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Monochromatic Color
A monochrome or monochromatic image, object or palette is composed of one color (or values of one color). Images using only shades of grey are called grayscale (typically digital) or black-and-white (typically analog). In physics, monochromatic light refers to electromagnetic radiation that contains a narrow band of wavelengths, which is a distinct concept. Application Of an image, the term monochrome is usually taken to mean the same as black and white or, more likely, grayscale, but may also be used to refer to other combinations containing only tones of a single color, such as green-and-white or green-and-red. It may also refer to sepia displaying tones from light tan to dark brown or cyanotype ("blueprint") images, and early photographic methods such as daguerreotypes, ambrotypes, and tintypes, each of which may be used to produce a monochromatic image. In computing, monochrome has two meanings: *it may mean having only one color which is either on or off (also known as ...
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Eiffel Tower At Exposition Universelle, Paris, 1889
Eiffel may refer to: Places * Eiffel Peak, a summit in Alberta, Canada * Champ de Mars – Tour Eiffel station, Paris, France; a transit station Structures * Eiffel Tower, in Paris, France, designed by Gustave Eiffel * Eiffel Bridge, Ungheni, Moldova, designed by Gustave Eiffel * Eiffel Bridge, Láchar, Spain, built by the studio of Gustave Eiffel * Eiffel Bridge, Zrenjanin, Serbia, built by Gustave Eiffel's company * Eiffel Building, Sao Paulo, Brazil; a mixed use building Education * Eiffel School of Management (est. 2007), Creteil, France * Gustave Eiffel French School of Budapest, Hungary * Gustave Eiffel University (est. 2020), Champs-sur-Marne, Marne la Vallée, France * Lycée Gustave Eiffel (other) Music * Eiffel 65, an Italian electronic music group, originally called Eiffel * Eiffel (band), a French rock group * '' 5 Eiffel'' (EP), a 1982 record by Kim Larsen * " Alec Eiffel", a song by the alternative rock band Pixies Other uses * Eiffel (company), success ...
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Tintype
A tintype, also known as a melainotype or ferrotype, is a photograph made by creating a direct positive on a thin sheet of metal coated with a dark lacquer or enamel and used as the support for the photographic emulsion. Tintypes enjoyed their widest use during the 1860s and 1870s, but lesser use of the medium persisted into the early 20th century and it has been revived as a novelty and fine art form in the 21st. Tintype portraits were at first usually made in a formal photographic studio, like daguerreotypes and other early types of photographs, but later they were most commonly made by photographers working in booths or the open air at fairs and carnivals, as well as by itinerant sidewalk photographers. Because the lacquered iron support (there is no actual tin used) was resilient and did not need drying, a tintype could be photographic processing, developed and fixed and handed to the customer only a few minutes after the picture had been taken. The tintype photograph saw mor ...
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Complementary Color
Complementary colors are pairs of colors which, when combined or mixed, cancel each other out (lose hue) by producing a grayscale color like white or black. When placed next to each other, they create the strongest contrast for those two colors. Complementary colors may also be called "opposite colors". Which pairs of colors are considered complementary depends on the color theory one uses: *Modern color theory uses either the RGB additive color model or the CMY subtractive color model, and in these, the complementary pairs are red– cyan, green–magenta, and blue–yellow. *In the traditional RYB color model, the complementary color pairs are red–green, yellow–purple, and blue–orange. *Opponent process theory suggests that the most contrasting color pairs are red–green and blue–yellow. *The black-white color pair is common to all the above theories. In different color models Traditional color model The traditional color wheel model dates to the 18th century an ...
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Stereoscopy
Stereoscopy (also called stereoscopics, or stereo imaging) is a technique for creating or enhancing the illusion of depth in an image by means of stereopsis for binocular vision. The word ''stereoscopy'' derives . Any stereoscopic image is called a stereogram. Originally, stereogram referred to a pair of stereo images which could be viewed using a stereoscope. Most stereoscopic methods present a pair of two-dimensional images to the viewer. The left image is presented to the left eye and the right image is presented to the right eye. When viewed, the human brain perceives the images as a single 3D view, giving the viewer the perception of 3D depth. However, the 3D effect lacks proper focal depth, which gives rise to the Vergence-Accommodation Conflict. Stereoscopy is distinguished from other types of 3D displays that display an image in three full dimensions, allowing the observer to increase information about the 3-dimensional objects being displayed by head and eye mov ...
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Anaglyph Image
Anaglyph 3D is the Stereoscopy, stereoscopic 3D effect achieved by means of encoding each eye's image using filters of different (usually chromatically opposite) colors, typically red and cyan. Anaglyph 3D images contain two differently filtered colored images, one for each eye. When viewed through the "color-coded" "anaglyph glasses", each of the two images reaches the eye it's intended for, revealing an integrated stereoscopy, stereoscopic image. The visual cortex of the brain fuses this into the perception of a three-dimensional scene or composition. Anaglyph images have seen a recent resurgence due to the presentation of images and video on the World Wide Web, Web, Blu-ray Discs, CDs, and even in print. Low cost paper frames or plastic-framed glasses hold accurate color filters that typically, after 2002, make use of all 3 primary colors. The current norm is red and cyan, with red being used for the left channel. The cheaper filter material used in the monochromatic past d ...
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Orthochromatic Film
In chemistry, orthochromasia is the property of a dye or stain to not change color on binding to a target, as opposed to metachromatic stains, which change color. The word is derived from the Greek '' orthos'' (correct, upright), and chromatic (color). Toluidine blue is an example of a partially orthochromatic dye, as it stains nucleic acids by its orthochromatic color (blue), but stains mast cell granules in its metachromatic color (red). In spectral terms, orthochromasia refers to maintaining the position of spectral peaks, while metachromasia refers to a shift in wavelength, becoming either shorter or longer. In photography, an orthochromatic light spectrum is one devoid of red light. In biology, orthochromatic refers to the greyish staining because of acidophilic and basophilic mixture in the cell. Orthochromatic photography Orthochromatic photography refers to a photographic emulsion that is sensitive to only blue and green light, and thus can be processed with a red ...
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Panchromatic Film
Panchromatic emulsion is a type of black-and-white photographic emulsion that is sensitive to all wavelengths of visible light. Description A panchromatic emulsion renders a realistic reproduction of a scene as it appears to the human eye, although with no colors. Almost all modern photographic film is panchromatic. Some older types of film were orthochromatic and were not sensitive to certain wavelengths of light. As naturally prepared, a silver halide photographic emulsion is much more sensitive to blue and UV light than to green and red wavelengths. The German chemist Hermann W. Vogel found out how to extend the sensitivity into the green, and later the orange, by adding sensitising dyes to the emulsion. By the addition of erythrosine the emulsion could be made orthochromatic while some cyanine derivatives confer sensitivity to the whole visible spectrum making it panchromatic. However, his technique was not extended to achieve a fully panchromatic film until the early 1900s ...
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Digital Photography
Digital photography uses cameras containing arrays of electronic photodetectors interfaced to an analog-to-digital converter (ADC) to produce images focused by a lens, as opposed to an exposure on photographic film. The digitized image is stored as a computer file ready for further digital processing, viewing, electronic publishing, or digital printing. Digital photography spans a wide range of applications with a long history. In the space industry, where much of the technology originated, it pertains to highly customized, embedded systems combined with sophisticated remote telemetry. Any electronic image sensor can be digitized; this was achieved in 1951. The modern era in digital photography is dominated by the semiconductor industry, which evolved later. An early semiconductor milestone was the advent of the charge-coupled device (CCD) image sensor, first demonstrated in April 1970; the field has advanced rapidly and continuously ever since, paced by concurrent advances ...
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Kodachrome
Kodachrome is the brand name for a color reversal film introduced by Eastman Kodak in 1935. It was one of the first successful color materials and was used for both cinematography and still photography. For many years Kodachrome was widely used for professional color photography, especially for images intended for publication in print media. Because of its complex processing requirements, the film was initially exclusively sold process-paid in the United States: customers had to pay Kodak for the cost of development when they bought the film, and independent photography stores were prohibited from developing Kodachrome photos. To develop the film, customers had to mail film to Kodak, who mailed the developed photos back for no additional charge. In 1954, the U.S. Department of Justice found this practice to be an uncompetitive violation of antitrust law. Kodak entered into a consent decree requiring they offer Kodachrome film for sale with and without the development fee, as ...
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Color Photography
Color photography is photography that uses media capable of capturing and reproducing colors. By contrast, black-and-white or gray-monochrome photography records only a single channel of luminance (brightness) and uses media capable only of showing shades of gray. In color photography, electronic sensors or light-sensitive chemicals record color information at the time of exposure. This is usually done by analyzing the spectrum of colors into three channels of information, one dominated by red, another by green and the third by blue, in imitation of the way the normal human eye senses color. The recorded information is then used to reproduce the original colors by mixing various proportions of red, green and blue light ( RGB color, used by video displays, digital projectors and some historical photographic processes), or by using dyes or pigments to remove various proportions of the red, green and blue which are present in white light ( CMY color, used for prints on paper a ...
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Monochrome Photography
Monochrome photography is photography where each position on an image can record and show a different ''amount'' of light, but not a different hue. It includes all forms of black-and-white photography, which produce images containing shades of neutral grey ranging from black to white. Other hues besides grey, such as sepia, cyan, blue, or brown can also be used in monochrome photography. In the contemporary world, monochrome photography is mostly used for artistic purposes and certain technical imaging applications, rather than for visually accurate reproduction of scenes. Description Although methods for photographing in color emerged slowly starting in the 1850s, monochrome imagery dominated photography until the mid–twentieth century. From the start, photographic recording processes such as the daguerreotype, the paper negative and the glass collodion negative did not render the color of light (although they were sensitive to some colors more than others). The result was ...
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Photographic Film
Photographic film is a strip or sheet of transparent film base coated on one side with a gelatin photographic emulsion, emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast, and image resolution, resolution of the film. The emulsion will gradually darken if left exposed to light, but the process is too slow and incomplete to be of any practical use. Instead, a very short exposure (photography), exposure to the image formed by a camera lens is used to produce only a very slight chemical change, proportional to the amount of light absorbed by each crystal. This creates an invisible latent image in the emulsion, which can be chemically photographic processing, developed into a visible photograph. In addition to visible light, all films are sensitive to ultraviolet light, X-rays, gamma rays, and particle radiation, high-energy particles. Unmodified silver halide crys ...
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