|
Mitsuko Yoshikawa
was a Japanese actress who played in over 250 films, often under the direction of Yasujirō Ozu and Hiroshi Shimizu. She joined the Shochiku film studios in 1924 and gave her film debut in 1926 in ''Kujaku no hikari''. After the war, she became a freelancer and, besides working for Shochiku, appeared in productions of Toho, Shintoho, Daiei and other studios She gave her final performance in 1984 in Juzo Itami's '' The Funeral''. Selected Filmography * 1926: ''Kujaku no hikari'' (dir. Jirō Yoshino) *1930: ''Story of Kinuyo'' (dir. Heinosuke Gosho) *1932: '' I Was Born, But...'' (dir. Yasujirō Ozu) *1933: '' Apart From You'' (dir. Mikio Naruse) *1933: ''Every-Night Dreams'' (dir. Mikio Naruse) *1934: ''A Mother Should be Loved'' (dir. Yasujirō Ozu) * 1934: ''Eclipse'' (dir. Hiroshi Shimizu) *1935: ''Burden of Life'' (dir. Heinosuke Gosho) *1936: '' The Only Son'' (dir. Yasujirō Ozu) *1936: ''The New Road (Part one)'' (dir. Heinosuke Gosho) *1937: '' What Did the Lady Forget? ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Only Son (1936 Film)
is a 1936 Japanese film directed by Yasujirō Ozu, starring Chōko Iida and Shin'ichi Himori. The film was Ozu's first "talkie" (sound film) feature. Plot The film starts in the rural town of Shinshū in 1923. A widow, Tsune (O-Tsune) Nonomiya ( Chōko Iida), works hard at a silk production factory to provide for her only son, Ryōsuke. When Ryōsuke's teacher Ōkubo (Chishū Ryū) persuades her to let her son continue to study beyond elementary school, she decides to support her son's education even until college despite her poverty. Her son promises to become a great man. Thirteen years later, in 1936, O-Tsune visits Ryōsuke ( Shin'ichi Himori) in Tokyo. She learns that her son, now a night school teacher, has married and has a son. Her daughter-in-law Sugiko is nice and obliging, but Ryōsuke's job does not pay much. Ryosuke and O-Tsune visit Ōkubo, who is now a father of four and running a ''tonkatsu'' restaurant. The couple keeps the mother entertained but their money ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Film Actresses
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies (Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanese ... {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoshishige Yoshida
, also known as Kijū Yoshida, was a Japanese film director and screenwriter. Life and career Graduating from the University of Tokyo, where he studied French literature, Yoshida entered the Shōchiku studio in 1955 and worked as an assistant to Keisuke Kinoshita, before debuting as a director in 1960 with ''Rokudenashi''. He was a central member of what came to be called the "Shōchiku Nouvelle Vague" along with Nagisa Oshima and Masahiro Shinoda, and his works have been studied under the larger rubric of the Japanese New Wave, a linkage which Yoshida himself disliked. Like many of his New Wave cohorts, he felt restricted under the studio system. After Shōchiku's re-editing of his ''Escape from Japan'' (1964), he left the studio to start his own production company, for which he directed such films as ''Eros + Massacre''. Between 1960 and 2004, Yoshida directed more than 20 films, some of which starred his wife, actress Mariko Okada. After a long absence from the screen followi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akitsu Springs
is a 1962 Japanese drama film directed by Yoshishige Yoshida, starring Mariko Okada and Hiroyuki Nagato. Plot Shortly before the end of World War II, young soldier Shusaku, ill with tuberculosis, arrives at Akitsu, expecting to die soon. Shinko, daughter of a widow and innkeeper, helps him to recover and invigorates his will to live. They fall in love, and although she is first willing to follow him when he suggests to commit shinjū together, they eventually let go of their plan. Shinko muses to marry Shusaku, but her mother intervenes and sends him away. Over a span of 17 years, Shusaku, now married and a father, continues to meet with Shinko, but also has affairs with other women. During their last encounters, she declares that she is now ready to die with him, but Shusaku is reluctant. When he leaves Akitsu again after a visit, Shinko, having sold the inn and being weary of life, commits suicide alone, grieved by Shusaku. Cast *Mariko Okada as Shinko *Hiroyuki Nagato as Shu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Takekurabe (1955 Film)
(English titles include: ''Growing Up'', ''Adolescence'', ''Growing Up Twice'', and ''Child's Play'') is a 1955 Japanese drama film directed by Heinosuke Gosho. It is based on Higuchi Ichiyō's 1895-1896 novella ''Takekurabe''. Plot In a downtown area of Meiji era Edo, in the Yoshiwara red light district, teenage boy Shinnyo, son of a buddhist priest, helplessly witnesses not only his sister Ohana being sold as a concubine by his money-loving father, but also the fate of Midori, a neighbourhood girl to whom he has an unspoken affection, who is destined to become a courtesan like her older sister Omaki. Cast * Hibari Misora as Midori * Keiko Kishi as Omaki * Mitsuko Yoshikawa as Orin, Midori's mother * Zeko Nakamura as Gosuke, Midori's father * Eijirō Yanagi as owner of the Daikokuya * Takashi Kitahara as Shinnyo * Setsuko Shinobu as Shinnyo's mother * Takamaru Sasaki as Shinnyo's father * Kurayoshi Nakamura as Sangoro * Yūko Mochizuki as Sangoro's mother * Takeshi Sakamoto a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keisuke Kinoshita
was a Japanese film director and screenwriter.Ronald Berganbr>"A satirical eye on Japan: Keisuke Kinoshita" ''The Guardian'', 5 January 1999. While lesser-known internationally than contemporaries such as Akira Kurosawa, Kenji Mizoguchi and Yasujirō Ozu, he was a household figure in his home country, beloved by both critics and audiences from the 1940s to the 1960s. Among his best known films are '' Carmen Comes Home'' (1951), Japan's first colour feature, '' Tragedy of Japan'' (1953), ''Twenty-Four Eyes'' (1954), '' You Were Like a Wild Chrysanthemum'' (1955), ''Times of Joy and Sorrow'' (1957), '' The Ballad of Narayama'' (1958), and ''The River Fuefuki'' (1960). Biography Early years Keisuke Kinoshita was born Masakichi Kinoshita on 5 December 1912, in Hamamatsu, Shizuoka Prefecture, as the fourth of eight children of merchant Shūkichi Kinoshita and his wife Tama. His family manufactured pickles and owned a grocery store. A film fan already in early years, he vowed to become ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wedding Ring (film)
''Wedding Ring'' (婚約指環 Kon'yaku yubiwa), also known as ''Engagement Ring'', is a Japanese black and white film directed by Keisuke Kinoshita that was first released in 1950. The film depicts a love triangle involving an ill husband, his wife and his doctor. The husband (Michio) was drafted into the army for World War II shortly after the marriage, and didn't return home until 2 years after the war ended. He became ill a year after his return so the marriage bond has not had much chance to strengthen. When a handsome new doctor (Mr. Ema) begins to take care of Michio, the doctor and the wife (Noriko) begin to fall in love. Ema and Noriko have to balance their desires against their moral obligations, while Michio has to deal with his own emotions about the emerging situation. Certain objects play key roles in the narrative. For example, whether the wife wears her engagement ring symbolizes her willingness or not to commit adultery with the doctor, and whether or not the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torajirō Saitō
was a Japanese film director known for his comedy films. Born in Akita Prefecture, he entered Shōchiku's Kamata studio in 1922 and debuted as a director in 1926. He later worked at the Shintoho and Toho studios. He became known as the "god of comedy" for directing over 200 films, many of which were nonsense comedies featuring famous clowns such as Ken'ichi Enomoto, Roppa Furukawa, and Junzaburo Ban.Joseph L. Anderson, Donald Richie ''The Japanese Film: Art and Industry'' 1982 Page 198 "One of the earliest of the postwar comedies was Torajiro Saito's The Emperor's Hat (''Tennō no Bōshi''), made in 1950 and incorporating a plot which before the war would have constituted a severe political crime. A man working in a museum ..." Filmography His works include: * '' Akeyuku Sora'' (1929) * '' Wasei Kingu Kongu'' (1933) * '' Kodakara Sodo'' (1935) * '' Akireta musume-tachi'', alternate title: (金語楼の子宝騒動) (1949) * '' Nodo jimankyō jidai'' (1949) * ''Odoroki ikka'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akogare No Hawaii Kōro
is a 1950 black-and-white Japanese film directed by Torajiro Saito. Cast * Haruo Oka * Hibari Misora * Sanae Ijita (柴田早苗) * Mitsuko Yoshikawa * Tamae Kiyokawa (清川玉枝) * Achako Hanabishi ( 花菱アチャコ) * Shintarō Kido * Robba Furukawa (古川緑波/ 古川ロッパ) See also * List of films in the public domain in the United States Most films are subject to copyright, but those listed here are believed to be in the public domain in the United States. This means that no government, organization, or individual owns any copyright over the work, and as such it is common property ... References Japanese black-and-white films 1950 films Films directed by Torajiro Saito Shintoho films 1950s Japanese films {{1950s-Japan-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Of A Tenement Gentleman
is a Japanese film written and directed by Yasujirō Ozu in 1947. The film was Ozu's first after World War II. Synopsis Tashiro (Chishū Ryū), Tamekichi (Reikichi Kawamura), and O-tane (Chōko Iida) are among the residents of a poor district of Tokyo that has been severely damaged in the bombing raids of 1944-45. They live on the economic margins of a society devastated by years of war: Tashiro is a street fortune teller, Tamekichi mends pots and pans and also buys and sells whatever he can get hold of, and O-tane is a widow who sells what odds and ends she can obtain. Tashiro returns one evening to the house he shares with Tamekichi and brings with him a boy of about seven named Kōhei (Hōhi Aoki). Kōhei's home is in Chigasaki, about forty miles away, but he has become separated from his father while in Tokyo and has followed Tashiro home from Kudan, where Tashiro has been telling fortunes in the grounds of the Yasukuni Shrine. Tashiro wants to give Kōhei a bed for the night ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teinosuke Kinugasa
was a Japanese filmmaker. He was born in Kameyama, Mie Prefecture and died in Kyoto. Kinugasa won the 1954 Palme d'or at the Cannes Film Festival for '' Gate of Hell''. Biography Kinugasa began his career as an onnagata (actor specializing in female roles) at the Nikkatsu studio. When Japanese cinema began using actresses in the early 1920s, he switched to directing and worked for producers such as Shozo Makino, before becoming independent to make his best-known film, '' A Page of Madness'' (1926). It was considered lost for 45 years until the director rediscovered it in his shed in 1971. A silent film, Kinugasa released it with a new print and score to world acclaim. He also directed the film ''Crossroads'' in 1928. He directed jidaigeki at the Shochiku studios, where he helped establish the career of Chōjirō Hayashi (later known as Kazuo Hasegawa). After the war, he helmed big-budget costume productions for Daiei studios. On February 26, 1982, Kinugasa died at the age of 86 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |