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Missa Aulica
The ' (Court mass) is a missa brevis in C major composed by František Xaver Brixi. The work is a setting of the Latin mass for SATB soloists and choir, trumpets, timpani, violins, organ and continuo. It was published by Carus in 2003. History František Xaver Brixi, or Franz Xaver Brixi, became ''Regens chori'' (choir director) of Prague's St. Vitus Cathedral in 1759 at age 27 and held the position unto his death in 1771. He was a prolific composer of music for the liturgy, who wrote more than 100 masses, vespers and motets, among others. He also composed secular music such as oratorios and incidental music, concertos and symphonies. He composed the Missa brevis in C, a setting of the Latin order of Mass, for SATB soloists and choir, 2 trumpets, timpani, 2 violins, organ and continuo. The duration is given as 25 minutes. Karlheinz Ostermann, the editor of the first edition notes its "cantilena" solo melodies, simple themes for the choir, short fugal passages, and its optimisti ...
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Missa Brevis
Missa brevis (plural: Missae breves) is . The term usually refers to a mass composition that is short because part of the text of the Mass ordinary that is usually set to music in a full mass is left out, or because its execution time is relatively short. Full mass with a relatively short execution time The concise approach is found in the mostly syllabic settings of the 16th century, and in the custom of "telescoping" (or simultaneous singing by different voices) in 18th-century masses. After the period when all church music was performed a cappella, a short execution time usually also implied modest forces for performance, that is: apart from Masses in the "brevis et solemnis" genre. Polyphony * Orlande de Lassus: (''Hunters' Mass'') * Giovanni Pierluigi da Palestrina: Missa Brevis * Andrea Gabrieli: Missa brevis quatuor vocum * Gaspar van Weerbeke: Missa brevis Classical period For composers of the classical period such as Mozart, ''missa brevis'' meant "short in du ...
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Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ...
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Masses (music)
Mass is the quantity of matter in a physical body and a measure of the body's inertia. Mass or Maß may also refer to: Arts, entertainment, and media Music *Mass (music), a choral composition that sets liturgical text to music * ''Mass'' (Stravinsky), a composition by Igor Stravinsky * ''Mass'' (Bernstein), a musical theater work by Leonard Bernstein *Mass (English band), a post-punk band * ''Mass'' (Grotus album), 1996 * ''Mass'' (Alastair Galbraith album), 2011 * ''Mass'' (The Gazette album), 2021 * ''The Mass'' (album), by musical project Era Other uses in arts, entertainment, and media * ''Mass'' (2004 film), Indian Telugu-language film * ''Mass'' (2021 film), American drama film * ''Mass'' (novel), a 1973 novel by Filipino author F. Sionil José * Mass media, communication channels which can reach huge numbers of people * ''The Masses'', a socialist magazine published in the US from 1911 to 1917 Military *MASS (decoy system), a naval defence system *M26 Modular Accessory ...
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Mass In C Major, K
Mass is an intrinsic property of a body. It was traditionally believed to be related to the quantity of matter in a physical body, until the discovery of the atom and particle physics. It was found that different atoms and different elementary particles, theoretically with the same amount of matter, have nonetheless different masses. Mass in modern physics has multiple definitions which are conceptually distinct, but physically equivalent. Mass can be experimentally defined as a measure of the body's inertia, meaning the resistance to acceleration (change of velocity) when a net force is applied. The object's mass also determines the strength of its gravitational attraction to other bodies. The SI base unit of mass is the kilogram (kg). In physics, mass is not the same as weight, even though mass is often determined by measuring the object's weight using a spring scale, rather than balance scale comparing it directly with known masses. An object on the Moon would weigh less t ...
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Fugue (music)
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short mai ...
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Theme (music)
In music, a subject is the material, usually a recognizable melody, upon which part or all of a composition is based. In forms other than the fugue, this may be known as the theme. Characteristics A subject may be perceivable as a complete musical expression in itself, separate from the work in which it is found. In contrast to an idea or motif, a subject is usually a complete phrase or period. The ''Encyclopédie Fasquelle'' defines a theme (subject) as " y element, motif, or small musical piece that has given rise to some variation becomes thereby a theme". Thematic changes and processes are often structurally important, and theorists such as Rudolph Reti have created analysis from a purely thematic perspective. Fred Lerdahl describes thematic relations as "associational" and thus outside his cognitive-based generative theory's scope of analysis. In different types of music Music based on a single theme is called 'monothematic', while music based on several themes is ca ...
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Symphony
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movement (music), movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), Brass instrument, brass, Woodwind instrument, woodwind, and Percussion instrument, percussion Musical instrument, instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a Full score, musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Ludwig van Beethoven, Beethoven's Symphony No. 9 (Bee ...
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Concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastia ...
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Incidental Music
Incidental music is music in a play, television program, radio program, video game, or some other presentation form that is not primarily musical. The term is less frequently applied to film music, with such music being referred to instead as the film score or soundtrack. Incidental music is often background music, and is intended to add atmosphere to the action. It may take the form of something as simple as a low, ominous tone suggesting an impending startling event or to enhance the depiction of a story-advancing sequence. It may also include pieces such as overtures, music played during scene changes, or at the end of an act, immediately preceding an interlude, as was customary with several nineteenth-century plays. It may also be required in plays that have musicians performing on-stage. History The use of incidental music dates back at least as far as Greek drama. A number of classical composers have written incidental music for various plays, with the more famous e ...
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Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ...
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Vespers
Vespers is a service of evening prayer, one of the canonical hours in Eastern Orthodox, Oriental Orthodox, Catholic Church, Catholic (both Latin liturgical rites, Latin and Eastern Catholic Churches, Eastern), Lutheranism, Lutheran, and Anglican liturgies. The word for this fixed prayer times, fixed prayer time comes from the Latin , meaning "evening". Vespers typically follows a set order that focuses on the performance of psalms and other biblical canticles. Eastern Orthodox services advertised as 'vespers' often conclude with compline, especially the all-night vigil. Performing these services together without break was also a common practice in medieval Europe, especially secular churches and cathedrals. Old English speakers translated the Latin word as , which became evensong in modern English. The term is now usually applied to the Anglican variant of the service that combines vespers with compline, following the conception of early sixteenth-century worshippers that conce ...
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František Xaver Brixi
František () is a masculine given name of Czech origin. It is a cognate of Francis, Francisco, François, and Franz. People with the name include: *Frank Daniel (František Daniel) (1926–1996), Czech film director, producer, and screenwriter *Frank Musil (František Musil) (born 1964), Czech professional ice hockey player and coach *František Albert (1856–1923), Czech surgeon and writer *František Balvín (born 1915), Czech Olympic cross-country skier * František Bartoš (other), multiple people **František Bartoš (folklorist) (1837–1906), Moravian ethnomusicologist and folklorist **František Bartoš (motorcycle racer) (born 1926), Czech Grand Prix motorcycle road racer * František Běhounek (1898–1973), Czech scientist, explorer, and writer * František Bělský (1921–2000), Czech sculptor *František Bílek (1872–1941), Czech Art Nouveau and Symbolist sculptor and architect *František Bolček (1920–1968), Slovak professional football player *Franti ...
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