatives, composed by William Vincent Wallace, with a libretto by Edward Fitzball (1792–1873). The opera is based on the 1844 French play ''Don César de Bazan'' by Adolphe d'Ennery and Philippe François Pinel (Dumanoir), which was also the source material for Jules Massenet's opéra comique ''Don César de Bazan'' (the character of Don César de Bazan first appeared in Victor Hugo's ''Ruy Blas''). The opera premiered at the Theatre Royal, Drury Lane on 15 November 1845. The first of six operas by Wallace, the work is often cited as an inspiration for a plot device in Gilbert and Sullivan's comic opera ''The Yeomen of the Guard'' in which a man weds a woman while awaiting execution in prison, escapes and, while he is disguised, the couple fall in love. Performance history ''Maritana'' was first produced at the Theatre Royal, Drury Lane under Alfred Bunn's management on 15 November 1845, conducted fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Manchester Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'étoile Du Nord
' (''The North Star'') is an opéra comique in three acts by Giacomo Meyerbeer. The French-language libretto was by Eugène Scribe. The work had its first performance at the Opéra-Comique, Paris, on 16 February 1854. Much of the material, including some plot similarities (with the flautist Frederick the Great substituted by the flautist Peter the Great), derived from Meyerbeer's earlier 1844 Singspiel ''Ein Feldlager in Schlesien''. However, there also are some significant differences, perhaps the most important of which is that it was permissible to actually have Peter the Great take part in the action, which was not the case for Frederick, who had to play his flute off-stage, since members of the Prussian royal family were not permitted to be impersonated on the stage in Berlin where that work had its premiere. Peter does more than just take part in the action, since he ends up being the romantic lead. A notable feature of the opera is the triple march in the finale to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meyerbeer
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le diable'' and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the nineteenth century. Born to a rich Jewish family, Meyerbeer began his musical career as a pianist but soon decided to devote himself to opera, spending several years in Italy studying and composing. His 1824 opera '' Il crociato in Egitto'' was the first to bring him Europe-wide reputation, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lohengrin (opera)
''Lohengrin'', WWV 75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the ''Parzival'' of Wolfram von Eschenbach, and its sequel ''Lohengrin'', itself inspired by the epic of ''Garin le Loherain''. It is part of the Knight of the Swan legend. The opera has inspired other works of art. King Ludwig II of Bavaria named his castle Neuschwanstein Castle after the Swan Knight. It was King Ludwig's patronage that later gave Wagner the means and opportunity to complete, build a theatre for, and stage his epic cycle ''Der Ring des Nibelungen''. He had discontinued composing it at the end of Act II of ''Siegfried'', the third of the ''Ring'' tetralogy, to create his radical chromatic masterpiece of the late 1850s, ''Tristan und Isolde'', and his lyrical comic opera of the mid-1860s, '' Die Meistersinger von Nürnberg''. The most popular and recognizabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Lecocq
Alexandre Charles Lecocq (3 June 183224 October 1918) was a French composer, known for his opérettes and opéra comique, opéras comiques. He became the most prominent successor to Jacques Offenbach in this sphere, and enjoyed considerable success in the 1870s and early 1880s, before the changing musical fashions of the late 19th century made his style of composition less popular. His few serious works include the opera ''Plutus (opera), Plutus'' (1886), which was not a success, and the ballet ''Le Cygne (ballet), Le cygne'' (1899). His only piece to survive in the regular modern operatic repertory is his 1872 opéra comique ''La fille de Madame Angot'' (Mme Angot's Daughter). Others of his more than forty stage works receive occasional revivals. After study at the Conservatoire de Paris, Paris Conservatoire, Lecocq shared the first prize with Georges Bizet in an operetta-writing contest organised in 1856 by Offenbach. Lecocq's next successful composition was an opéra-bouffe, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Birmingham Daily Post
The ''Birmingham Post'' is a weekly printed newspaper based in Birmingham, England, with a circulation of 2,545 and distribution throughout the West Midlands. First published under the name the ''Birmingham Daily Post'' in 1857, it has had a succession of distinguished editors and has played an influential role in the life and politics of the city. It is currently owned by Reach plc. In June 2013, it launched a daily tablet edition called ''Birmingham Post Business Daily.'' History The '' Birmingham Journal'' was a weekly newspaper published between 1825 and 1869. A nationally influential voice in the Chartist movement in the 1830s, it was sold to John Frederick Feeney in 1844 and was a direct ancestor of today's ''Birmingham Post''. The 1855 Stamp Act removed the tax on newspapers and transformed the news trade. The price of the ''Journal'' was reduced from seven pence to four pence and circulation boomed. Untaxed, it became possible to sell a newspaper for a penny, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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