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Molanus
Joannes Molanus (1533–1585), often cited simply as Molanus, is the Latinisation of names, Latinized name of Jan Vermeulen or Van der Meulen, an influential Counter Reformation Catholic theologian of Old University of Leuven, Louvain University, where he was Professor of Theology, and Rector from 1578. Born at Lille (a city in the County of Flanders, then under Habsburg Netherlands, Habsburg rule), he was a priest and canon (priest), canon of St. Peter's Church, Leuven, where he died. He wrote numerous books, several only published posthumously. He is best known for his ''De Picturis et Imaginibus Sacris, pro vero earum usu contra abusus'' ("Treatise on Sacred Images"). This was published in 1570, four years after the Beeldenstorm, Iconoclastic Fury had swept through the Low Countries, and it defended the production and use of devotional images, but enforcing the restrictions of the Council of Trent, as he interpreted them, in a brutally polemical fashion, which was very influen ...
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Lucas Brugensis
Franciscus Lucas Brugensis or François Luc de Bruges (1548/9–1619) was a Roman Catholic biblical exegete and textual criticism, textual critic from the Habsburg Netherlands. Life Early life Franciscus Lucas was born in Bruges late in 1548 or early in 1549, the son of Josse Lucas and Ghislaine Vande Walle. He studied at Castle College, Leuven, for his B.A., graduating on 6 March 1568, placing fifth of the 155 students in his year. He went on to earn a Licentiate of Sacred Theology in 1575 or 1576. Alongside his academic studies, he applied himself to acquiring a knowledge of Middle Eastern languages under the guidance of the Jesuit scholar Johannes Harlemius. He also became a friend of William Damasus Lindanus and Robert Bellarmine, and of the family of Christopher Plantin.A. C. De Schrevel, "Lucas, François, dit Lucas Brugensis", ''Biographie Nationale de Belgique''vol. 12(Brussels, 1893), 550-563. Editions of the Leuven Vulgate In 1570 Christopher Plantin obtained permis ...
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Leuven Vulgate
The Leuven Vulgate or Hentenian Bible () is an edition of the Vulgate which was edited by Hentenius (1499–1566) and published in Leuven, Louvain in 1547. This edition was republished several times, and in 1574 a revised edition was published. The 1583 edition of the Leuven Vulgate is cited in the Oxford Vulgate New Testament, where it is designated by the ''siglum'' (H for ''Hentenian''). History Publications On 8 April 1546, at the Council of Trent, a decision was made to prepare an authorized version of the Vulgate. No direct action was taken for the next forty years, and many scholars continued to publish their own editions. Among these editions, the edition prepared by Hentenius served almost as the standard text of the Catholic Church. The first edition of Hentenius was entitled ''Biblia ad vetustissima exemplaria nunc recens castigata'' and was published by the printer in November 1547. Hentenius used 30 Vulgate manuscripts to make his edition. Hentenius' edition ...
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Art In Roman Catholicism
Catholic art is art produced by or for members of the Catholic Church. This includes visual art ( iconography), sculpture, decorative arts, applied arts, and architecture. In a broader sense, Catholic music and other art may be included as well. Expressions of art may or may not attempt to illustrate, supplement and portray in tangible form Catholic teaching. Catholic art has played a leading role in the history and development of Western art since at least the 4th century. The principal subject matter of Catholic art has been the life and times of Jesus Christ, along with people associated with him, including his disciples, the saints, and motifs from the Catholic Bible. The earliest surviving artworks are the painted frescoes on the walls of the catacombs and meeting houses of the persecuted Christians of the Roman Empire. The Church in Rome was influenced by the Roman art and the religious artists of the time. The stone sarcophagi of Roman Christians exhibit the earliest s ...
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Faculty Of Theology, Old University Of Leuven
The Old University of Leuven was established in 1425 with Faculties of Arts, Medicine, Law; however, the university did not have a Faculty of Theology initially. In 1426 a Faculty of Canon Law was added, and at that time both Law Faculties functioned together in one ''Collegium utriusque iuris''. History During the Middle Ages, a ''studium generale'' was often rounded out after a short time with the foundation of a Faculty of Theology. After repeated requests from the municipal government, from the Duke of Brabant and from Philip the Good, the university received permission to grant theological degrees from Pope Eugene IV on 7 March 1432. Professors for the new faculty were first recruited from already existing theological faculties, particularly those of the University of Paris and the University of Cologne. Instruction in the old faculty of theology was thus closely based on the theological developments of these sister faculties. Students wishing to earn the degree of ''Sa ...
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Swoon Of The Virgin
The Swoon of the Virgin, in Italian Lo Spasimo della Vergine, or Fainting Virgin Mary was an idea developed in the late Middle Ages, that the Virgin Mary had fainted during the Passion of Christ, most often placed while she watched the Crucifixion of Jesus. It was based on mentions in later texts of the apocryphal gospel the ''Acta Pilati'', which describe Mary swooning. It was popular in later medieval art and theological literature, but as it was not mentioned in the Canonical Gospels, it became controversial - Protestants rejecting it outright, and from the 16th century discouraged also by many senior Catholic churchmen. The swoon might be placed during the episode of Christ Carrying the Cross, as on the Via Dolorosa in Jerusalem, but very commonly also during the Crucifixion of Jesus; Nicholas Penny estimates that "about half of the surviving paintings of the Crucifixion made between 1300 and 1500 will be found to include the Virgin fainting". It also appeared in works show ...
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Old University Of Leuven
The Old University of Leuven (or of Louvain) is the name historians give to the university, or ''studium generale'', founded in Leuven, Brabant (then part of the Burgundian Netherlands, now part of Belgium), in 1425. The university was closed in 1797, a week after the cession to the French Republic of the Austrian Netherlands and the principality of Liège (jointly the future Belgium) by the Treaty of Campo Formio. The name was in medieval Latin Studium generale Lovaniense or Universitas Studii Lovaniensis, in humanistical Latin Academia Lovaniensis, and most usually, Universitas Lovaniensis, in Dutch Universiteyt Loven and also Hooge School van Loven. It is commonly referred to as the University of Leuven or University of Louvain, sometimes with the qualification "old" to distinguish it from the Catholic University of Leuven (established 1835 in Leuven). This might also refer to a short-lived but historically important State University of Leuven, 1817–1835. The immedi ...
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Counter Reformation
The Counter-Reformation (), also called the Catholic Reformation () or the Catholic Revival, was the period of Catholic resurgence that was initiated in response to the Protestant Reformation. It began with the Council of Trent (1545–1563) and largely ended with the conclusion of the European wars of religion in 1648. Initiated to address the effects of the Protestant Reformation, the Counter-Reformation was a comprehensive effort composed of apologetic and polemical documents and ecclesiastical configuration as decreed by the Council of Trent. The last of these included the efforts of Imperial Diets of the Holy Roman Empire, heresy trials and the Inquisition, anti-corruption efforts, spiritual movements, and the founding of new religious orders. Such policies had long-lasting effects in European history with exiles of Protestants continuing until the 1781 Patent of Toleration, although smaller expulsions took place in the 19th century. Such reforms included the foundation o ...
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Saint Christopher
Saint Christopher ( el, Ἅγιος Χριστόφορος, ''Ágios Christóphoros'') is veneration, venerated by several Christianity, Christian denominations as a martyr killed in the reign of the 3rd-century Roman Empire, Roman emperor Decius (reigned 249–251) or alternatively under the emperor Maximinus Daia (reigned 308–313). There appears to be confusion due to the similarity in names "Decius" and "Daia". Churches and monasteries were named after him by the 7th century. One day he carried a child, who was unknown to him, across a river before the child revealed himself as Christ. Therefore, he is the patron saint of travelers, and small images of him are often worn around the neck, on a bracelet, carried in a pocket, or placed in vehicles by Christians. Historicity Probably the most important source of the historicity of Christophorus is a stone inscription published by Louis Duchesne in 1878. The copy of the stone inscription and the first publication took place o ...
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Last Judgement
The Last Judgment, Final Judgment, Day of Reckoning, Day of Judgment, Judgment Day, Doomsday, Day of Resurrection or The Day of the Lord (; ar, یوم القيامة, translit=Yawm al-Qiyāmah or ar, یوم الدین, translit=Yawm ad-Dīn, label=none) is part of the Abrahamic religions and the ''Frashokereti'' of Zoroastrianism. Christianity considers the Second Coming of Jesus Christ to entail the final judgment by God of all people who have ever lived, resulting in the approval of some and the penalizing of others. The concept is found in all the canonical gospels, particularly in the Gospel of Matthew. The Christian tradition is also followed by Islam, where it is mentioned in the 43rd chapter (''Az-Zukhruf'') of the Quran, according to some interpretations. Christian futurists believe it will follow the resurrection of the dead and the Second Coming of Jesus, while full preterists believe it has already occurred. The Last Judgment has inspired numerous artistic depict ...
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Death Of The Virgin
The Death of the Virgin Mary is a common subject in Western Christian art, the equivalent of the Dormition of the Theotokos in Eastern Orthodox art. This depiction became less common as the doctrine of the Assumption gained support in the Roman Catholic Church from the Late Middle Ages onward. Although that doctrine avoids stating whether Mary was alive or dead when she was bodily taken up to Heaven, she is normally shown in art as alive. Nothing is said in the Bible about the end of Mary's life, but a tradition dating back to at least the 5th century says the twelve Apostles were miraculously assembled from their far-flung missionary activity to be present at the death, and that is the scene normally depicted, with the apostles gathered round the bed. A virtuoso engraving by Martin Schongauer of about 1470 shows the Virgin from the foot of a large bed with the apostles spread around the three sides, and this composition influences many later depictions. Earlier depictions u ...
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Nativity Of Jesus In Art
The Nativity of Jesus has been a major subject of Christian art since the 4th century. The artistic depictions of the ''Nativity'' or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition. Christian art includes a great many representations of the Virgin Mary and the Christ Child. Such works are generally referred to as the "Madonna and Child" or "Virgin and Child". They are not usually representations of the ''Nativity'' specifically, but are often devotional objects representing a particular aspect or attribute of the Virgin Mary, or Jesus. ''Nativity'' pictures, on the other hand, are specifically illustrative, and include many narrative details; they are a normal component of the sequences illustrating both the Life of Christ and the Life of the Virgin. The Nativity has been depicted in many different media, both pictorial and sculptural. Pictoria ...
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Byzantine Art
Byzantine art comprises the body of Christian Greek artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward. A number of contemporary states with the Byzantine Empire were culturally influenced by it without actually being part of it (the "Byzantine commonwealth"). These included the Rus, as well as some non-Orthodox states like the Republic of Venice, which separated from the Byzantine Empire in the 10th century, and the Kingdom of Sicily, which had close ties to the Byzantine Empire a ...
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