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Minolta SR-2
The Minolta SR-2 was presented in 1958 as the first 35mm SLR camera from Chiyoda Kogaku. Popular cameras of this type at that time were mainly from Europe but a few from Japan, including the Asahi Pentax, the Miranda T and the Topcon R. The miniature SLR camera concept was conceived in the 1930s at Ihagee in Dresden, resulting in the 1936 Kine Exakta. Influential cameras designs like that of the 1939 KW Praktiflex, the 1949 ZI Contax S, and 1952 the KW Praktina marked the steady progress toward a perfected SLR. Several features of the latter seem to have influenced the design of the SR-2 although dissimilar in many respects. The obvious similarities are the stepped top plate, the carrying strap lugs, the self-timer lever and some general body features. The name Minolta was first used in 1932 on the 4.5×6 format Semi-Minolta using 120 film. The manufacturer was established in November 1928 by (1899-1985) as the Nichidoku Shashinki Shōten (Japan-German Camera Store) together ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
135 Film
135 film, more popularly referred to as 35 mm film or 35 mm, is a format of photographic film used for still photography. It is a film with a film gauge of loaded into a standardized type of magazine – also referred to as a cassette or cartridge – for use in 135 film cameras. The engineering standard for this film is controlled by ISO 1007 titled '135-size film and magazine'. The term 135 was introduced by Kodak in 1934 as a designation for 35 mm film specifically for still photography, perforated with Kodak Standard perforations. It quickly grew in popularity, surpassing 120 film by the late 1960s to become the most popular photographic film size. Despite competition from formats such as 828, 126, 110, and APS, it remains the most popular film size today. The size of the 135 film frame with its aspect ratio of 1:1.50 has been adopted by many high-end digital single-lens reflex and digital mirrorless cameras, commonly referred to as " full frame". Eve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minolta SR Mount
The Minolta SR-mount was the bayonet mounting system used in all 35 mm SLR cameras made by Minolta with interchangeable manual focusing lenses. Several iterations of the mounting were produced over the decades, and as a result, the mount itself was sometimes referred to by the name of the corresponding lens generation (f.e. "MC", "MD" or "X-600") instead. All lenses for these mounts are interchangeable between older and newer Minolta manual focus 35 mm film SLR bodies. There are exceptions, such as, the lenses before 1961 feature a slightly different aperture leverage, and thus the automatic diaphragm may not work correctly on post-1961 cameras, and later MC/MD tabs may hit a screw of the front cover on earlier cameras. Four design enhancements, all forwardly inclusive and backwardly compatible, are: # SR - 1958-1966: Plain SR-bayonet featuring automatic diaphragm. Lenses are labelled ''Rokkor'' (pre-set) or '' Auto Rokkor'' (automatic diaphragm) # MC - 1966-1977: Meter coupling a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minolta SR-mount Cameras
was a Japanese manufacturer of cameras, camera accessories, photocopiers, fax machines, and laser printers. Minolta Co., Ltd., which is also known simply as Minolta, was founded in Osaka, Japan, in 1928 as . It made the first integrated autofocus 35 mm SLR camera system. In 1931, the company adopted its final name, an acronym for "Mechanism, Instruments, Optics, and Lenses by Tashima". In 2003, Minolta merged with Konica to form Konica Minolta. On 19 January 2006, Konica Minolta announced that it was leaving the camera and photo business, and that it would sell a portion of its SLR camera business to Sony as part of its move to pull completely out of the business of selling cameras and photographic film. History Milestones *1928: establishes Nichi-Doku Shashinki Shōten ("Japanese-German photo company," the precursor of Minolta Co., Ltd.). *1929: Marketed the company's first camera, the "Nifcarette" (ニフカレッテ). *1937: The Minolta Flex is Japan's second twin- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
135 Film Cameras
135 may refer to: * 135 (number) * AD 135 * 135 BC *135 film 135 film, more popularly referred to as 35 mm film or 35 mm, is a format of photographic film used for still photography. It is a film with a film gauge of loaded into a standardized type of magazine – also referred to as a casse ..., better known as 35 mm film, is a format of photographic film used for still photography * 135 (New Jersey bus) {{numberdis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Light Value
__NOTOC__ In photography, light value has been used to refer to a "light level" for either incident or reflected light, often on a base-2 logarithmic scale. The term does not derive from a published standard, and has had several different meanings: # An arbitrary value indicated by an exposure meter such as the Weston Master V, discussed in Adams (1948, 14–18). This may have been the origin of the term. The indicated light value was transferred to the meter's exposure calculator, which then was used to determine camera settings. Ray (2000) uses the term, with the acronym 'LV', in this sense. The Honeywell/Pentax 1°/21° spot meter indicated in "light level" ("LL"), with LL essentially exposure value (EV) for ISO 100 film speed. The later Pentax Spotmeter V and Digital Spotmeter indicated directly in EV for ISO 100, but they made no mention of "light level", "light value", or LV. # A synonym for incident light value, from the Additive system of Photographic EXposure (APEX) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Self-timer
A self timer is a device on a camera that gives a delay between pressing the shutter release and the shutter's firing. It is most commonly used to let the photographer to take a photo of themselves (often with a group of other people), hence the name. The self-timer is also used to reduce camera shake when taking photographs in low light or with long (telephoto) lenses. The timer's delay gives the photographer time to steady the camera before the shutter fires, and allows vibrations from the mirror flipping up (on SLRs) to die out. It also eliminates any photographer-induced camera motion when the shutter button is pressed. Most modern cameras with a self-timer flash a light during the countdown, emit a beeping sound, or both. These warnings generally increase in speed or intensity during the last few seconds, to warn that the shutter is about to fire. The most common delay is ten seconds. Some cameras also have a two-second and five-second settings. A few cameras provide con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flash Synchronization
In photography, flash synchronization or flash sync is the synchronizing the firing of a photographic flash with the opening of the shutter admitting light to photographic film or electronic image sensor. In cameras with mechanical (clockwork) shutters synchronization is supported by an electrical contact within the shutter mechanism, which closes the circuit at the appropriate moment in the shutter opening process. In electronic digital cameras, the mechanism is usually a programmable electronic timing circuit, which may, in some cameras, take input from a mechanical shutter contact. The flash is connected electrically to the camera either by a cable with a standardised coaxial PC (for Prontor/Compur) 3.5 mm (1/8") connector (as defined in ISO 519), or via contacts in an ''accessory mount'' (hot shoe) bracket. Faster shutter speeds are often better when there is significant ambient illumination, and flash is used to flash fill subjects that are backlit without motion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Focal Plane Shutter
In camera design, a focal-plane shutter (FPS) is a type of photographic shutter that is positioned immediately in front of the focal plane of the camera, that is, right in front of the photographic film or image sensor. Two-curtain shutters The traditional type of focal-plane shutter in 35 mm cameras, pioneered by Leitz for use in its Leica cameras, uses two shutter curtains, made of opaque rubberised fabric, that run horizontally across the film plane. For slower shutter speeds, the first curtain opens (usually) from right to left, and after the required time with the shutter open, the second curtain closes the aperture in the same direction. When the shutter is cocked again the shutter curtains are moved back to their starting positions, ready to be released. Focal-plane shutter at low speed ''Figure 1:'' The black rectangle represents the frame aperture through which the exposure is made. It is currently covered by the first shutter curtain, shown in red. The sec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aperture
In optics, an aperture is a hole or an opening through which light travels. More specifically, the aperture and focal length of an optical system determine the cone angle of a bundle of rays that come to a focus in the image plane. An optical system typically has many openings or structures that limit the ray bundles (ray bundles are also known as ''pencils'' of light). These structures may be the edge of a lens or mirror, or a ring or other fixture that holds an optical element in place, or may be a special element such as a diaphragm placed in the optical path to limit the light admitted by the system. In general, these structures are called stops, and the aperture stop is the stop that primarily determines the ray cone angle and brightness at the image point. In some contexts, especially in photography and astronomy, ''aperture'' refers to the diameter of the aperture stop rather than the physical stop or the opening itself. For example, in a telescope, the aperture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diaphragm (optics)
In optics, a diaphragm is a thin opaque structure with an opening (aperture) at its center. The role of the diaphragm is to ''stop'' the passage of light, except for the light passing through the ''aperture''. Thus it is also called a stop (an aperture stop, if it limits the brightness of light reaching the focal plane, or a field stop or flare stop for other uses of diaphragms in lenses). The diaphragm is placed in the light path of a lens or objective, and the size of the aperture regulates the amount of light that passes through the lens. The centre of the diaphragm's aperture coincides with the optical axis of the lens system. Most modern cameras use a type of adjustable diaphragm known as an iris diaphragm, and often referred to simply as an iris. See the articles on aperture and f-number for the photographic effect and system of quantification of varying the opening in the diaphragm. Iris diaphragms versus other types A natural optical system that has a diaphragm an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reflex Finder
A reflex finder is a viewfinder system with a mirror placed behind a lens. The light passing through the lens is reflected by the mirror to a focusing screen, usually ground glass. The image formed on this ground glass can be observed directly, giving a ''waist-level reflex finder,'' or through a redressing optical device (set of mirrors or prism) for eye-level viewing, giving an ''eye-level reflex finder''. With a reflex finder, you can focus the image on the ground glass and frame your picture at the same time. It is common to find a device on the center of the ground glass to help precise focusing, for example a split-image or a microprism device. Today's reflex cameras usually incorporate autofocusing. Reflex finders are found in: * Single-lens reflex (SLR) cameras, with one lens for both viewing and taking the picture * Twin-lens reflex A twin-lens reflex camera (TLR) is a type of camera with two objective lenses of the same focal length. One of the lenses is the photo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresnel Lens
A Fresnel lens ( ; ; or ) is a type of composite compact lens developed by the French physicist Augustin-Jean Fresnel (1788–1827) for use in lighthouses. It has been called "the invention that saved a million ships." The design allows the construction of lenses of large aperture and short focal length without the mass and volume of material that would be required by a lens of conventional design. A Fresnel lens can be made much thinner than a comparable conventional lens, in some cases taking the form of a flat sheet. The simpler dioptric (purely refractive) form of the lens was first proposed by Count Buffon and independently reinvented by Fresnel. The ''catadioptric'' form of the lens, entirely invented by Fresnel, has outer elements that use total internal reflection as well as refraction; it can capture more oblique light from a light source and add it to the beam of a lighthouse, making the light visible from greater distances. Description The Fresnel lens redu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
