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Monument To The Tsar Liberator
The Monument to the Tsar Liberator ( bg, Паметник на Цар Освободител, ''Pametnik na Tsar Osvoboditel'') is an equestrian monument in the centre of Sofia, the capital of Bulgaria. It was erected in honour of Russian Emperor Alexander II who liberated Bulgaria from Ottoman rule during the Russo-Turkish War of 1877-78. The Neoclassical memorial's author is Italian sculptor Arnoldo Zocchi, who won the project in competition with 31 other artists from 12 countries (and with a total of 90 artists from 15 countries being interested) in the end of the 19th century. Bulgarian architect Nikola Lazarov participated in the monument's architectural design. The foundation stone was laid on 23 April 1901, St George's Day, in the presence of Knyaz Ferdinand I of Bulgaria, and the monument was completed on 15 September 1903. Ferdinand also attended the monument's inauguration on 30 August 1907 together with his sons Boris and Kiril, Grand Duke Vladimir Alexandrovi ...
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Boris III Of Bulgaria
Boris III ( bg, Борѝс III ; Boris Treti; 28 August 1943), originally Boris Klemens Robert Maria Pius Ludwig Stanislaus Xaver (Boris Clement Robert Mary Pius Louis Stanislaus Xavier) , was the Tsar of the Kingdom of Bulgaria from 1918 until his death in 1943. The eldest son of Ferdinand I, Boris assumed the throne upon the abdication of his father in the wake of Bulgaria's defeat in World War I. Under the 1919 Treaty of Neuilly, Bulgaria was forced to, amongst other things, cede various territories, pay crippling war reparations, and greatly reduce the size of its military. That same year, Aleksandar Stamboliyski of the agrarian Bulgarian Agrarian National Union became prime minister. After Stamboliyski was overthrown in a coup in 1923, Boris recognized the new government of Aleksandar Tsankov, who harshly suppressed the Bulgarian Communist Party and led the nation through a brief border war with Greece. Tsankov was removed from power in 1926, and a series of prime ministe ...
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Greek Mythology
A major branch of classical mythology, Greek mythology is the body of myths originally told by the Ancient Greece, ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the Cosmogony, origin and Cosmology#Metaphysical cosmology, nature of the world, the lives and activities of List of Greek mythological figures, deities, Greek hero cult, heroes, and List of Greek mythological creatures, mythological creatures, and the origins and significance of the ancient Greeks' own cult (religious practice), cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself. The Greek myths were initially propagated in an oral tradition, oral-poetic tradition most likely by Minoan civilization, Minoan and Mycenaean Greece, Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its after ...
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Nike (mythology)
In Greek mythology, Nike (; grc, Νίκη, lit=victory, ancient: , modern: ) was a goddess who personified victory in any field including art, music, war, and athletics. She is often portrayed in Greek art as Winged Victory in the motion of flight; however, she can also appear without wings as "Wingless Victory" when she is being portrayed as an attribute of another deity such as Athena.Suidas. ''The Suda on Line: Byzantine Lexicography''. Translated by Whitehead, David, et al. (2014). Accessed 9 December 2022. https://www.cs.uky.edu/~raphael/sol/sol-html/ In Greek literature Nike is described as both an attribute and attendant to the gods Zeus and Athena. Nike gained this honored role beside Zeus during the Titanomachy where she was one of the first gods to offer her allegiance to Zeus. At Athens, Nike became a servant to Athena as well as an attribute of her due to the prominent status Athena held in her patron city. The fusion of the two goddesses at Athens has contributed to ...
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Bas-relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ...
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Romania
Romania ( ; ro, România ) is a country located at the crossroads of Central Europe, Central, Eastern Europe, Eastern, and Southeast Europe, Southeastern Europe. It borders Bulgaria to the south, Ukraine to the north, Hungary to the west, Serbia to the southwest, Moldova to the east, and the Black Sea to the southeast. It has a predominantly Temperate climate, temperate-continental climate, and an area of , with a population of around 19 million. Romania is the List of European countries by area, twelfth-largest country in Europe and the List of European Union member states by population, sixth-most populous member state of the European Union. Its capital and largest city is Bucharest, followed by Iași, Cluj-Napoca, Timișoara, Constanța, Craiova, Brașov, and Galați. The Danube, Europe's second-longest river, rises in Germany's Black Forest and flows in a southeasterly direction for , before emptying into Romania's Danube Delta. The Carpathian Mountains, which cross Roma ...
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Bronze
Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids such as arsenic or silicon. These additions produce a range of alloys that may be harder than copper alone, or have other useful properties, such as ultimate tensile strength, strength, ductility, or machinability. The three-age system, archaeological period in which bronze was the hardest metal in widespread use is known as the Bronze Age. The beginning of the Bronze Age in western Eurasia and India is conventionally dated to the mid-4th millennium BCE (~3500 BCE), and to the early 2nd millennium BCE in China; elsewhere it gradually spread across regions. The Bronze Age was followed by the Iron Age starting from about 1300 BCE and reaching most of Eurasia by about 500 BCE, although bronze continued to be much more widely used than it is in mod ...
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Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed just with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves and gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative aspect. A building's projecti ...
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Neo-Renaissance
Renaissance Revival architecture (sometimes referred to as "Neo-Renaissance") is a group of 19th century architectural revival styles which were neither Greek Revival nor Gothic Revival but which instead drew inspiration from a wide range of classicizing Italian modes. Under the broad designation Renaissance architecture nineteenth-century architects and critics went beyond the architectural style which began in Florence and Central Italy in the early 15th century as an expression of Renaissance humanism; they also included styles that can be identified as Mannerist or Baroque. Self-applied style designations were rife in the mid- and later nineteenth century: "Neo-Renaissance" might be applied by contemporaries to structures that others called "Italianate", or when many French Baroque features are present (Second Empire). The divergent forms of Renaissance architecture in different parts of Europe, particularly in France and Italy, has added to the difficulty of defining an ...
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Pedestal
A pedestal (from French ''piédestal'', Italian ''piedistallo'' 'foot of a stall') or plinth is a support at the bottom of a statue, vase, column, or certain altars. Smaller pedestals, especially if round in shape, may be called socles. In civil engineering, it is also called ''basement''. The minimum height of the plinth is usually kept as 45 cm (for buildings). It transmits loads from superstructure to the substructure and acts as the retaining wall for the filling inside the plinth or raised floor. In sculpting, the terms base, plinth, and pedestal are defined according to their subtle differences. A base is defined as a large mass that supports the sculpture from below. A plinth is defined as a flat and planar support which separates the sculpture from the environment. A pedestal, on the other hand, is defined as a shaft-like form that raises the sculpture and separates it from the base. An elevated pedestal or plinth that bears a statue, and which is raised from th ...
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Vitosha
Vitosha ( bg, Витоша ), the ancient ''Scomius'' or ''Scombrus'', is a mountain massif, on the outskirts of Sofia, the capital of Bulgaria. Vitosha is one of the symbols of Sofia and the closest site for hiking, alpinism and skiing. Convenient bus lines and rope ways render the mountain easily accessible. Vitosha has the outlines of an enormous dome. The territory of the mountain includes Vitosha nature park that encompasses the best known and most frequently visited parts. The foothills of Vitosha shelter resort quarters of Sofia; Knyazhevo quarter has mineral springs. Vitosha is the oldest nature park in the Balkans. The mountain emerged as a result of volcanic activity and has been subsequently shaped by the slow folding of the granite rock layers and a series of gradual uplifts of the area. It appears dome shaped at first sight, but the mountain, 19 km long by 17 km wide, actually consists of concentric denudational plateaus rising in tiers one above the other. ...
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