Modern Art – The Best Of John Foxx
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Modern Art – The Best Of John Foxx
Modern Art - the Best of John Foxx is the title of an 18-track compilation album by British recording artist John Foxx, issued in 2001. Its issue coincided with the publication of a new album with Louis Gordon "The Pleasures of Electricity" and the re-issue of Foxx's first four solo albums on CD, Metamatic, The Garden, The Golden Section and In Mysterious Ways, all published by Edsel Records. Unlike the previous compilation, Assembly, "Modern Art" is a chronological and fairly straightforward compendium of Foxx's 1980s singles (with the exception of "20th Century" which was a B side) plus a selection of tracks covering musical output since returning to the music scene in 1997. Although the content of the album features output from all of Foxx's musical output to date, including the Cathedral Oceans ambient project, the cover art uses photographs of Foxx from his relatively short Metamatic era. Track listing # Underpass # No-One Driving # Burning Car # 20th Century # Miles A ...
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Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may ...
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The Golden Section
''The Golden Section'' is a 1983 album by English musician John Foxx. A progression from the sound of '' The Garden'' (1981), Foxx called ''The Golden Section'' "a roots check: Beatles, Church music, Psychedelia, The Shadows, The Floyd, The Velvets, Roy Orbison, Kraftwerk, and cheap pre-electro Europop".John Foxx (1992)''Assembly'' CD liner notes The album was Foxx's first work with a producer since his final Ultravox album, '' Systems of Romance'', in 1978; ''The Golden Section'' was co-produced by Zeus B. Held, well known in the Krautrock scene of the 1970s. In addition to Foxx's wide array of synthesizers, the production made extensive use of vocoder effects and sampling, along with traditional rock guitar. Production and style Foxx's two previous solo albums, ''Metamatic'' (1980) and '' The Garden'' (1981), had included a number of compositions written for earlier projects but shelved for one reason or another, such as "He's a Liquid" and "Touch and Go", originally perform ...
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Smash Hits
''Smash Hits'' was a British music magazine aimed at young adults, originally published by EMAP. It ran from 1978 to 2006, and, after initially appearing monthly, was issued fortnightly during most of that time. The name survived as a brand for a Spin-off (media), spin-off Smash Hits (TV channel), digital television channel, now named Box Hits, and website. A Smash Hits Radio, digital radio station was also available but closed on 5 August 2013. Overview ''Smash Hits'' featured the lyrics of latest hits and interviews with big names in music. It was initially published monthly, then went fortnightly. The style of the magazine was initially serious, but from the mid-1980s became increasingly irreverent. Its interviewing technique was novel at the time and, rather than looking up to the big names, it often made fun of them, asking strange questions rather than talking about their music. Created by journalist Nick Logan, the title was launched in 1978 and appeared monthly for ...
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Flexi-disc
The flexi disc (also known as a phonosheet, Sonosheet or Soundsheet, a trademark) is a phonograph record made of a thin, flexible vinyl sheet with a molded-in spiral stylus groove, and is designed to be playable on a normal phonograph turntable. Flexible records were commercially introduced as the Eva-tone Soundsheet in 1962. They were very popular among children and teenagers and mass-produced by the state publisher in the Soviet government. History Before the advent of the compact disc, flexi discs were sometimes used as a means to include sound with printed material such as magazines and music instruction books. A flexi disc could be moulded with speech or music and bound into the text with a perforated seam, at very little cost and without any requirement for a hard binding. One problem with using the thinner vinyl was that the stylus's weight, combined with the flexi disc's low mass, would sometimes cause the disc to stop spinning on the turntable and become held in pla ...
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The Pleasures Of Electricity
The Pleasures of Electricity is an album by John Foxx and Louis Gordon, released in 2001. It was the duo's second studio album, and Foxx's third after his return to the music scene in 1997. The album continues along the lines of modern electronics flavoured with early-80s touches that was set out by the duo's 1997 album ''Shifting City''. However, ''The Pleasures of Electricity'' is more polished and minimalist than any of Foxx's previous albums (solo or in a group), to the extent that the album sounds almost sterile in places. The lyrics recall themes similar to those in Foxx's classic album ''Metamatic'', dealing with traveling and urban life, including almost bizarre lyrics comparing driving in a car to mathematics in "Automobile" (all this delivered in Foxx's most deadpan voice). "Invisible Women" is a track Foxx originally recorded with Nation 12 over a decade earlier (the version here includes a synth riff recycled from Foxx's single "Underpass" that wasn't included in the N ...
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My Face (John Foxx Song)
My Face may refer to: * "My Face", a 1980 single by Henry Badowski Henry Badowski (born October 1958) is a British multi-instrumentalist, songwriter, and composer, who was a member of several punk rock bands in the 1970s before embarking on a solo career. Career Badowski's apprenticeship started in several U ... * "My Face", a 1980 single by John Foxx * ''My Face'', a 2001 album by Haddaway {{Disambiguation ...
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Europe After The Rain
"Europe After The Rain" is a song by John Foxx, released as a single in August 1981, and included on '' The Garden'' album released later the same year. The song signalled a departure from Foxx's previous solo work which had focused on a sparse electronic sound whereas ''Europe After The Rain'' features a warmer sound, using acoustic and electric guitars, acoustic piano and live drums to produce the music. The bass and string sounds were however produced by a synthesiser. Foxx has several times stated that this change in musical direction was caused by a visit to Italy after the Metamatic period, where he worked with director Michaelangelo Antonioni for the soundtrack of his film ''Identification of a Woman''. Although the single only reached no. 40 in the UK Singles Chart, Foxx performed the song on UK music show ''Top of the Pops'' where Foxx's new more romantic style was presented in the clothes and setting to accompany the performance in stark contrast to that of "Underpass" ...
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Burning Car
"Burning Car" is a song by John Foxx, released as a single in 1980. It was his third solo single, following "Underpass" and "No-One Driving" earlier in the year. The track was not included on Foxx's debut solo album ''Metamatic'', post-dating its January 1980 release, but has been included as a bonus track on the 2001 and 2007 CD reissues. It was Foxx's last 1980s record in a hard-edged electronica style (his next single, " Miles Away", featured acoustic drums and a somewhat warmer production). "Burning Car" developed the futurist style of ''Metamatic'' and was pacier than most of the album's material. Its staccato introduction was reminiscent of the metallic guitar notes that kicked off the track "Some of Them" from ''Systems of Romance'', Foxx's last album with former band Ultravox. The title came from a chapter in J. G. Ballard's SF novel ''Concrete Island'' and its automobile reference was shared by a number of tracks on ''Metamatic''. The B-side, "20th Century", was used as t ...
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No-One Driving
"No-One Driving" is a 1980 song by UK artist John Foxx, and was released as a single in March 1980. It was the second single release from the ''Metamatic'' album, after "Underpass". The song is typical of Foxx's musical output of the time, featuring a Ballardian dystopian scenario involving an automobile in the lyrics, with music produced using electronic instruments (synthesisers, drum machines, electronic percussion) only. The single was released as a limited edition double 7" disc with three accompanying tracks, and as a single 7" both as two track and three track discs with the same catalogue number. The single version is slightly different from the album version in sound mix and lyrics; the line "..''someone's gone liquid in the sheets''.." on the original (album) version is replaced by "..''someone's gone missing in the sheets''..". The record entered the UK Singles Chart at no. 32, remaining at the same position for a further week before dropping down. This was the fina ...
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Underpass (song)
"Underpass" is a song by UK artist John Foxx, and was released as a single in January 1980. It was the artist's first solo single release after leaving the band Ultravox and the first single release from the ''Metamatic'' album, which was released shortly after. The song typically features music made using synthesisers and electronic percussion only, and the vocal in the verses is delivered in a cold robotic style by Foxx, with an anthemic single word chorus. The lyrics feature Ballardian themes such as memory, architecture, dystopia and cars. There are no great differences in length or content between the album and single version, although an extended version did emerge years later and was used as the opening track on the ''Metatronic'' compilation album in 2010. The single reached no. 31 in the UK charts and was performed by Foxx with three keyboard players on UK music show ''Top of the Pops''. A promotional video for the song was also made. "Underpass" is featured on all John ...
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Assembly (compilation Album)
''Assembly'' is the title of an 18-track compilation album by British recording artist John Foxx, issued in 1992. It contains tracks from the artist's first four albums – ''Metamatic'', '' The Garden'', ''The Golden Section'' and ''In Mysterious Ways'' as well as tracks which had not been previously issued in an album format. The album was remastered for CD by Foxx himself, and although was the first time many of his solo tracks had appeared on CD there were no new tracks and none of the tracks remain exclusive to this release.http://www.quietcity.co.uk/discog/assembly.html Quiet City - Discography : Assembly The sleeve of "Assembly" features one of Foxx's Cathedral Oceans images, although in 1993, none of the music from that project had yet been made available. The CD booklet contains sleeve notes written by John Foxx himself where he describes each phase of his work over the 1980s. Track listing Tracks 1-3 from ''Metamatic'' Track 4 - B-side of "No-One Driving" single T ...
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The Garden (John Foxx Album)
''The Garden'' is a 1981 album by John Foxx, the follow-up to his debut solo album ''Metamatic'', released the previous year. By comparison, it features more diverse instrumentation and romantic stylings. Production and style The sound and subject matter of ''The Garden'' were informed by a number of factors: the composer's Catholic upbringing and early exposure to Latin mass and Gregorian chant; his exploration of England's countryside, architecture and history following the release of ''Metamatic''; and the song "Systems of Romance", which had been written during sessions for the Ultravox album of the same name but was not included on the record, even though its title was used. Another connection between ''The Garden'' and ''Systems of Romance'' the album was the presence of guitarist Robin Simon, whose textured style had been a significant influence on the sound of the earlier release. Whereas on ''Metamatic'' the only conventional instrument had been bass guitar, Foxx used ...
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