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Monsueto
Monsueto Campos de Menezes (November 4, 1924 – March 17, 1973), better known as Monsueto, was a Brazilian sambista, singer, composer, drummer, painter, and actor. He was a part of the ''samba de morro'' (Portuguese for "hill samba") school, and helped popularize it along with other artists such as Cartola, Nelson Cavaquinho, Clementina de Jesus, Silas de Oliveira, Mano Décio da Viola, and Zé Keti. His musical output, though small, is considered very valuable to the history of Brazilian music. Career Born in Gávea but raised in the favela Morro do Pinto, Monsueto was an orphan by the age of three and was brought up by his grandmother and aunt. He began playing drums around the age of 15, and during the 1940s he played in various bands, including the Orquestra de Copinha, which performed at the Copacabana Palace Hotel. During the early 1950s many of his compositions were recorded by other artists, and by the late 1950s he was appearing in films and on television, and making ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transa (album)
''Transa'' () is the sixth album by the Brazilian musician Caetano Veloso, released in 1972 by Philips Records. Like its predecessor, it was recorded while the artist was exiled in London, though he returned to Brazil shortly after completing it. Background and Recording Exiled in London since 1969, Caetano Veloso gained permissions to stay one month in Brazil in January 1971 to see the commemorative mass of his parents 40th anniversary. In Rio de Janeiro, the singer was interrogated by the military who asked him to compose a song complimenting the Transamazônica highway - during its construction. Caetano didn't accept the "proposal", but, back in London, recorded the LP with the title ''"Transa"'', released in Brazilian territory in January 1972, when the singer returned to the country for good. Reception Caetano calls it "one of my favorite records", feeling that it reaches a level of musicianship he was unable to achieve on previous albums. It also proved popular with the B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Araçá Azul
''Araçá Azul'' (Portuguese for "blue Cattley guava") is the fifth studio album by Caetano Veloso, released in November 1972 by Philips Records. The album was recorded shortly after Veloso returned from his exile in London. ''Araçá Azul'' is Veloso's most experimental album to date, influenced in part by the poetics of invention of the Brazilian concrete poetry movement and the experiences in popular music by Walter Franco. It was negatively received by the market upon its release, and is Veloso's lowest-selling album despite receiving critical acclaim. Background After an exile of 2 years in London, Veloso recorded ''Araçá Azul'' in São Paulo over a single week at Eldorado Studio, the only studio in Brazil equipped with 8-channel recording technology at that time. Veloso reports that he made the record alone, with help from a technician and his assistant, under permission of then president of PolyGram, André Midani. He used experimental techniques to record the album, reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clube Da Esquina (album)
''Clube da Esquina'' is a 1972 double album by the Brazilian music artists collective Clube da Esquina, credited to Milton Nascimento and Lô Borges. Considered an important record in the history of Brazilian music, it features arrangements by Eumir Deodato and Wagner Tiso, and conductions by Paulo Moura. The album garnered attention for its engaged compositions and miscellany of sounds. Despite popular belief, the photo on the album cover does not depict Borges and Nascimento as children. It was taken by a member of the collective, Brazilian photographer Cafi (Carlos da Silva Assunção Filho), on the side of a road in the rural northern Rio de Janeiro state. Due to increased public interest in the album's 40th anniversary, a search for the two boys was conducted, successfully identifying them as Antonio Rimes and Antônio Carlos Rosa de Oliveira. Legacy and critical reception The LP was considered in the list of the Brazilian version of ''Rolling Stone'' as the 7th best Bra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morro Do Pinto
Morro (Spanish and Portuguese for "hill") may refer to: Buildings *El Morro mine, Atacama, Chile *El Morro National Monument, New Mexico * Morro del Tulcán, pyramid in Popayán, Cauca *Morro Castle (Havana), fortress in Havana, Cuba * El Morro de San Felipe, fortress in Puerto Plata, Dominican Republic *Castillo San Felipe del Morro, a citadel in San Juan, Puerto Rico Geology *Morro Rock, a volcanic plug located just offshore from Morro Bay, California * Isla El Morro, island near Acapulco, Mexico *Isla El Morro, small island near Taboga Island, Panama Places ;Brazil * Morro Agudo, a municipality in the state of São Paulo * Morro Agudo de Goiás, a municipality in the state of Goiás * Morro Cabeça no Tempo, a municipality in the state of Piauí * Morro da Fumaça, a municipality in the state of Santa Catarina * Morro do Chapéu, a municipality in the state of Bahia * Morro do Chapéu do Piauí, a municipality in the state of Piauí * Morro da Garça, a municipality in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Bethânia
Maria Bethânia Viana Teles Veloso (; born 18 June 1946) is a Brazilian singer and songwriter. Born in Santo Amaro, Bahia, she started her career in Rio de Janeiro in 1964 with the show "Opinião" ("Opinion"). Due to its popularity, with performances all over the country, and the popularity of her 1965 single "Carcará", the artist became a star in Brazil. Bethânia is the sister of the singer-songwriter Caetano Veloso and of the writer-songwriter Mabel Velloso, as well as being aunt of the singers Belô Velloso and Jota Velloso. The singer has released 50 studio albums in 47 years of career, and is among the 10 best-selling music artists in Brazil, having sold more than 26 million records. Bethânia was ranked in 2012, by ''Rolling Stone Brasil'' magazine, as the fifth-biggest voice of Brazilian music. Early life and initial artistic activities Bethânia is the sixth out of eight children born into the family of José Telles Veloso (''Seu Zeca''), a government official, and C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Hora E A Vez Do Samba
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
O Forte
O, or o, is the fifteenth letter and the fourth vowel letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''o'' (pronounced ), plural ''oes''. History Its graphic form has remained fairly constant from Phoenician times until today. The name of the Phoenician letter was '' ʿeyn'', meaning "eye", and indeed its shape originates simply as a drawing of a human eye (possibly inspired by the corresponding Egyptian hieroglyph, cf. Proto-Sinaitic script). Its original sound value was that of a consonant, probably , the sound represented by the cognate Arabic letter ع ''ʿayn''. The use of this Phoenician letter for a vowel sound is due to the early Greek alphabets, which adopted the letter as O "omicron" to represent the vowel . The letter was adopted with this value in the Old Italic alphabets, including the early Latin alphabet. In Greek, a variation of the for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock And Roll
Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a Genre (music), genre of popular music that evolved in the United States during the late 1940s and early 1950s. It Origins of rock and roll, originated from African-American music such as jazz, rhythm and blues, boogie woogie, gospel music, gospel, as well as country music. While rock and roll's formative elements can be heard in blues records from the 1920s and in country records of the 1930s,Peterson, Richard A. ''Creating Country Music: Fabricating Authenticity'' (1999), p. 9, . the genre did not acquire its name until 1954. According to journalist Greg Kot, "rock and roll" refers to a style of popular music originating in the United States in the 1950s. By the mid-1960s, rock and roll had developed into "the more encompassing international style known as rock music, though the latter also continued to be known in many circles as rock and roll."Kot, Greg"Rock and roll", in the ''Encyclopædia Bri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
