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Mirror (The Rapture Album)
''Mirror'' is a mini-album by American rock band The Rapture, released in 1999 through Gravity Records Gravity is an underground independent record label from San Diego.Trevor Kelley, "California Screaming". ''Alternative Press'' 17 (2003), pp. 84-86. It was formed in 1991 by Matt Anderson, a member of the influential underground band Heroin. It .... Track listing References The Rapture (band) albums 1999 debut albums {{1990s-punk-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rapture (band)
The Rapture is an American rock band from New York City, formed in 1998. The band currently consists of Luke Jenner (lead vocals, guitar), Vito Roccoforte (drums, percussion), and Gabriel Andruzzi (keyboards, bass, saxophone, percussion). The classic lineup (1999-2009) added Mattie Safer playing bass and sharing lead vocal duties with Jenner. Safer and Jenner's harmonized choruses became part of the signature sound of the band, featuring on several of the band’s more well known songs. The band mix influences from many genres including dance-punk, post-punk, acid house, disco, and electronica. They were forerunners of the post-punk revival during the early 2000s, as they mixed their early post-punk sound with electronic and dance elements. The band has acknowledged that their music draws on themes of Christianity. The band began by releasing a mini-album, ''Mirror'', in January 1999, under Gravity Records. Afterward, in 2001, the band signed to Sub Pop and released the EP ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-punk Revival
Post-punk revival (also known as garage rock revival,J. Stuessy and S. D. Lipscomb, ''Rock and roll: its History and Stylistic Development'' (London: Pearson Prentice Hall, 5th edn., 2006), , p. 451. new wave revival,. and new rock revolution) is a genre of indie rock that emerged in the early 2000s as musicians started to play a stripped down and back-to-basics version of guitar rock emerged into the mainstream. Inspired by the original sounds and aesthetics of garage rock, new wave and post-punk. The music ranged from the atonal tracks, to melodic pop songs and popularised distorted guitar sounds. Bands shared an emphasis on energetic live performance and used aesthetics (in hair and clothes) closely aligned with their fans, often drawing on fashion of the 1950s and 1960s, with "skinny ties, white belts nd shag haircuts". There was an emphasis on "rock authenticity" that was seen as a reaction to the commercialism of MTV-oriented nu metal, hip hop and "bland" post-Britpop g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lo-fi Music
Lo-fi (also typeset as lofi or low-fi; short for low fidelity) is a music or production quality in which elements usually regarded as imperfections in the context of a recording or performance are present, sometimes as a deliberate choice. The standards of sound quality (fidelity) and music production have evolved throughout the decades, meaning that some older examples of lo-fi may not have been originally recognized as such. Lo-fi began to be recognized as a style of popular music in the 1990s, when it became alternately referred to as DIY music (from "do it yourself"). Harmonic distortion and " analog warmth" are sometimes confused as core features of lo-fi music. Traditionally, lo-fi has been characterized by the inclusion of elements normally viewed as undesirable in professional contexts, such as misplayed notes, environmental interference, or phonographic imperfections (degraded audio signals, tape hiss, and so on). Pioneering, influential, or otherwise significant artist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-hardcore
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. It was initially inspired by post-punk and noise rock. Like post-punk, the term has been applied to a broad constellation of groups. Post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen (band), Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black and Jawbox that stuck closer to post-hardcore's noise rock roots. In the early- and mid-2000s, achieved mainstream success with the popularity of bands like My Chemical Romance, Dance Gavin Dance, AFI (band), AFI, Underoath, Hawthorne Heights, Silverstein (band), Silverstein, The Used, At the Drive-In, Saosin, Alexisonfire, and Senses Fail. In the 2010s, bands like Sleeping with Sirens and Pierce the Veil achieved main ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Punk
Art punk is a subgenre of punk rock in which artists go beyond the genre's rudimentary garage rock and are considered more sophisticated than their peers. These groups still generated punk's aesthetic of being simple, offensive, and free-spirited, but essentially attracted audiences other than the angry, working-class ones that surrounded pub rock. History In the rock music of the 1970s, the "art" descriptor was generally understood to mean either "aggressively avant-garde" or "pretentiously progressive". Musicologists Simon Frith and Howard Horne described the band managers of the 1970s punk bands as "the most articulate theorists of the art punk movement", with Bob Last of Fast Product identified as one of the first to apply art theory to marketing, and Tony Wilson's Factory Records described as "applying the Bauhaus principle of the same 'look' for all the company's goods".Frith, Simon & Horne, Howard (1987) ''Art into Pop'', Methuen, , p. 129-130 Wire's Colin Newman describ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gravity Records
Gravity is an underground independent record label from San Diego.Trevor Kelley, "California Screaming". ''Alternative Press'' 17 (2003), pp. 84-86. It was formed in 1991 by Matt Anderson, a member of the influential underground band Heroin. It has been central in developing and promoting the "San Diego sound" – an idiosyncratic form of post-hardcore with loose, chaotic musicianship and vocals, initiated by Heroin, Antioch Arrow, and Clikatat Ikatowi, as well as Mohinder from the Bay Area and Angel Hair from Colorado. The sound is associated with the first wave of screamo, and the label played an important role in the development of post-hardcore in the 1990s. Gravity has also branched out into other forms of experimental or independent music, releasing seminal early works by Unwound, Black Dice, The Rapture, and a full-length from Man Is The Bastard. Label roster * Angel Hair * Antioch Arrow * Bastard Noise * Black Dice * The Black Heart Procession * Born Against * Clikat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Out Of The Races And Onto The Tracks
''Out of the Races and Onto the Tracks'' is the debut EP by American rock band The Rapture. It was released on May 21, 2001, through Sub Pop, and produced by Tim Goldsworthy and James Murphy. The title track was featured in the film ''The Rules of Attraction ''The Rules of Attraction'' is a satirical black comedy novel by Bret Easton Ellis published in 1987. The novel follows a handful of rowdy and often sexually promiscuous, spoiled bohemian students at a liberal arts college in 1980s New Hampshire ...''. Track listing References 2001 debut EPs The Rapture (band) albums Sub Pop EPs Albums produced by James Murphy (electronic musician) {{2000s-punk-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kid606
Miguel Trost De Pedro (born July 27, 1979), better known by his stage name Kid606, is an electronic musician who was raised in San Diego and later moved to San Francisco. He is most closely associated with the glitch, IDM, hardcore techno and breakcore scenes. Kid606's music is similar to the work of his friend and colleague Lesser, as well as hardcore and IDM acts such as Atari Teenage Riot, Autechre, Mr. Oizo, and Matmos. He is primarily inspired not by his electronic contemporaries, but by his love of the industrial music, death metal, and industrial metal of the 1980s and 1990s, particularly bands like Godflesh and Napalm Death. His music is known for its high tempo breakbeats and liberal use of noise and sampling, as well as its punk aesthetic, uninhibited genre-mixing, and irreverent sense of humor. However, he is equally adept at creating more serious tracks that often reside in the realm of ambient and glitch ("Parenthood" from ''Kill Sound Before Sound Kills You'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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