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Minicomics
A minicomic is a creator-published comic book, often photocopied and stapled or with a handmade binding. In the United Kingdom and Europe the term small press comic is equivalent with minicomic, reserved for those publications measuring A6 (105 mm × 148 mm) or less. Minicomics, sometimes called ashcan copies, and sometimes zine comics, are a common inexpensive way for those who want to make their own comics on a very small budget, with mostly informal means of distribution. A number of cartoonists — such as Jessica Abel, Julie Doucet, and Adrian Tomine — have started their careers this way and later gone on to more traditional types of publishing, while other established artists — such as Matt Feazell and John Porcellino — continue to publish minicomics as their main means of production. Overview The term "minicomic" was originally used in the United States and has a somewhat confusing history. Originally, it referred only to size: a '' digest comic'' measu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary Arlington
Gary Edson Arlington (October 7, 1938 – January 16, 2014) was an American retailer, artist, editor, and publisher, who became a key figure in the underground comix movement of the 1960s and 1970s.Yardley, William"Gary Arlington, a Force in Underground Comic Books, Is Dead at 75,"''New York Times'' (Jan. 30, 2014). As owner of one of America's first comic book stores, the San Francisco Comic Book Company, located in San Francisco's Mission District, Arlington's establishment became a focal point for the Bay Area's underground artists. He published comics under the name San Francisco Comic Book Company, as well as publishing and distributing comics under the name Eric Fromm (not connected to the German critical theorist). Cartoonist Robert Crumb has noted, "Gary made a cultural contribution in San Francisco in the late 1960s, through the '70s, '80s & '90s that was more significant than he realizes." Biography Early life Julian Guthrie, in the ''San Francisco Chronicle'', de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minicomic Co-op
Minicomics Co-ops are entities for trading and promoting small press comics and fanzines. The most well-known of these co-ops is the United Fanzine Organization, or UFO, a co-operative of minicomic creators that has existed since about 1968, when it was called Blue Plaque Publications (BPP). Carl Gafford, at that point the publisher of a comics fanzine called ''Minotaur'', created the BPP; among its earliest members were Chuck Robinson II (publisher of ''Comique''), Dwight Decker (''True Fan Adventure Theatre''), Ed Romero (''Realm''), and Gordon Matthews (''Coffinworm''). Function The BPP was the first small press minicomics co-op. The term ''co-op'' has often been confused with Amateur Press Associations or APAs. The difference is that an APA is helmed by a central mailer, to whom the members send copies of their publications. The central mailer then compiles all the books into one large volume, which is then mailed out to the membership in apazines. Some APAs are still acti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Plaque Publications
Minicomics Co-ops are entities for trading and promoting small press comics and fanzines. The most well-known of these co-ops is the United Fanzine Organization, or UFO, a co-operative of minicomic creators that has existed since about 1968, when it was called Blue Plaque Publications (BPP). Carl Gafford, at that point the publisher of a comics fanzine called ''Minotaur'', created the BPP; among its earliest members were Chuck Robinson II (publisher of ''Comique''), Dwight Decker (''True Fan Adventure Theatre''), Ed Romero (''Realm''), and Gordon Matthews (''Coffinworm''). Function The BPP was the first small press minicomics co-op. The term ''co-op'' has often been confused with Amateur Press Associations or APAs. The difference is that an APA is helmed by a central mailer, to whom the members send copies of their publications. The central mailer then compiles all the books into one large volume, which is then mailed out to the membership in apazines. Some APAs are still acti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matt Feazell
Matt Feazell (born 1955) is an American cartoonist from Hamtramck, Michigan, primarily working in minicomics. He is best known for his wryly humorous ''The Amazing Cynicalman'' series and the simple "stick figure" art style he uses for it. Cynicalman appears in the introduction to Scott McCloud's book ''Understanding Comics'', in which Feazell's work is cited as an example of "iconic" art taken to its greatest degree. Early life and education Feazell was born in Ames, Iowa. In high school he experimented with stick-figure comics, but also developed a more traditional comics style.Feazell entry ''Lambiek's Comiclopedia''. Accessed March 28, 2016. Feazell's comics influences included , |
British Small Press Comics
British small press comics, once known as stripzines, are comic books self-published by amateur cartoonists and comic book creators, usually in short print runs, in the UK. They're comparable to similar movements internationally, such as American minicomics and Japanese doujinshi. A "small press comic" is essentially a zine composed predominantly of comic strips. The term emerged in the early 1980s to distinguish them from zines ''about'' comics. Notable artists who have had their start in British small press comics include Eddie Campbell, Paul Grist, Rian Hughes, Jamie Hewlett, Alan Martin, Philip Bond and Andi Watson. Small press comics are traditionally sold by mail, using reviews and classified adverts, websites, email lists and word of mouth to reach an audience. There is usually one or more mail order service, commonly known as a "distro", operating in the UK. These will hold a wide range of titles and take a cut of the cover price. The two main active distros are Samu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zine
A zine ( ; short for '' magazine'' or '' fanzine'') is a small-circulation self-published work of original or appropriated texts and images, usually reproduced via a copy machine. Zines are the product of either a single person or of a very small group, and are popularly photocopied into physical prints for circulation. A fanzine (blend of '' fan'' and ''magazine'') is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon (such as a literary or musical genre) for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and popularized within science fiction fandom, entering the Oxford English Dictionary in 1949. Popularly defined within a circulation of 1,000 or fewer copies, in practice many zines are produced in editions of fewer than 100. Among the various intentions for creation and publication are developing one's identity, sharing a niche ski ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jessica Abel
Jessica Abel (born 1969) is an American comic book writer and artist, known as the creator of such works as ''Life Sucks'', ''Drawing Words & Writing Pictures'', ''Soundtrack'', ''La Perdida'', ''Mirror, Window'', ''Radio: An Illustrated Guide'' (with collaborator Ira Glass), and the omnibus series ''Artbabe''. Early life Abel was born in 1969 in Chicago, Illinois, and raised in the Chicago metropolitan area. She graduated from Evanston Township High School. She attended Carleton College for in 1987–88, and then transferred to the University of Chicago, where she published her first comics work in 1988, in the student anthology ''Breakdown''. She also held administrative positions including Assistant to the Associate Dean and graduate and undergraduate chairs at SAIC. She graduated with a BA degree. Career Abel began her comics career through minicomics, self-publishing the photocopied, hand-sewn and embellished comic book ''Artbabe'' in 1992; four annual issues followed, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Porcellino
John Porcellino (born September 18, 1968, in Chicago, Illinois) is a popular creator of minicomics. Porcellino's self-published, photocopied, mostly autobiographical series '' King-Cat Comics'' is among the best-known and longest-running minicomics produced today. Porcellino created King-Cat in May 1989, and to date has self-published 79 issues. Career For several years Porcellino had his own music and comics distribution company, Grinding Wheels Enterprises (evolving later into Spit and a Half), but he eventually abandoned it and went back to just publishing his own work. In the '90s Porcellino did some stories about his struggles to find a publisher for his work, and reprinted several of the rejection letters that criticized his drawing skills. He was briefly in negotiations to do an entire ''Trail Watch'' book, but that project fell through. Porcellino still mostly publishes himself, although now this is apparently mostly by choice. In recent years other publishers have been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comic Book
A comic book, also called comicbook, comic magazine or (in the United Kingdom and Ireland) simply comic, is a publication that consists of comics art in the form of sequential juxtaposed panels that represent individual scenes. Panels are often accompanied by descriptive prose and written narrative, usually, dialogue contained in word balloons emblematic of the comics art form. " Comic Cuts" was a British comic published from 1890 to 1953. It was preceded by " Ally Sloper's Half Holiday" (1884) which is notable for its use of sequential cartoons to unfold narrative. These British comics existed alongside of the popular lurid "Penny dreadfuls" (such as " Spring-heeled Jack"), boys' " Story papers" and the humorous Punch (magazine) which was the first to use the term "cartoon" in its modern sense of a humorous drawing. The interweaving of drawings and the written word had been pioneered by, among others, William Blake (1757 - 1857) in works such as Blake's "The Descent Of Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tijuana Bible
Tijuana bibles (also known as eight-pagers, Tillie-and-Mac books, Jiggs-and-Maggie books, jo-jo books, bluesies, blue-bibles, gray-backs, and two-by-fours) were palm-sized pornographic comic books produced in the United States from the 1920s to the early 1960s. Their popularity peaked during the Great Depression era. Most Tijuana bibles were obscene parodies of popular newspaper comic strips at the time, such as "Blondie (comic strip), Blondie", "Barney Google", "Moon Mullins", "Popeye", "Tillie the Toiler", "The Katzenjammer Kids", "Dick Tracy", "Little Orphan Annie", and "Bringing Up Father". Others made use of characters based on popular movie and sports stars of the day such as Mae West, Clark Gable and Joe Louis, sometimes with names only subtly changed. Before World War II, almost all the stories were humorous, cartoon versions of well-known dirty jokes that had been making the rounds for decades. The artists, writers, and publishers of these booklets generally remained a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Underground Comix
Underground comix are small press or self-published comic books that are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality, and violence. They were most popular in the United States in the late 1960s and 1970s, and in the United Kingdom in the 1970s. Robert Crumb, Gilbert Shelton, Barbara "Willy" Mendes, Trina Robbins and numerous other cartoonists created underground titles that were popular with readers within the counterculture scene. Punk had its own comic artists like Gary Panter. Long after their heyday, underground comix gained prominence with films and television shows influenced by the movement and with mainstream comic books, but their legacy is most obvious with alternative comics. History United States The United States underground comics scene emerged in the 1960s, focusing on subjects dear to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
