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Miyabi Himeno
''Miyabi'' (雅) is one of the traditional Japanese aesthetic ideals, though not as prevalent as Iki or Wabi-sabi. In modern Japanese, the word is usually translated as "elegance," "refinement," or "courtliness" and sometimes to a "sweet loved one". The ideal posed by the word demanded the elimination of anything that was absurd or vulgar and the "polishing of manners, diction, and feelings to eliminate all roughness and crudity so as to achieve the highest grace." It expressed that sensitivity to beauty which was the hallmark of the Heian era. Miyabi is often closely connected to the notion of Mono no aware, a bittersweet awareness of the transience of things, and thus it was thought that things in decline showed a great sense of miyabi. An example of this would be one of a lone cherry tree. The tree would soon lose its flowers and would be stripped of everything that made it beautiful and so it showed not only mono no aware, but also miyabi in the process. Adherents to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... Words ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinkakuji 2004-09-21
, officially named , is a Zen Buddhist temple in Kyoto, Japan. It is one of the most popular buildings in Kyoto, attracting many visitors annually.Bornoff, Nicholas (2000). ''The National Geographic Traveler: Japan''. National Geographic Society. . It is designated as a National Special Historic Site, a National Special Landscape and is one of 17 locations making up the Historic Monuments of Ancient Kyoto which are World Heritage Sites. History The site of Kinkaku-ji was originally a villa called ''Kitayama-dai'' (北山第), belonging to a powerful statesman, Saionji Kintsune. Kinkaku-ji's history dates to 1397, when the villa was purchased from the Saionji family by ''shōgun'' Ashikaga Yoshimitsu and transformed into the Kinkaku-ji complex. When Yoshimitsu died the building was converted into a Zen temple by his son, according to his wishes.Scott, David (1996). ''Exploring Japan''. Fodor's Travel Publications, Inc. . During the Ōnin war (1467–1477), all of the buildings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iki (aesthetic Ideal)
is a Japanese aesthetical concept thought to have originated amongst the merchant classes of Edo (modern-day Tokyo) in Edo period Japan.Nussbaum, Louis-Frédéric. (2005). "''Iki'' in ; n.b., Louis-Frédéric is pseudonym of Louis-Frédéric Nussbaum, ''see'Deutsche Nationalbibliothek Authority File. came to prominence within the context of the official social hierarchy of Edo-period Japan, subverting class through an expression of material wealth that formed an aesthetic language specifically aimed at one's peers – typically those within the merchant classes. Sometimes misunderstood in the West as the archetypal or stereotypical aesthetics of Japanese culture, refers to a distinct aesthetic ideal of subdued displays of taste and/or wealth, with an emphasis on belying, on first glance, the efforts – monetary or otherwise – taken to appear stylish. , having come into prominence around the same as many other now-traditional artforms, remains a cornerstone of aesthet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wabi-sabi
In traditional Japanese aesthetics, is a world view centered on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of appreciating beauty that is "imperfect, impermanent, and incomplete" in nature. It is prevalent throughout all forms of Japanese art. is a composite of two interrelated aesthetic concepts, and . According to the Stanford Encyclopedia of Philosophy, may be translated as "subdued, austere beauty," while means "rustic patina." is derived from the Buddhist teaching of the , specifically , and , however, originally the concepts were seen as two distinct concepts. Characteristics of aesthetics and principles include asymmetry, roughness, simplicity Simplicity is the state or quality of being simple. Something easy to understand or explain seems simple, in contrast to something complicated. Alternatively, as Herbert A. Simon suggests, something is simple or complex depending on the way we ..., economy, austerity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heian Period
The is the last division of classical Japanese history, running from 794 to 1185. It followed the Nara period, beginning when the 50th emperor, Emperor Kanmu, moved the capital of Japan to Heian-kyō (modern Kyoto). means "peace" in Japanese. It is a period in Japanese history when the Chinese influences were in decline and the national culture matured. The Heian period is also considered the peak of the Japanese imperial court and noted for its art, especially poetry and literature. Two types of Japanese script emerged, including katakana, a phonetic script which was abbreviated into hiragana, a cursive alphabet with a unique writing method distinctive to Japan. This gave rise to Japan's famous vernacular literature, with many of its texts written by court women who were not as educated in Chinese compared to their male counterparts. Although the Imperial House of Japan had power on the surface, the real power was in the hands of the Fujiwara clan, a powerful aristocratic f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mono No Aware
, literally "the pathos of things", and also translated as "an empathy toward things", or "a sensitivity to ephemera", is a Japanese idiom for the awareness of , or transience of things, and both a transient gentle sadness (or wistfulness) at their passing as well as a longer, deeper gentle sadness about this state being the reality of life. Origins and analysis The idiom comes from Heian period literature, but was picked up and used by 18th century Edo period Japanese cultural scholar Motoori Norinaga in his literary criticism of '' The Tale of Genji,'' and later to other germinal Japanese works including the . It became central to his philosophy of literature; he viewed it the main theme of ''The Tale of Genji''. His articulation was the result of well-established poetic readings of ''The Tale of Genji'' and the concept became central to his own; ''Genji'' was "instrumental" in the term's establishment. According to Norinaga, to "know" is to have a shrewd understanding and co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man'yōshū
The is the oldest extant collection of Japanese (poetry in Classical Japanese), compiled sometime after AD 759 during the Nara period. The anthology is one of the most revered of Japan's poetic compilations. The compiler, or the last in a series of compilers, is today widely believed to be Ōtomo no Yakamochi, although numerous other theories have been proposed. The chronologically last datable poem in the collection is from AD 759 ( 4516). It contains many poems from a much earlier period, with the bulk of the collection representing the period between AD 600 and 759. The precise significance of the title is not known with certainty. The contains 20 volumes and more than 4,500 poems, and is divided into three genres: , songs at banquets and trips; , songs about love between men and women; and songs to mourn the death of people. These songs were written by people of various statuses, such as the Emperor, aristocrats, junior officials, soldiers ( songs), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Poetry
Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or '' ryūka'' from the Okinawa Islands: it is possible to make a more accurate distinction between Japanese poetry written in Japan or by Japanese people in other languages versus that written in the Japanese language by speaking of Japanese-language poetry. Much of the literary record of Japanese poetry begins when Japanese poets encountered Chinese poetry during the Tang dynasty (although the Chinese classic anthology of poetry, ''Shijing'', was well known by the literati of Japan by the 6th century). Under the influence of the Chinese poets of this era Japanese began to compose poetry in Chinese '' kanshi''); and, as part of this tradition, poetry in Japan tended to be intimately associated with pictorial painting, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yugen
Japanese aesthetics comprise a set of ancient ideals that include '' wabi'' (transient and stark beauty), '' sabi'' (the beauty of natural patina and aging), and '' yūgen'' (profound grace and subtlety). These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful. Thus, while seen as a philosophy in Western societies, the concept of aesthetics in Japan is seen as an integral part of daily life. Japanese aesthetics now encompass a variety of ideals; some of these are traditional while others are modern and sometimes influenced by other cultures. Shinto and Buddhism Shinto is considered to be at the fountain-head of Japanese culture. With its emphasis on the wholeness of nature and character in ethics, and its celebration of the landscape, it sets the tone for Japanese aesthetics. Until the thirteenth century, Shinto remained the main influence on Japanese aesthetics. In the Buddhist tradition, all things are cons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lady Murasaki
was a Japanese novelist, poet and lady-in-waiting at the Imperial court in the Heian period. She is best known as the author of '' The Tale of Genji,'' widely considered to be one of the world's first novels, written in Japanese between about 1000 and 1012. Murasaki Shikibu is a descriptive name; her personal name is unknown, but she may have been , who was mentioned in a 1007 court diary as an imperial lady-in-waiting. Heian women were traditionally excluded from learning Chinese, the written language of government, but Murasaki, raised in her erudite father's household, showed a precocious aptitude for the Chinese classics and managed to acquire fluency. She married in her mid-to late twenties and gave birth to a daughter before her husband died, two years after they were married. It is uncertain when she began to write ''The Tale of Genji'', but it was probably while she was married or shortly after she was widowed. In about 1005, she was invited to serve as a lady-in-waitin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
