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Monte Carlo Madness (1932 Film)
''Monte Carlo Madness'' is a 1932 German Musical film, musical comedy film directed by Hanns Schwarz and starring Sari Maritza, Hans Albers and Charles Redgie. It was an English-language version of the 1931 German film ''Bombs on Monte Carlo (1931 film), Bombs on Monte Carlo'', which was based on the 1930 novel ''Bomben auf Monte Carlo (novel), Bombs on Monte Carlo'' by Fritz Reck-Malleczewen. The screenplay concerns a captain who falls in love with a Queen in Monte Carlo. It cost to produce. The film's sets were designed by the art director Erich Kettelhut. Plot In Monte Carlo, a captain tries to raise the money to pay his crew at the gaming table, and meets and falls in love with a Queen. Cast *Sari Maritza as Queen Yola *Hans Albers as Capt. Erickson *Charles Redgie as Peter *Helen Haye as Isabel *John Deverell as Consul *C. Hooper Trask as Prime Minister *Comedian Harmonists as Themselves *Kapelle Carlo Minari as Themselves - Orchestra Reception The film was not a success ...
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Hanns Schwarz
Hanns Schwarz (11 February 1888 – 27 October 1945) was an Austrian Empire, Austrian film director. He was born in Vienna on 11 February 1888. Biography He directed twenty four films between 1924 and 1937 in both English-language, English and German-language, German. During the late silent film, silent and early sound era, sound eras, he was a leading director at the large German studio Universum Film AG, UFA. In the early 1930s he worked on several Multiple-language version, multi-language version films for UFA, producing the same films in distinct German and foreign-language versions. Schwarz was Jewish and was therefore forced to leave Germany in 1933 when the Nazis took over, going into exile in Britain. His last film was the 1937 British thriller ''Return of the Scarlet Pimpernel''. He died in California on 27 October 1945. Partial filmography * ''Nanon (1924 film), Nanon'' (1924) * ''The Voice of the Heart (1924 film), The Voice of the Heart'' (1924) * ''Two People (1924 ...
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Charles Redgie
Charles Redgie was a French-based film actor who appeared in thirty six productions between 1930 and 1939.Goble p.385 He starred in the French-language film ''Captain Craddock'' (1931) and its English-language version '' Monte Carlo Madness'' (1932). Several of his performances were made in films made by the French subsidiary of the German studio UFA. Selected filmography * ''The Mystery of the Yellow Room'' (1930) * '' My Childish Father'' (1930) * ''Captain Craddock'' (1931) * '' Monte Carlo Madness'' (1932) * '' A Gentleman of the Ring'' (1932) * ''Here's Berlin'' (1932) * '' Happy Ever After'' (1932) * ''The Last Billionaire'' (1934) * ''George and Georgette'' (1934) * ''Samson'' (1936) * ''Wells in Flames'' (1937) * ''The Men Without Names'' (1937) * ''Fort Dolorès ''Fort Dolorès'' (French: ''Fort-Dolorès'') is a 1939 French western film directed by René Le Hénaff and starring Roger Karl, Gina Manès and Pierre Larquey.Crisp p.378 The film's sets were designed by the a ...
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German Multilingual Films
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germa ...
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Operetta Films
Operetta films (German: Operettenfilm) are a genre of musical films associated with, but not exclusive to, German language cinema. The genre began in the late 1920s, but its roots stretch back into the tradition of nineteenth century Viennese operettas. Although some silent films had based their plots on stage operettas, the genre was largely a result of the switch from silent to sound films. The 1929 film ''Melody of the Heart'', made by the German studio UFA, is credited as being the first "Operetta film". It had been intended as a silent film, but the dramatic arrival of sound forced its production to be switched. Its combination of music and dancing proved to be a successful formula, and it was followed by many similar films. During the 1930s the trend spread to Britain, where a number of Operetta films were made (often in co-productions with German or Austrian studios), France and the United States. Many German émigré film-makers following the Nazi rise to power in 1933 w ...
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Films Directed By Hanns Schwarz
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ...
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1932 Musical Comedy Films
Year 193 ( CXCIII) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Sosius and Ericius (or, less frequently, year 946 ''Ab urbe condita''). The denomination 193 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * January 1 – Year of the Five Emperors: The Roman Senate chooses Publius Helvius Pertinax, against his will, to succeed the late Commodus as Emperor. Pertinax is forced to reorganize the handling of finances, which were wrecked under Commodus, to reestablish discipline in the Roman army, and to suspend the food programs established by Trajan, provoking the ire of the Praetorian Guard. * March 28 – Pertinax is assassinated by members of the Praetorian Guard, who storm the imperial palace. The Empire is auctioned off ...
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Films Of The Weimar Republic
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ...
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Berghahn Books
Berghahn Books is a New York and Oxford-based publisher Publishing is the activity of making information, literature, music, software and other content available to the public for sale or for free. Traditionally, the term refers to the creation and distribution of printed works, such as books, newsp ... of scholarly books and academic journals in the humanities and social sciences, with a special focus on Social anthropology, social & cultural anthropology, European history, politics, and Film studies, film & media studies. It was founded in 1994 by Marion Berghahn. Books division Berghahn Books publishes ca 140 new titles and some 80 paperback editions each year and has a backlist of nearly 2,500 titles in print. New titles are published in both print and online, with the select digitization of the backlist currently being undertaken as part of the Berghahn Books Online platform. Many Berghahn titles have been reviewed on ''Choice: Current Reviews for Academic Libraries, C ...
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Comedian Harmonists
The Comedian Harmonists were an internationally famous, all-male German close harmony ensemble that performed between 1928 and 1934 as one of the most successful musical groups in Europe before World War II. The group consisted of Harry Frommermann ( tenor buffo), Asparuh "Ari" Leschnikoff (first tenor), Erich Collin (second tenor), Roman Cycowski ( baritone), Robert Biberti ( bass), and Erwin Bootz (pianist). The hallmark of the Comedian Harmonists was its members' ability to blend their voices together so that the individual singers could appear and disappear back into the vocal texture. Its repertoire was wide, ranging from the folk and classical songs arranged by Frommermann to appealing and witty popular songs of the day by writers such as Peter Igelhoff, Werner Richard Heymann and Paul Abraham. History In 1927, unemployed actor Harry Frommermann was inspired by The Revelers, a jazz-influenced popular vocal group from the United States, to create a German group of t ...
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John Deverell
John Deverell (30 May 1880 in London, England – 2 March 1965 in Haywards Heath, Sussex, England) was a British actor. Selected filmography * ''John Forrest Finds Himself'' (1920) – The Hon. Vere Blair * '' Children of Chance'' (1930) – Harold *Alibi (1931) – Lord Halliford *A Night in Montmartre (1932) – cast member * '' Monte Carlo Madness'' (1932) – Consul * '' Above Rubies'' (1932) – Lord Middlehurst * The Path of Glory (1934) – Paul * '' The King of Paris'' (1934) – Bertrand *'' The Divine Spark'' (1935) – the King *'' Marry the Girl'' (1935) – Judge *'' They Didn't Know'' (1936) – Lord Budmarsh * Get off My Foot (1936) – cast memberBecause of Love(original title-''Everything in Life)'' (1936) – John * ''The Girl in the Taxi'' (1937) – Emile Pomerell * The Street Singer (1937) – James the butler *'' Incident in Shanghai'' (1938) – Weepie * I've Got a Horse (1938) – JudgeLarry the Lamb(1947 TV Movie) – The Inventor * The Calendar (1948) †...
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Erich Kettelhut
Erich Karl Heinrich Kettelhut (1 November 1893 – 13 March 1979) was a German production designer, Art director#In film, art director and set decorator. Kettelhut is considered one of the most important artists in the history of early German cinema, mainly for his set direction for ''Die Nibelungen'' (1924) and his design and visual effects for ''Metropolis (1927 film), Metropolis'' (1927). His early career was defined by a working relationship with fellow designers Otto Hunte and Karl Vollbrecht, the trio working on many of Fritz Lang's early German films. Despite being best known for his iconic visuals on several of the most important films of German Expressionism, German Expressionist cinema, he is also noted for a career spanning into the 1960s and his work on more light-hearted films and musicals. Career Early career Kettelhut was born in Berlin in 1893. After leaving school, he received training at a craft school as a theatre artist. In 1909 he first met Otto Hunte, when t ...
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Art Director
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film industry, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it visual communication, communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style (visual arts), style(s) to use, and when to use motion graphic design, motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the col ...
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