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Mira Schendel
Mira Schendel (June 7, 1919 – July 24, 1988) was a Brazilian contemporary artist of the 20th century. She made numerous drawings on rice paper, but was also active as a painter, a poet, and a sculptor. Her work drew upon the art of language and poetry, and what appears to have driven her was the ability to reinvent it. Early life Mira Schendel was born Myrrha Dagmar Dub in 1919 in Zurich, Switzerland.Laura CummingMira Schendel – review ''The Guardian'', September 29, 2013Laura BarnettMira Schendel: the refugee from Nazi Europe who settled in São Paulo ''The Guardian'', September 13, 2013 Her father, Karl Leo Dub, was a fabric merchant, and her mother, Ada Saveria Büttner, was a milliner. Although she had Jewish heritage, Schendel was baptized at her mother's request at the Kirche St. Peter and Paul, a Catholic church in Zurich, on October 20, 1920 and was raised as a Roman Catholic. Schendel's parents divorced in September 1922, and her mother married Count Tommaso Gnoli ...
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Contemporary Art
Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination of Medium (arts), materials, methods, concepts, and subjects that continue the challenging of boundaries that was already well underway in the 20th century. Diverse and eclectic, contemporary art as a whole is distinguished by the very lack of a uniform, organising principle, ideology, or "-ism". Contemporary art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, and nationality. In vernacular English, ''modern'' and ''contemporary'' are synonyms, resulting in some conflation and confusion of the terms ''modern art'' and ''contemporary art'' by non-specialists. Scope Some define contemporary art as art produced within "our lifetime," recognising tha ...
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International Refugee Organisation
The International Refugee Organization (IRO) was an intergovernmental organization founded on 20 April 1946 to deal with the massive refugee problem created by World War II. A Preparatory Commission began operations fourteen months previously. In 1948, the treaty establishing the IRO formally entered into force and the IRO became a United Nations specialized agency. The IRO assumed most of the functions of the earlier United Nations Relief and Rehabilitation Administration. In 1952, operations of the IRO ceased, and it was replaced by the Office of the United Nations High Commissioner for Refugees (UNHCR). The Constitution of the International Refugee Organization, adopted by the United Nations General Assembly on 15 December 1946, is the founding document of the IRO. The constitution specified the organization's field of operations. Controversially, the constitution defined "persons of German ethnic origin" who had been expelled, or were to be expelled from their countries of ...
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São Paulo Bienal
SAO or Sao may refer to: Places * Sao civilisation, in Middle Africa from 6th century BC to 16th century AD * Sao, a town in Boussé Department, Burkina Faso * Saco Transportation Center (station code SAO), a train station in Saco, Maine, U.S. * SAO, the ICAO airline designator for Sahel Aviation Service, Mali * SAO, the IATA airport code for airports in the São Paulo metropolitan area, Brazil * Serb Autonomous Regions during the breakup of Yugoslavia * São Paulo, the largest city in Brazil Science * Smithsonian Astrophysical Observatory of the Smithsonian Institution in Cambridge, Massachusetts, U.S. ** Smithsonian Astrophysical Observatory Star Catalog, which assigns SAO catalogue entries * Special Astrophysical Observatory of the Russian Academy of Science (SAO RAS) Entertainment * ''Sword Art Online'', a Japanese light novel series ** ''Sword Art Online'' (2012 TV series), an anime adaptation of the light novels * Sao Sao Sao, a Thai pop music trio Other uses * S ...
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Book Of Daniel
The Book of Daniel is a 2nd-century BC biblical apocalypse with a 6th century BC setting. Ostensibly "an account of the activities and visions of Daniel, a noble Jew exiled at Babylon", it combines a prophecy of history with an eschatology (a portrayal of end times) both cosmic in scope and political in focus, and its message is that just as the God of Israel saves Daniel from his enemies, so he would save all Israel in their present oppression. The Hebrew Bible includes Daniel in the ''Ketuvim'' (writings), while Christian biblical canons group the work with the Major Prophets. It divides into two parts: a set of six court tales in chapters 1–6, written mostly in Aramaic, and four apocalyptic visions in chapters 7–12, written mostly in Hebrew; the deuterocanonical books contain three additional sections, the Prayer of Azariah and Song of the Three Holy Children, Susanna, and Bel and the Dragon. The book's influence has resonated through later ages, from the community of ...
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Gesang Der Jünglinge
''Gesang der Jünglinge'' (literally "Song of the Youths") is an electronic music work by Karlheinz Stockhausen. It was realized in 1955–56 at the Westdeutscher Rundfunk studio in Cologne and is Work Number 8 in the composer's catalog. The vocal parts were supplied by 12-year-old Josef Protschka. It is exactly 13 minutes, 14 seconds long. The work, routinely described as "the first masterpiece of electronic music" and "an opus, in the most emphatic sense of the term", is significant in that it seamlessly integrates electronic sounds with the human voice by means of matching voice resonances with pitch and creating sounds of phonemes electronically. In this way, for the first time ever it successfully brought together the two opposing worlds of the purely electronically generated German ''elektronische Musik'' and the French ''musique concrète'', which transforms recordings of acoustical events. ''Gesang der Jünglinge'' is also noted for its early use of spatiality; it was o ...
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Karlheinz Stockhausen
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance ( aleatory techniques) into serial composition, and for musical spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for s ...
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Monotype
Monotyping is a type of printmaking made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix (printing), matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass. The image is then transferred onto a paper by pressing the two together, using a printing-press, brayer, Baren_(printing_tool), baren or by techniques such as rubbing with the back of a wooden spoon or the fingers which allow pressure to be controlled selectively. Monotypes can also be created by inking an entire surface and then, using brushes or rags, removing ink to create a subtractive image, e.g. creating lights from a field of opaque colour. The inks used may be oil or water-based. With oil-based inks, the paper may be dry, in which case the image has more contrast, or the paper may be damp, in which case the image has a 10 percent greater range of tones. Monotyping produces a unique print, or monotype; most of the ink ...
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Phenomenology (philosophy)
Phenomenology (from Greek φαινόμενον, ''phainómenon'' "that which appears" and λόγος, ''lógos'' "study") is the philosophical study of the structures of experience and consciousness. As a philosophical movement it was founded in the early years of the 20th century by Edmund Husserl and was later expanded upon by a circle of his followers at the universities of Göttingen and Munich in Germany. It then spread to France, the United States, and elsewhere, often in contexts far removed from Husserl's early work. Phenomenology is not a unified movement; rather, the works of different authors share a 'family resemblance' but with many significant differences. Gabriella Farina states:A unique and final definition of phenomenology is dangerous and perhaps even paradoxical as it lacks a thematic focus. In fact, it is not a doctrine, nor a philosophical school, but rather a style of thought, a method, an open and ever-renewed experience having different results, and this m ...
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Modernism
Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial society, industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach. Modernist innovations included abstract art, the stream-of-consciousness novel, montage (filmmaking), montage cinema, atonal and twelve-tone music, divisionist painting and modern architecture. Modernism explicitly rejected the ideology of Realism (arts), realism and made use of the works of the past by the employment of reprise, incorpor ...
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Mário Schenberg
Mário Schenberg (var. ''Mário Schönberg'', ''Mario Schonberg'', ''Mário Schoenberg''; July 2, 1914 – November 10, 1990) was a Brazilian electrical engineer, physicist, art critic and writer. Early life Schenberg was born in Recife, Brazil. His parents were Russian-Jews of German origin. From early on he showed remarkable ability for mathematics, enchanting himself with geometry, which had a strong influence on his works. Schenberg took the primary and secondary courses in Recife. Because of his family's financial limitations, he was not able to study in Europe. He then entered the Faculty of Engineering of Recife in 1931. Scientific work The Urca process Widely regarded as one of Brazil's most important theoretical physicists, Schenberg is best remembered for his contributions to astrophysics, particularly the theory of nuclear processes in the formation of supernova stars. He provided the inspiration for the name of the so-called ''Urca process'', a cycle of nuclear ...
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Vilém Flusser
Vilém Flusser (May 12, 1920 – November 27, 1991) was a Brazilian Czech-born philosopher, writer and journalist. He lived for a long period in São Paulo (where he became a Brazilian citizen) and later in France, and his works are written in many different languages. His early work was marked by discussion of the thought of Martin Heidegger, and by the influence of existentialism and phenomenology. Phenomenology would play a major role in the transition to the later phase of his work, in which he turned his attention to the philosophy of communication and of artistic production. He contributed to the dichotomy in history: the period of image worship, and period of text worship, with deviations consequently into idolatry and "textolatry". Life Flusser was born in 1920 in Prague, Czechoslovakia into a family of Jewish intellectuals. His father, Gustav Flusser, studied mathematics and physics (under Albert Einstein among others). Flusser attended German and Czech primary ...
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Abstract Art
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings. Abstraction indicates a departure from reality in depiction of imagery in art. This departure ...
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