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Mlle Beaupré
Madeleine Lemeine, stage name Mademoiselle Beaupré (c. 1598 – 1655), was a French stage actress. Scott, Virginia (2010). '' Women on the stage in early modern France : 1540-1750''. Cambridge: Cambridge University Press. . She was the daughter of a merchant from Chatres-sous-Montlhery in the Ile-de-France. In 1623, she married the actor Nicolas Lion, stage name Beaupré: at the time of her marriage she was described as ''majeure'', that is of legal age, and therefore over the age of 25. Her spouse was active in the provinces while she performed in Paris. In 1644 it was noted that she was “separee de biens avec lui”, that is legally separated. She was engaged in the Grands Comediens ( Comédiens du Roi) at the Hôtel de Bourgogne, which was opened in 1628. In 1632, she and five other actresses of the theatre are identified. Other actresses of the theater were Mlle Valliot, Mlle Bellerose, Mlle Le Noir and Mlle Beauchateau. Mlle Beaupre and Mlle Valliot are described ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Lion
Nicolas or Nicolás may refer to: People Given name * Nicolas (given name) Mononym * Nicolas (footballer, born 1999), Brazilian footballer * Nicolas (footballer, born 2000), Brazilian footballer Surname Nicolas * Dafydd Nicolas (c.1705–1774), Welsh poet * Jean Nicolas (1913–1978), French international football player * Nicholas Harris Nicolas (1799–1848), English antiquary * Paul Nicolas (1899–1959), French international football player * Robert Nicolas (1595–1667), English politician Nicolás * Adolfo Nicolás (1936–2020), Superior General of the Society of Jesus * Eduardo Nicolás (born 1972), Spanish former professional tennis player Other uses * Nicolas (wine retailer), a French chain of wine retailers * ''Le Petit Nicolas'', a series of children's books by René Goscinny See also * San Nicolás (other) * Nicholas (other) * Nicola (other) * Nikola Nikola () is a given name which, like Nicholas, is a version of the Gree ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hôtel De Bourgogne (theatre)
Hôtel de Bourgogne was a theatre, built in 1548 for the first authorized theatre troupe in Paris, the Confrérie de la Passion. It was located on the rue Mauconseil (now the rue Étienne Marcel in the 2nd arrondissement of Paris), on a site that had been part of the residence of the Dukes of Burgundy (the former Hôtel de Bourgogne). The most important French theatre until the 1630s, it continued to be used until 1783,Forman 2010, p. 134 ("Hôtel de Bourgogne"). after which it was converted to a leather market and eventually totally demolished. The Confrérie performed farce and secular dramas, but lacking great success, began renting the theatre to itinerant acting companies, including Italian ''commedia dell'arte'' troupes, who introduced the characters Harlequin and Pantalone, as well as burlesque. In 1628, a French company, the Comédiens du Roi, became permanently established and performed many of the classics of French theatre, including ''Andromaque'' and ''Phèdre'' by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mlle Valliot
Elisabeth Dispannet, stage name Mademoiselle Valliot (fl. 1632 – ?), was a French stage actress. Scott, Virginia (2010). '' Women on the stage in early modern France : 1540-1750''. Cambridge: Cambridge University Press. . Her background is not known. She is known to have married in 1620 to the actor Jean Valliot, who is known to have been active in 1614–1627 and then probably died, as she is known to have been an independent widow during her period of fame in Paris in the 1630s. She was engaged in the Grands Comediens (Comédiens du Roi) at the Hôtel de Bourgogne (theatre), Hôtel de Bourgogne, which was opened in 1628. In 1632, she and five other actresses of the theatre are documented. Other actresses of the theater were Mlle Beaupré, Mlle Bellerose, Mlle Le Noir and Mlle Beauchateau. The contemporary chronicle writer Gédéon Tallemant des Réaux, Tallemant described the Parisian actresses of the 1630s. He referred to Mlle Bellerose as a “good actress”, Mlle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mlle Bellerose
Nicole Gassot, known under her stage name Mademoiselle Bellerose (1605 – 1679), was a French stage actress. She was the daughter of the actor Jean Gassot, stage name La Fortune. She and her father were members of the same theatre company as Mondory in March 1618. She first married the actor Mathias Meslier, and secondly in 1630 the actor Pierre Le Messier, stage name Bellerose. In 1628 the Grands Comediens ( Comédiens du Roi) was established at the Hôtel de Bourgogne. Initially, only the male actors are named, but in 1630 three actresses are mentioned: Nicole Gassot (Mlle Bellerose), Madeleine de Pouget (Mlle Beauchateau) and Jeanne Buffequin (Mlle La Fleur). Scott, Virginia (2010). '' Women on the stage in early modern France : 1540-1750''. Cambridge: Cambridge University Press. . She was engaged at the Hôtel de Bourgogne between 1630 and 1660. She was a star attraction of the theatre and described as the perhaps most popular stage actress of the theatre at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mlle Le Noir
Isabelle Mestivier (or more rarely Elizabeth Mestivier), stage name Mademoiselle Le Noir (fl. 1631 – fl. 1647), was a French stage actress. Scott, Virginia (2010). '' Women on the stage in early modern France : 1540-1750''. Cambridge: Cambridge University Press. . Life She is first mentioned in 1631. She was the daughter of the actor Francois Mestivier (fl. 1622). On an unknown date, she married the actor Charles Le Noir (fl. 1618), who was active in the same travelling theatre company as her father. Career She was engaged in 1631 the troupe of Charles Le Noir and Guillaume Des Gilberts/Mondory, which was later to become the Théâtre du Marais. Pierre Corneille wrote plays for the theatre, and all but one contained two female roles, the “premiere” and “heroine” role. Between 1629 and 1634, only two actresses were employed by the theatre and able to play these roles, Mlle Le Noir (Isabelle or Elizabeth Mestivier) and Mlle de Villiers (Marguerite Béguin), it has oft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mlle Beauchateau
Madeleine de Pouget, stage name Mademoiselle Beauchateau (1611–1683), was a French stage actress. Scott, Virginia (2010). '' Women on the stage in early modern France : 1540-1750''. Cambridge: Cambridge University Press. . According to an anecdote, she was the natural child of “a demoiselle of good family and a magistrate.” She was married to the actor Francois Chastelet, stage name Beauchateau. In 1628 the Grands Comediens ( Comédiens du Roi) was established at the Hôtel de Bourgogne. Initially, only the male actors are named, but in 1630 three actresses are mentioned: Nicole Gassot (Mlle Bellerose), Madeleine de Pouget (Mlle Beauchateau) and Jeanne Buffequin (Mlle La Fleur). She was engaged at the Théâtre du Marais in 1634. She was a prominent actress of the theatre. She created the role of the Infante in Pierre Corneille’s ''Le Cid''. According to Paul Scarron, she wrote the prose version of François Tristan l'Hermite François l'Hermite (c. 16017 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breeches Role
A breeches role (also pants role or trouser role, or Hosenrolle) is one in which an actress appears in male clothing. Breeches, tight-fitting knee-length pants, were the standard male garment at the time these roles were introduced. The theatrical term ''travesti'' covers both this sort of cross-dressing and also that of male actors dressing as female characters. Both are part of the long history of cross-dressing in music and opera and later in film and television. In opera, a breeches role refers to any male character that is sung and acted by a female singer. Most often the character is an adolescent or a very young man, sung by a mezzo-soprano or contralto. Budden J., "Breeches part" in: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. The operatic concept assumes that the character is male, and the audience accepts him as such, even knowing that the actor is not. Cross-dressing female characters (e.g., Leonore in ''Fidelio'' or Gilda in Act III ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Marais
The Théâtre du Marais has been the name of several theatres and theatrical troupes in Paris, France. The original and most famous theatre of the name operated in the 17th century. The name was briefly revived for a revolutionary theatre in 1791, and revived again in 1976. The present-day Théâtre du Marais operates at 37, rue Volta in the 3rd arrondissement of Paris. First incarnation (1634–1673) The Théâtre du Marais was founded in 1634, at which time there had been only one theatre company in Paris, the '' comédiens du Roi'' ("comedians of the King"), at the Hôtel de Bourgogne. The actors Charles Lenoir and Montdory decided to create their own troupe, and situated it in the fashionable Le Marais district of Paris, where they converted the Jeu de Paume des "Maretz", an unused tennis court on the Vieille Rue du Temple opposite the Capuchins, into a theatre.Scott 2000, p. 40. The new theatre's repertory was made up mainly of farces by Jodelet and works by Pierre Corn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sous
The Sous region (also spelt Sus, Suss, Souss or Sousse) ( ar, سوس, sūs, shi, ⵙⵓⵙ, sus) is an area in mid-southern Morocco. Geologically, it is the alluvial basin of the Sous River (''Asif n Sus''), separated from the Sahara desert by the Anti-Atlas Mountains. The natural vegetation in the Sous region is savanna dominated by the argan (''Argania spinosa''), a local endemic tree found nowhere else; part of the area is now a UNESCO Biosphere Reserve to protect this unique habitat. The region of Sous is generally fertile and has a high agricultural production. History Medieval Arabic geographers generally divided the Sous region into two distinct sub-regions: ''al-Sūs al-Aqṣā'', or "farther Sus", and ''al-Sūs al-Adnā'', or "nearer Sus". Sus al-Aqsa consisted of the southern/western part, and Sus al-Adna consisted of the northern/eastern part; however, there were never any precise boundaries between the two. The capital of the Sous was at Igli. There was also a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Births
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Deaths
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
