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Minor Gypsy Scale
The term ''Gypsy scale'' refers to one of several musical scales named after their support of and association with Romani or "Gypsy" music: * Double harmonic scale (major), the fifth mode of Hungarian minor, or Double Harmonic minor, scale, also known as the Byzantine scale. * Hungarian minor scale, minor scale with raised fourth and seventh degrees, also known as Double Harmonic minor scale. * Phrygian dominant scale In music, the Phrygian dominant scale is the fifth mode of the harmonic minor scale, the fifth being the dominant.Dave Hunter (2005). ''Play Acoustic'', San Francisco: Backbeat, p. 226. . Also called the persian scale, altered Phrygian scale, d ..., also known as Freygish or Jewish scale; Spanish Gypsy or Spanish Phrygian scale. References {{DEFAULTSORT:Gypsy scale Heptatonic scales Romani music Musical scales Musical scales with augmented seconds ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Scale
In music theory, a scale is any set of musical notes ordered by fundamental frequency or pitch. A scale ordered by increasing pitch is an ascending scale, and a scale ordered by decreasing pitch is a descending scale. Often, especially in the context of the common practice period, most or all of the melody and harmony of a musical work is built using the notes of a single scale, which can be conveniently represented on a staff with a standard key signature. Due to the principle of octave equivalence, scales are generally considered to span a single octave, with higher or lower octaves simply repeating the pattern. A musical scale represents a division of the octave space into a certain number of scale steps, a scale step being the recognizable distance (or interval) between two successive notes of the scale. However, there is no need for scale steps to be equal within any scale and, particularly as demonstrated by microtonal music, there is no limit to how many notes can be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romani Music
Romani music (often referred to as gypsy or gipsy music, which is sometimes considered a derogatory term) is the music of the Romani people who have their origins in northern India but today live mostly in Europe. Historically nomadic, though now largely settled, the Romani people have long acted as entertainers and tradesmen. In many of the places Romanies live they have become known as musicians. The wide distances travelled have introduced a multitude of influences of: Byzantine music, Byzantine, Music of Greece, Greek, Arabic music, Arabic, Music of India, Indian, Persian traditional music, Persian, Music of Turkey, Turkish, Slavic peoples, Slavic, Music of Romania, Romanian, Music of Germany, German, Music of the Netherlands, Dutch, Music of France, French, Music of Spain, Spanish, and even Jewish musical forms. It is difficult to define the parameters of a unified Romani musical style, as there are many differences in melodic, harmonic, rhythmic and formal structures from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Harmonic Scale
In music, the double harmonic major scaleStetina, Troy (1999). ''The Ultimate Scale Book'', p. 59. . is a scale whose gaps may sound unfamiliar to Western listeners. This is also known as Mayamalavagowla, Bhairav Raga, Byzantine scale, Arabic (Hijaz Kar),Christiansen, Mike (2003). ''Mel Bay Complete Guitar Scale Dictionary'', p. 43. . and Gypsy major. It can be likened to a gypsy scale because of the diminished step between the 1st and 2nd degrees. ''Arabic scale'' may also refer to any Arabic mode, the simplest of which, however, to Westerners, resembles the double harmonic major scale. : Details The sequence of steps comprising the double harmonic scale is : :half, augmented second, half, whole, half, augmented second, half Or, in relation to the tonic note :minor second, major third, perfect fourth and fifth, minor sixth, major seventh, octave However, this scale is commonly represented with the first and last half step each being represented with quarter tones: : ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Music
Byzantine music (Greek: Βυζαντινή μουσική) is the music of the Byzantine Empire. Originally it consisted of songs and hymns composed to Greek texts used for courtly ceremonials, during festivals, or as paraliturgical and liturgical music. The ecclesiastical forms of Byzantine music are the best known forms today, because different Orthodox traditions still identify with the heritage of Byzantine music, when their cantors sing monodic chant out of the traditional chant books such as the Sticherarion, which in fact consisted of five books, and the Irmologion. Byzantine music did not disappear after the fall of Constantinople. Its traditions continued under the Patriarch of Constantinople, who after the Ottoman conquest in 1453 was granted administrative responsibilities over all Eastern Orthodox Christians in the Ottoman Empire. During the decline of the Ottoman Empire in the 19th century, burgeoning splinter nations in the Balkans declared autonomy or autocephaly fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hungarian Minor Scale
The Hungarian minor scale,Christiansen, Mike (2000). ''Guitar Scale Dictionary'', p. 14. .Stetina, Troy (2007). ''Fretboard Mastery'', p. 126. .Kent Cleland, Mary Dobrea-Grindahl (2010). ''Developing Musicianship Through Aural Skills'', p. 495. Carlos Agon, Emmanuel Amiot, Moreno Andreatta, Gérard Assayag, Jean Bresson, John Manderau; eds. (2011). ''Mathematics and Computation in Music'', p. 89. . "'gypsy' ic(or 'Hungarian minor') scale."Christiansen, Mike (2003). ''Complete Guitar Scale Dictionary'', p. 16. . double harmonic minor scale,Podolsky, Joshua Craig (2010). ''Advanced Lead Guitar Concepts'', p. 111. . Also "Gypsy scale". or Gypsy minor scaleHanson, Paul and Stang, Aaron (1996). ''Shred Guitar'', p. 114. . is a type of combined musical scale. It is the fourth mode of the double harmonic scale. It is the same as the harmonic minor scale, except that it has a raised fourth scale degree to introduce an additional gap, or augmented second. It is a symmetrical scale with a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phrygian Dominant Scale
In music, the Phrygian dominant scale is the fifth musical mode, mode of the minor scale#Harmonic and melodic minor, harmonic minor scale, the fifth being the dominant (music), dominant.Dave Hunter (2005). ''Play Acoustic'', San Francisco: Backbeat, p. 226. . Also called the persian scale, altered Phrygian scale, dominant flat 2 flat 6 (in jazz), the Freygish scale (also spelled FraigishDick Weissman, Dan Fox (2009). ''A Guide to Non-Jazz Improvisation'', guitar edition, Pacific, Missouri: Mel Bay, p. 130. .), harmonic dominant, or simply the fifth mode of the harmonic minor scale. It resembles the scale of the Phrygian mode but has a major third. In the Berklee method, it is known as the Mixolydian mode, Mixolydian 9 13 chord scale, a Mixolydian scale with a lowered 9th (2nd) and lowered 13th (6th), used in secondary dominant chord scales for V7/III and V7/VI. Bebop jazz pianist Barry Harris added a note to the scale and describes it as: For ii V in F minor (G-7b5 C7b9), play dow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heptatonic Scales
A heptatonic scale is a musical scale that has seven pitches, or tones, per octave. Examples include the major scale or minor scale; e.g., in C major: C D E F G A B C—and in the relative minor, A minor, natural minor: A B C D E F G A; the melodic minor scale, A B C D E FGA ascending, A G F E D C B A descending; the harmonic minor scale, A B C D E F GA; and a scale variously known as the Byzantine, and Hungarian,''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell (London, 2001) scale, C D E F G A B C. Indian classical theory postulates seventy-two seven-tone scale types, collectively called ''thaat'', whereas others postulate twelve or ten (depending on the theorist) seven-tone scale types. Several heptatonic scales in Western, Roman, Spanish, Hungarian, and Greek music can be analyzed as juxtapositions of tetrachords.Dupré, Marcel (1962). ''Cours Complet d'Improvisation a l'Orgue'', v.2, p. 35, trans. John Fenstermake ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Scales
In music theory, a scale is any set of musical notes ordered by fundamental frequency or pitch. A scale ordered by increasing pitch is an ascending scale, and a scale ordered by decreasing pitch is a descending scale. Often, especially in the context of the common practice period, most or all of the melody and harmony of a musical work is built using the notes of a single scale, which can be conveniently represented on a staff with a standard key signature. Due to the principle of octave equivalence, scales are generally considered to span a single octave, with higher or lower octaves simply repeating the pattern. A musical scale represents a division of the octave space into a certain number of scale steps, a scale step being the recognizable distance (or interval) between two successive notes of the scale. However, there is no need for scale steps to be equal within any scale and, particularly as demonstrated by microtonal music, there is no limit to how many notes can be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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