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Monument Of The Four Moors
The Monument of the Four Moors () is located in Livorno, Italy. It was completed in 1626 to commemorate the victories of Ferdinand I of Tuscany over the Ottomans. It is the most famous monument of Livorno and is located in Piazza Micheli. Created by Pietro Tacca, the monument takes its name from the four bronze statues of " Moorish" slaves that are found at the base of an earlier work consisting of the statue of Ferdinando I and its monumental pedestal. History In 1617, Cosimo II contracted sculptor Pietro Tacca to create the monument to commemorate his father, Ferdinando I. The completed monument was installed in Livorno in 1626. It features four bronze statues of enslaved prisoners chained at the base of a statue of Ferdinando I which had been commissioned at an earlier date. The physical characteristics of three of the statues represent people of the southern Mediterranean coast while the fourth statue has characteristics of a black African. Although the four chained ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fountain Of The Four Rivers
Fontana dei Quattro Fiumi (''Fountain of the Four Rivers'') is a fountain in the Piazza Navona in Rome, Italy. It was designed in 1651 by Gian Lorenzo Bernini for Pope Innocent X whose family palace, the Palazzo Pamphili, faced onto the piazza as did the church of Sant'Agnese in Agone of which Innocent was the sponsor. Description The base of the fountain is a basin from the centre of which travertine rocks rise to support four river gods and above them, a copy of an Egyptian obelisk surmounted with the Pamphili family emblem of a dove with an olive twig. Collectively, they represent four major rivers of the four continents through which papal authority had spread: the Nile representing Africa, the Danube representing Europe, the Ganges representing Asia, and the Río de la Plata representing the Americas. Design Bernini's design was selected in competition. The circumstances of his victory are described as follows in Filippo Baldinucci's ''The life of Cavaliere Bernini'' (1682): ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1626 Establishments In Europe
Sixteen or 16 may refer to: *16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * ''Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band *Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by Highl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1620s Sculptures
Sixteen or 16 may refer to: *16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * '' Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band * Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures Completed In 1626
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In Livorno
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monuments And Memorials In Tuscany
A monument is a type of structure that was explicitly created to commemorate a person or event, or which has become relevant to a social group as a part of their remembrance of historic times or cultural heritage, due to its artistic, historical, political, technical or architectural importance. Some of the first monuments were dolmens or menhirs, megalithic constructions built for religious or funerary purposes. Examples of monuments include statues, (war) memorials, historical buildings, archaeological sites, and cultural assets. If there is a public interest in its preservation, a monument can for example be listed as a UNESCO World Heritage Site. Etymology It is believed that the origin of the word "monument" comes from the Greek ''mnemosynon'' and the Latin ''moneo'', ''monere'', which means 'to remind', 'to advise' or 'to warn', however, it is also believed that the word monument originates from an Albanian word 'mani men' which in Albanian language means 'remember ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Tuscany
Tuscany is named after its pre-Roman inhabitants, the Etruscans. It was ruled by Rome for many centuries. In the Middle Ages, it saw many invasions, but in the Renaissance period it helped lead Europe back to civilization. Later, it settled down as a grand duchy. It was conquered by Napoleonic France in the late 18th century and became part of the Italian Republic in the 19th century. Apennine, Proto-Villanovan and Villanovan culture The pre-Etruscan history of the area in the middle and late Bronze parallels that of the archaic Greeks. The Tuscan area was inhabited by peoples of the so-called Apennine culture in the second millennium BC (roughly 1400–1150 BC) who had trading relationships with the Minoan and Mycenaean civilizations in the Aegean Sea, and, at the end of the Bronze Age, by peoples of the so-called of the Proto-Villanovan culture (c. 1100-900 BC) part of the central European Urnfield culture system. Following this, at the beginning of the Iron Age, the Vill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis XIV Victory Monument
The Louis XIV Victory Monument was an elaborate trophy memorial celebrating the military and domestic successes of the early decades of Louis XIV's personal rule, primarily those during the Franco-Dutch War of 1672-1678, on the Place des Victoires (Victories' Square) in central Paris. It was designed and sculpted by Martin Desjardins between 1682 and 1686 on a commission by François d'Aubusson, Duke of La Feuillade. The monument's centerpiece, a colossal statue of Louis XIV crowned by an allegory of victory, was destroyed in 1792 during the French Revolution. Significant other parts of the monument have been preserved and are now mostly kept at the Louvre. Together with the two triumphal arches, the Porte Saint-Denis (1672) and Porte Saint-Martin (1674), and echoing the Hall of Mirrors in the Palace of Versailles (decorated 1680-1684), the Victory Monument marked the high point of public exaltation of Louis XIV's military glory and European dominance in the urban landscape of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pesaro Madonna
The ''Pesaro Madonna'' ( it, Pala Pesaro) (better known as the Madonna di Ca' Pesaro) is a painting by the late Italian Renaissance master Titian, commissioned by Jacopo Pesaro, whose family acquired in 1518 the chapel in the Frari Basilica in Venice for which the work was painted, and where it remains today. Jacopo was Bishop of Paphos, in Cyprus, and had been named commander of the papal fleet by the Borgia pope, Alexander VI. This painting recalls one of Titian's earliest paintings ''Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter'', c. 1510-11, text. Aesthetics Titian shows his patron in a devotional pose, kneeling before the Virgin and presented to her by Saint Peter. Prominently displayed on the step is Saint Peter's key; its diagonal plane, leading toward the Virgin, parallels that of Jacopo. The Virgin's position at the top of the steps alludes to her celestial role as ''Madonna della Scala ''(Madonna of the Stairs) and as the Stairway to Heaven. Titian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Gloriosa Dei Frari
The Basilica di Santa Maria Gloriosa dei Frari, usually just called the Frari, is a church located in the Campo dei Frari at the heart of the San Polo district of Venice, Italy. The largest church in the city, it has the status of a minor basilica. The church is dedicated to the Assumption of Mary. The imposing edifice is built of brick, and is one of the city's three notable churches still mostly retaining their Venetian Gothic appearance. In common with many Franciscan churches, the exterior is rather plain, even on the front facade. The exterior also features a bell tower that was fixed in the early 2000s after going through structural problems. The interior is notable for many very grand wall monuments to distinguished Venetians buried in the church, including a number of Doges and the painter Titian. Many of these are important works in the history of Venetian sculpture, and the many paintings include two large and important altarpieces by Titian, the '' Assumption of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Pesaro
Giovanni Pesaro (September 1, 1589 – September 30, 1659) was the 103rd Doge of Venice, reigning from his election on April 8, 1658 until his death. The Cretan War (1645–1669) was ongoing for the entirety of his brief reign. Background, 1589–1658 Giovanni Pesaro was the son of Elena Soranzo and Vettor Pesaro, a rich man. He rose to prominence quickly, being repeatedly elected as ducal councillor, as a member of the Senate of Venice, and then serving as the Republic of Venice's ambassador to the Vatican, prior to serving as Procurator of St Mark's. In spite of all of these honours, his reputation was far from spotless. In 1642, he abandoned the garrison of Pontelagoscuro (a ''frazione'' of Ferrara), which he was commanding, in the face of the enemy. In the years following this incident, he was implicated of embezzlement and abuse of office. As rector, he appropriated land owned by a citizen for himself. Following the death of his wife Lucia Barbarigo, Pesaro married ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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