Monticello Amiata
Monticello Amiata is a village in Tuscany, central Italy, administratively a frazione of the comune of Cinigiano, province of Grosseto. At the time of the 2001 census its population amounted to 425. Geography Monticello Amiata is about 50 km from Grosseto and 9 km from Cinigiano, and it is situated along the Provincial Road which links Cinigiano to Arcidosso. History Originally known as ''Montepinzutolo'', it was mentioned for the first time in an act by Conrad II in 1027. The village became a ''comune'' in 1261, but it lost its autonomy in 1783, when it became a ''frazione'' of Cinigiano. Main sights * ''San Michele Arcangelo'' (13th century), main parish church of the village, it was entirely re-built in the 13th century after the fire which destroyed ''Montepinzutolo'' in 1240. It contains some paintings of Bartolomeo Neroni and Rutilio Manetti.Bruno Santi, ''Guida storico-artistica alla Maremma. Itinerari culturali nella provincia di Grosseto'', Siena, Nuova I ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Province Of Grosseto
The province of Grosseto ( it, links=no, provincia di Grosseto) is a province in the Tuscany region of Italy. Its capital is the city of Grosseto. As of 2013 the province had a total population of 225,098 people. Geography The Province of Grosseto completely occupies the southern end of Tuscany, and with a territorial area of , it is the most extensive in the region and one of the least dense in population in Italy. The province is bordered to the northwest by the Province of Livorno, to the north by the Province of Pisa, to the northeast by the Province of Siena, and to the southeast by the Province of Viterbo in Lazio. To the south is the Tyrrhenian Sea, which includes the southern islands of the Tuscan archipelago, including Isola del Giglio and the smaller Giannutri islands and Formiche di Grosseto and Formica di Burano. The Arcipelago Toscano National Park spans both the provinces of Grosseto and Livorno, and includes the seven main islands of the Tuscan Archipelago: Elba ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Bartolomeo Neroni
Bartolomeo Neroni, also known as Il Riccio or Riccio Sanese (c.1505-1571) was an Italian painter, sculptor, architect and engineer of the Sienese School. He was born and died in Siena. Biography Neroni was influenced by Domenico Beccafumi and Baldassare Peruzzi. He is described as a pupil of Il Sodoma, and that he married this painter's daughter. He was a versatile artist who created in the course of his life numerous works in various fields, painting, sculpture, and manuscript illumination. He also enjoyed great fame in life as a military engineer and architect. He is mentioned as ''Riccio Sanese'', a pupil of Sodoma, by Vasari in his ''Vite'' Most of his works were either ephemeral or have been lost. He created the scenography for the comedy of l'Ortensio, presented for the Grand Duke Cosimo I, in the Salone delle Commedie of Florence. The work was engraved by Andrea Andreani of Mantua in 1579. His major work is the Mannerist ''Coronation of the Virgin'' at the Pinacoteca ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Porrona
Porrona is a village in Tuscany, central Italy, administratively a frazione of the comune of Cinigiano, province of Grosseto. At the time of the 2001 census its population amounted to 24. Porrona is about 40 km from Grosseto and 4 km from Cinigiano, and it is situated along the road which links the ''Cipressino'' Provincial Road at Sant'Angelo Scalo to Cinigiano. History The village was born in the 13th century as a castle of the Republic of Siena. It has become the seat of notable Sienese families since the 14th century (Piccolomini, Tolomei). Emanuele Repetti, Porrona», ''Dizionario Geografico Fisico Storico della Toscana'', 1833-1846. Main sights * Pieve of ''San Donato'' (13th century), main parish church of the village, it is a notable Romanesque architecture.Bruno Santi, ''Guida storico-artistica alla Maremma. Itinerari culturali nella provincia di Grosseto'', Siena, Nuova Immagine, 1995, p. 175-178. * ''Madonna delle Grazie'' (17th century), it was built as ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Poggi Del Sasso
Poggi del Sasso is a village in Tuscany, central Italy, administratively a frazione of the comune of Cinigiano, province of Grosseto. At the time of the 2001 census its population amounted to 88. Geography Poggi del Sasso is about 37 km from Grosseto and 10 km from Cinigiano, and it is situated along the provincial road which links Sasso d'Ombrone to the castle of Montecucco and the hamlet of Piantaverna. The village lies in the valley of Ombrone. The territory of Poggi del Sasso is known for the production of the wine Montecucco. Main sights Churches * ''Santa Margherita'' (20th century), main parish church of the village, it was designed by engineer Ernesto Ganelli in 1958 and consecrated in 1970. It contains several Renaissance paintings formerly preserved in the church of Vicarello. * Monastery of Siloe (2001-2011), a contemporary architecture designed by Edoardo Milesi, it includes a convent, a church and a chapel. Castles * Castle of Colle Massari (11th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Castiglioncello Bandini
Castiglioncello Bandini is a village in Tuscany, central Italy, administratively a frazione of the comune of Cinigiano, province of Grosseto. At the time of the 2001 census its population amounted to 93. Castiglioncello Bandini is about 50 km from Grosseto and 8 km from Cinigiano, and it is situated along the Provincial Road which links Monticello Amiata to Vallerona. History Ruled by the Aldobrandeschi family in the Early Middle Ages, the castle of Castiglioncello was then held by the Piccolomini-Bandini. Emanuele Repetti, Castiglioncello Bandini», ''Dizionario Geografico Fisico Storico della Toscana'', 1833-1846. Main sights * ''San Nicola'' (16th century), main parish church of the village, it was entirely re-built in the 16th century in place of an early church dating back to the Middle Ages. * ''Chiesa del Madonnino'' (17th century), little church located near the castle, it was built in a Baroque style. * ''Castiglion del Torto'', old castle built by Aldobran ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Borgo Santa Rita
Borgo Santa Rita is a village in Tuscany, central Italy, administratively a frazione of the comune of Cinigiano, province of Grosseto. At the time of the 2001 census its population amounted to 34. Borgo Santa Rita is about 33 km from Grosseto and 10 km from Cinigiano. It is situated along the provincial road which links the Grosseto-Siena highway to the Mount Amiata. History The whole territory was property of the counts of Poggio alle Mura (Montalcino) during the Middle Ages, but the modern village is born as a result of the Maremman ''Riforma agraria'' (land reform) in the early 1960s. Main sights * ''Santa Petronilla'' (20th century), main parish church of the village, it was built in 1964 and designed by architect Carlo Boccianti.Marco Del Francia, Giovanni Tombari, Barbara Catalani, ''Itinerari di architettura contemporanea. Grosseto e Provincia'', Pisa, ETS, 2011, p. 61. * Chapel of ''Santa Petronilla'', early church dating back to the Middle Ages, it's now i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Courthouse
A courthouse or court house is a building that is home to a local court of law and often the regional county government as well, although this is not the case in some larger cities. The term is common in North America. In most other English-speaking countries, buildings which house courts of law are simply called "courts" or "court buildings". In most of continental Europe and former non-English-speaking European colonies, the equivalent term is a palace of justice ( French: ''palais de justice'', Italian: ''palazzo di giustizia'', Portuguese: ''palácio da justiça''). United States In most counties in the United States, the local trial courts conduct their business in a centrally located courthouse. The courthouse may also house other county government offices, or the courthouse may consist of a designated part of a wider county government building or complex. The courthouse is usually located in the county seat, although large metropolitan counties may have satellite or ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Giuseppe Nicola Nasini
Giuseppe Nicola Nasini (January 25, 1657– July 3, 1736) was an Italian painter of the Baroque period, active in Rome and Tuscany. Biography Born in Castel del Piano, now in the Province of Grosseto, Giuseppe was the son of the painter Francesco Nasini and was one of the Tuscan pupils in the Medici-patronized Grand-Ducal Academy for the Arts located in Rome and directed from 1673–86, by Ciro Ferri. He was also sponsored in Rome by Agostino Chigi. From 1679 to 1680, Nasini completed over a dozen portraits of Chigi's family; some are copies of paintings by Jacob Ferdinand Voet and Alessandro Mattia da Farnese. On October 15, 1680, his paintings of the ''Judgement of Solomon'' and ''Elias meets a child and widow'' was awarded second prize for design in the first class of painting at the Accademia di San Luca contest. In July 1681, he completed a ''St Peter of Alcantara'' for the church in the Villa Medicea L'Ambrogiana, near Montelupo Fiorentino Nasini returned to Florence ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Domenico Manetti
Domenico Manetti (1609–1663) was at Italian painter. Manetti was born at Siena in 1609, and was probably a relation of Rutilio Manetti. He painted chiefly for the churches of Siena, but also produced historical subjects of an easel size. Lanzi particularly mentions one in the Casa Magnoni, representing the ''Baptism of Constantine Constantine most often refers to: * Constantine the Great, Roman emperor from 306 to 337, also known as Constantine I *Constantine, Algeria, a city in Algeria Constantine may also refer to: People * Constantine (name), a masculine given name ...''. He died in 1663. References * External links 1609 births 1663 deaths Italian Baroque painters 17th-century Italian painters Italian male painters Painters from Siena History painters {{Italy-painter-17thC-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Rutilio Manetti
Rutilio di Lorenzo Manetti (c. 1571 – 22 July 1639) was an Italian painter of late-Mannerism or proto-Baroque, active mainly in Siena. Biography He was influenced and/or taught by the local artists Francesco Vanni and Ventura Salimbeni. He is known to have collaborated with Raffaello Vanni, the son of Francesco. Among his masterpieces are his contributions to the Casino Mediceo, which he worked alongside Matteo Rosselli, Giovanni Lanfranco, and Cesare Dandini. One of his pupils or followers is Stefano Volpi. He is known for the following works in Siena or nearby towns: ''Story of St Catherine and Pope Gregory'' (1597; Palazzo Pubblico), ''Baptism of Christ'' (1600; church of San Giovannino in Pantaneto); a fresco cycle of the ''Story of St Roch'' (1605–1610; San Rocco alla Lupa), ''Pope Alexander I freed from prison by an Angel'' from San Giovanni Battista in Sant'Ansano in Greti; a ''Temptation of Saint Anthony'' (1620, Sant'Agostino); a ''Rest on the Flight to Egypt'' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Emanuele Repetti
Emanuele Repetti (1776-1852) was an Italian historian and naturalist who wrote extensively on the history of Tuscany. He was born in Carrara.Italian Institute of Archaeology, University of Siena http://www.archeogr.unisi.it/repetti/paginerep/biorep.html Works He contributed to the ''Antologia of Vieusseux'' and the ''Atti'' of the Accademia dei Georgofili, of which he was secretary. From 1833 to 1846, he published the ''Dizionario geografico, fisico e storico della Toscana'', which offers an account of the natural and civic history of municipalities in Tuscany. His work was primarily cultural, historical, linguistic and archaeological in nature. References Further reading * 1833-1845 (6 volumes) Repetti Repettii Emanuele Repetti Emanuele Repetti (1776-1852) was an Italian historian and naturalist who wrote extensively on the history of Tuscany. He was born in Carrara.Italian Institute of Archaeology, University of Siena http://www.archeogr.unisi.it/repetti/paginerep/bi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |