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Moje Forbach
Moje Forbach, real name Amalie Staubwasser (24 September 1898 – 21 December 1993), was a German operatic soprano and actress. Life Born in Munich, Forbach spent large parts of her childhood and her youth in the belonging to the family of Cetto. Her original career goal was a teacher of home economics, but at her mother's request she studied singing in Munich from 1916. After her education she changed her stage name and made her debut at the Landestheater in Gotha in 1920 in the role of Elisabeth in Wagner's ''Tannhäuser''. In 1921 Forbach was engaged at the Theater Augsburg, from 1924 at the Staatstheater Stuttgart before she was engaged by Otto Klemperer to the Krolloper in Berlin. on '' |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Münchner Kammerspiele
The Munich Kammerspiele (German: Münchner Kammerspiele) is a state-funded German-language theater company based at the ''Schauspielhaus'' on Maximilianstraße (Munich), Maximilianstrasse in the Bavarian capital. The company currently has three venues: the main stage of the theatre with two small stages, the workroom on Hildegardstrasse, and the Therese-Giehse-Halle in the rehearsal building on Falckenbergstrasse. History The company was founded in 1906 in Schwabing as the private troupe of Erich Ziegel. Beginning in 1917, Otto Falckenberg served as director; in 1926, he moved the company into the ''Schauspielhaus'', (built in Art Nouveau style in 1901 by Richard Riemerschmid and Max Littmann). Since 1933, the Münchner Kammerspiele has been a municipal theater company of the City of Munich. In 1961, the ''Werkraumtheater'' has served as its second stage. In 2001, the company gained a rehearsal stage next to the ''Schauspielhaus'' in a large building designed by Gustav Peichl. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Grobecker
Anna Grobecker, born 27 July 1829 in Breslau (which was then part of the Kingdom of Prussia), died 27 September 1908 in Althofen, Austria, was a German mezzo-soprano who appeared in many operas and operettas. She was a skilled comic actress and was most popular in "trousers roles". She was the daughter of opera singers Franz Mejo and Rosa Mejo-Straub, one of their seven children, all of whom had stage careers. Anna was trained as an actress by Carl Herbold and as a singer by her mother. She made her debut in Magdeburg in 1844, appeared in Leipzig in 1848, and performed in Berlin from 1850 - 1858, where she specialised in soubrette roles. In 1858, during a guest appearance in Budapest, she was seen by Johann Nestroy, who brought her to Vienna. There she appeared at the Carltheater in operettas, especially in the works of Jacques Offenbach and Franz von Suppé Franz von Suppé (né Francesco Ezechiele Ermenegildo de Suppe) (18 April 181921 May 1895) was an Austrian composer of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto-Falckenberg-Schule
The Otto Falckenberg Schule – Fachakademie für darstellende Kunst der Landeshauptstadt München, or Otto Falckenberg School of the Performing Arts, is a higher education academy in Munich training actors and directors, affiliated to the Münchner Kammerspiele. It was founded in 1946 as the Städtische Schauspielschule but renamed to its present name on 1 March 1948, after the director and theatre manager Otto Falckenberg. Its current director is Jochen Noch and assistant director Sigrid Herzog. Alumni * Monika Baumgartner * Jens Harzer * Alexander Held * Pola Kinski * Waldemar Kobus * Joachim Król * Tobias Moretti * Franka Potente * Jeff Wilbusch Jeff Wilbusch (born Iftach Wilbuschewitz, 14 November 1987) is an Israeli-German actor. Early life and education Wilbusch was born on 14 November 1987 in Haifa, Israel. He grew up in the Hasidic Jewish Satmar community of Mea Shearim, Jerusale ... External links Official website Buildings and structures in Munich Educatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Westdeutscher Rundfunk
Westdeutscher Rundfunk Köln (''West German Broadcasting Cologne''; WDR, ) is a German public-broadcasting institution based in the Federal State of North Rhine-Westphalia with its main office in Cologne. WDR is a constituent member of the consortium of German public-broadcasting institutions, ARD. As well as contributing to the output of the national television channel '' Das Erste'', WDR produces the regional television service WDR Fernsehen (formerly known as WDF and West3) and six regional radio networks. History Origins The Westdeutsche Funkstunde AG (WEFAG) was established on 15 September 1924. There was a substantial purge of left wing staff following the Nazi seizure of power in 1933. This included Ernst Hardt, Hans Stein and Walter Stern. WDR was created in 1955, when Nordwestdeutscher Rundfunk (NWDR) was split into Norddeutscher Rundfunk (NDR) – covering Lower Saxony, Schleswig-Holstein, and Hamburg – and Westdeutscher Rundfunk, responsible for Nort ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erwartung
' (''Expectation''), Opus number, Op. 17, is a one-act monodrama in four scenes by Arnold Schoenberg to a libretto by . Composed in 1909, it was not premiered until 6 June 1924 in Prague conducted by Alexander von Zemlinsky, Alexander Zemlinsky with Marie Gutheil-Schoder as the soprano. The opera takes the unusual form of a monologue for solo soprano accompanied by a large orchestra. In performance, it lasts for about half an hour. It is sometimes paired with Béla Bartók's opera ''Bluebeard's Castle'' (1911), as the two works were roughly contemporary and share similar psychological themes. Schoenberg described ''Erwartung'', saying "the aim is to represent in slow motion everything that occurs during a single second of maximum spiritual excitement, stretching it out to half an hour." Philip Friedheim has described ' as Schoenberg's "only lengthy work in an Theme (music)#I different types of music, athematic style", where no musical material returns once stated over the course of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monodrama
A monodrama is a theatrical or operatic piece played by a single actor or singer, usually portraying one character. In opera In opera, a monodrama was originally a melodrama with one role such as Jean-Jacques Rousseau's ''Pygmalion'', which was written in 1762 and first staged in Lyon in 1770, and Georg Benda's work of the same name (1779). The term monodrama (sometimes mono-opera) is also applied to modern works with a single soloist, such as Arnold Schoenberg's ''Die glückliche Hand'' (1924), which besides the protagonist has two additional silent roles as well as a choral prologue and epilogue. ''Erwartung'' (1909) and ''La voix humaine'' (1959) closely follow the traditional definition, while in ''Eight Songs for a Mad King'' (1969) by Peter Maxwell Davies, the instrumentalists are brought to the stage to participate in the action. Twenty-first century examples can be found in '' Émilie'' (2008) by Kaija Saariaho and ''Four Sad Seasons Over Madrid'' (2008) or ''God's Ske ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wozzeck
''Wozzeck'' () is the first opera by the Austrian composer Alban Berg. It was composed between 1914 and 1922 and first performed in 1925. The opera is based on the drama ''Woyzeck'', which the German playwright Georg Büchner left incomplete at his death. Berg attended the first production in Vienna of Büchner's play on 5 May 1914, and knew at once that he wanted to base an opera on it. (At the time, the play was still known as ''Wozzeck'', due to an incorrect transcription by Karl Emil Franzos, who was working from a barely-legible manuscript; the correct title would not emerge until 1921.) From the fragments of unordered scenes left by Büchner, Berg selected 15 to form a compact structure of three acts with five scenes each. He adapted the libretto himself, retaining "the essential character of the play, with its many short scenes, its abrupt and sometimes brutal language, and its stark, if haunted, realism..." The plot depicts the everyday lives of soldiers and the townspeopl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fidelio
''Fidelio'' (; ), originally titled ' (''Leonore, or The Triumph of Marital Love''), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, with the work premiering at Vienna's Theater an der Wien on 20 November 1805. The following year, Stephan von Breuning helped shorten the work from three acts to two. After further work on the libretto by Georg Friedrich Treitschke, a final version was performed at the Kärntnertortheater on 23 May 1814. By convention, both of the first two versions are referred to as ''Leonore''. The libretto, with some spoken dialogue, tells how Leonore, disguised as a prison guard named "Fidelio", rescues her husband Florestan from death in a political prison. Bouilly's scenario fits Beethoven's aesthetic and political outlook: a story of personal sacrifice, heroism, and eventual triumph. With its underlying struggle for liberty and justice mirroring con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Diktator
''Der Diktator'' (''The Dictator'') is a tragic opera in one act with words and music by Ernst Krenek, his Op. 49 and the first of three one-acters (with ''Das geheime Königreich'' and '' Schwergewicht, oder Die Ehre der Nation'') which premiered on 6 May 1928 at the Hessisches Staatstheater Wiesbaden as part of the Festspiele Wiesbaden. The score is inscribed with the date of completion, 28 August 1926. The title character is loosely based on Benito Mussolini, although the story is not deliberately political; Krenek later described it as "an anecdote from the private life of the 'strong man'. "Only from the irrational does he retreat, not so much out of fear but because he can do nothing with it, he cannot dominate it."1928 program note, quoted in The music is Puccinian in idiom, particularly in its use of the voice, and makes extensive use of leitmotives such as the alternating minor third triplet first heard in the bass as the war telegram is mentioned, which becomes the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristan Und Isolde
''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "" (literally ''a drama'', ''a plot'', or ''an action''). Wagner's composition of ''Tristan und Isolde'' was inspired by the philosophy of Arthur Schopenhauer (particularly ''The World as Will and Representation''), as well as by Wagner's affair with Mathilde Wesendonck. Widely acknowledged as a pinnacle of the operatic repertoire, ''Tristan'' was notable for Wagner's unprecedented use of chromaticism, tonal ambiguity, orchestral colour, and harmonic suspension. The opera was enormously influential among Western classical com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Walküre
(; ''The Valkyrie''), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 14 August 1876. As the ''Ring'' cycle was conceived by Wagner in reverse order of performance, ''Die Walküre'' was the third of the four texts to be written, although Wagner composed the music in performance sequence. The text was completed by July 1852, and the music by March 1856. Wagner largely followed the principles related to the form of musical drama, which he had set out in his 1851 essay ''Opera and Drama'' under which the music would interpret the text emotionally, reflecting the feelings and moods behind the work, using a system of recurring leitmotifs to represent people, ideas, and situations rather than the conv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
