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Ming Poetry
Ming poetry refers to the poetry of or typical of the Ming dynasty (1368–1644).Davis, lxxi With over one million specimens of Ming poetry surviving today, the poetry of the Ming dynasty represents one of the major periods of Classical Chinese poetry, as well as an area of active modern academic research. Ming poetry (and Chinese art and literature in general) is marked by 2 transitional phases, the transition between the Yuan dynasty which was the predecessor to the Ming, and the Qing-Ming transition which eventually resulted in the succeeding Qing dynasty. Although in politico-dynastic terms, the dynastic leadership of China is historically relatively clear-cut, the poetic periods involved encompass the lifespans and works of poets whose lives and poetic output transcend both the end of one dynasty and the initiatory period of the next. Background Following the collapse of the Mongol-led Yuan dynasty, and upon its establishment, the Ming dynasty for much or most of its existe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peach Festival Of The Queen Mother Of The West, 17th Century
The peach (''Prunus persica'') is a deciduous tree first domesticated and Agriculture, cultivated in Zhejiang, Zhejiang province of East China, Eastern China. It bears edible juicy fruits with various characteristics, most called peaches and others (the glossy-skinned, non-fuzzy varieties), nectarines. The specific name ''persica'' refers to its widespread cultivation in Persia (modern-day Iran), from where it was transplanted to Europe. It belongs to the genus ''Prunus'', which includes the cherry, apricot, almond, and plum, in the Rosaceae, rose family. The peach is classified with the almond in the subgenus ''Amygdalus'', distinguished from the other subgenera by the corrugated seed shell (endocarp). Due to their close relatedness, the kernel of a peach stone tastes remarkably similar to almond, and peach stones are often used to make a cheap version of marzipan, known as persipan. Peaches and Peach#Nectarines, nectarines are the same species, though they are regarded comme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tang Xianzu
Tang Xianzu (; September 24, 1550 – July 29, 1616), courtesy name Yireng (), was a Chinese playwright of the Ming Dynasty. Biography Tang was a native of Linchuan, Jiangxi and his career as an official consisted principally of low-level positions. He successfully participated in the provincial examinations (''juren'') at the age of 21 and at the imperial examinations (''jinshi'') at the age of 34. He held official positions in Nanjing, Zhejiang province, Guangdong province etc. After serving as the magistrate of Suichang, Zhejiang from 1593 to 1598, he retired in 1598 and returned to his hometown where he focused on writing. Tang died in 1616, the same year as famed English playwright William Shakespeare. His major plays are collectively called the ''Four Dreams'', because of the decisive role dreams play in the plot of each one. All of them are still performed (in scenes, or in adapted full versions) on the Chinese Kun opera (kunqu) stage. Generally considered his m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Latter Five Poets Of The Southern Garden
The Latter Five Poets of the Southern Garden () was a Ming dynasty poetry circle composed of Liang Youyu (梁有誉), Ou Daren (歐大任), Li Minbiao (黎民表), Wu Dan (吴旦), and Li Shixing (李时行). They are generally considered to be the most important Cantonese poets of the sixteenth century. See also *The Latter Seven Masters The Latter Seven Masters () was a Ming dynasty poetry circle composed of Liang Youyu (梁有誉), Li Panlong (李攀龙), Wang Shizhen (王世贞)、 Xie Zhen (谢榛), Zong Chen (宗臣), Xu Zhongxing (徐中行), Wu Guolun (吴国伦). See also ... References Chinese poetry groups and movements Ming dynasty Latter Five Poets of the Southern Garden {{China-poet-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ōta Nanpo
was the most oft-used penname of Ōta Tan, a late Edo-period Japanese poet and fiction writer. Ōta Nanpo wrote primarily in the comedic forms of ''kyōshi'', derived from comic Chinese verse, and ''kyōka'', derived from ''waka'' poetry. Ōta Nanpo's pennames also include Yomo no Akara (), Yomo Sanjin, Kyōkaen, and Shokusanjin (). Born into a lower-status samurai family in Edo, Nanpo served the shogunate in various ways throughout his life. He began his literary career as a student of Chinese Ming-dynasty writings, and adapted traditional Chinese comic verse (called ''kyōshi'' in Japanese), under the mentorship of playwright Hiraga Gennai, to daily life in Edo. His first collection of work was called ''Neboke sensei bunshū'', or the Literary Works of Master Groggy. Nanpo soon began to write ''kyōka'', comic ''waka'' verses, as well. His popularity grew in the 1760s and 1770s, as a result of his down-to-earth subject matter and unabashed style. During this time he also wrote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Sanqu Poetry
''Sanqu'' () is a fixed-rhythm form of Classical Chinese poetry or "literary song".Crump (1990), 125 Specifically ''sanqu'' is a subtype of the '' qu'' formal type of poetry. ''Sanqu'' was a notable Chinese poetic form, possibly beginning in the Jin dynasty (1115–1234), but especially associated with the Yuan (1271–1368), Ming (1368–1644) and Qing (1644–1912) dynasties. The tonal patterns modeled on tunes drawn from folk songs or other music. Overview The ''sanqu'' were literary lyrics directly related to the ''zaju'' arias: these were dramatic lyrics written to fixed musical modes or metrical forms and could contain several aria or lyric song segments in one suite. ''Sanqu'', however, could be composed in single discrete sections. It is often said that the ''sanqu'' verses tend to reflect excess energies and resentments of contemporary disenfranchised Chinese literati, due to contemporary Jurchen and Mongol political domination. Often the poetry could be humorous as is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gu Mei
Gu Mei (; 1619–1664), better known by her art name Gu Hengbo (), also known as Xu Mei and Xu Zhizhu after her marriage, was a Chinese courtesan, poet and painter. She received the title "Lady (furen)" from the early Qing court, and often addressed as "Lady Hengbo" in Qing writings. Gu was famous for her beauty and talent within painting and poetry and counted among the elite of courtesans alongside Dong Xiaowan, Bian Yujing and Liu Rushi. She was admired for her paintings of orchids, and published a collection of poems which was given good critics, although few of her works have survived. Life Gu Mei was born near Nanjing in 1619. At the beginning of the Chongzhen reign, Gu Mei became a courtesan in the Qinhuai River district of Nanjing. In her Tower Meilou in Qinhuai district in Nanjing, she hosted a famous literary salon, which counted Chen Liang, Qian Lucan and Mao Xiang among its guests. Yu Huai described Meilou (literally ''house of bewitchment'') as lavish and extrava ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dong Xiaowan
Dong Xiaowan (1624–1651), also known as Dong Bai, was a Chinese courtesan, poet and writer, also known by her pen name Qinglian. Dong has been described as the most famous courtesan of her time, known for her beauty and talent in singing, acting, needlework and the tea ceremony. She lived in the brothel district of Nanjing. Similar to other courtesans of the late Ming Dynasty, Dong's moral qualities were emphasised among her admirers more than her talents. She is one of the ''Eight Beauties of Qinhuai'' () described by late Qing officials. The other famed courtesans of this group are Ma Xianglan, Bian Yujing (), Li Xiangjun, Liu Rushi, Gu Mei, Kou Baimen (), and Chen Yuanyuan. Marriage Dong's mother died in 1642, leaving her to struggle financially. The noble Mao Bijiang (), alternatively known as Mao Xiang, had attempted to meet with Dong several times, but had pursued a relationship with the courtesan Chen Yuanyuan instead. After Chen was abducted by a noble associated w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wang Wei (17th-century Poet)
Wang Wei (; 1597–1647), also known by her courtesy name Xiuwei (), was a Chinese courtesan, poet, and traveller during the late Ming dynasty. Biography Nothing is known of her family background. At age seven, when Wang's father died, she was orphaned. She was taken in by somebody in the brothel district of Yangzhou and trained to be a courtesan. The training included literacy and artistic skills. During this time she developed a friendship with another courtesan, Yang Wan, the two calling themselves "sworn sisters". Wang referred to herself as the "Straw-coated Daoist". As a courtesan she travelled by skiff between Suzhou and Kuaiji (now Shaoxing). The boat carried many books and she was often accompanied by well known literary figures of the day, including Zhong Xing and Tan Yuanchun, founders of the Jingling school of poetry. She also travelled to West Lake in Wulin (now Hangzhou), a hotspot for literati at the time, and as far as Hunan. Wishing to change her life, she t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liu Rushi
Liu Rushi (; 1618–1664), also known as Yang Ai (杨爱), Liu Shi (柳是), Liu Yin (柳隐) and Yang Yin (杨隐),Yang Yinlian (杨影怜), Hedong Jun (河东君), was a Chinese ''yiji'' (courtesan), poet, calligrapher, and painter in the late Ming dynasty and early Qing dynasty. Early in her life, she had a relationship with Chen Zilong with whom she exchanged verses. She married the scholar-official Qian Qianyi, who was 36 years her senior, at the age of 25. She committed suicide shortly after he died. She is one of the " Eight Beauties of Qinhuai" described by late Qing official Zhang Jingqi.* In addition to her creative works (many of which have survived) and independent spirit (she often cross-dressed), she has been revered in later times for her unwavering love for her husband and for her country (the Ming) during the Ming–Qing transition. Historian Chen Yinke, who spent decades researching and writing about her, characterizes Liu Rushi as "a heroine, a belle, a w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gao Bing
Gao Bing (高棅, 1350 to 1423), was a Chinese poetry anthologist and writer. A native of Fuzhou, he flourished during the newly established Ming Dynasty (1368–1644) as an author and poetry theorist. Gao Bing collected and arranged Tang poetry-era poems and wrote commentary material upon them in a work published as the ''Graded Compendium of Tang Poetry'' (''Tangshi Pinhui'', 唐詩品彙), a seminal work using prosodic principles in a systematic method to classify poetry by Classical Chinese poetry forms. It contained 5,769 poems by 620 poets, along with notes and commentary.''The Cambridge History of Chinese Literature'', vol. 2, Cambridge University Press, 201 p. 11. The ''Tangshi Pinhui'' aimed in part to correct what Gao Bing saw as lacking in previous works, particularly those of Song Dynasty, Song critic Yan Yu and Yuan critic Yang Shihong (''fl'' 1340). Other works would later build upon the ''Tangshi Pinhui'' system which would later greatly influence the perception of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tang Poetry
Tang poetry () refers to poetry written in or around the time of or in the characteristic style of China's Tang dynasty, (June 18, 618 – June 4, 907, including the 690–705 reign of Wu Zetian) and/or follows a certain style, often considered as the Golden Age of Chinese poetry. The ''Quan Tangshi'' includes over 48,900 poems written by over 2,200 authors. During the Tang dynasty, poetry continued to be an important part of social life at all levels of society. Scholars were required to master poetry for the civil service exams, but the art was theoretically available to everyone. This led to a large record of poetry and poets, a partial record of which survives today. The two most famous poets of the period were Li Bai and Du Fu. Through the ''Three Hundred Tang Poems'', Tang poetry has remain familiar to educated Chinese in modern times. Periodization The periodization scheme employed in this article is the one detailed by the Ming dynasty scholar Gao Bing (1350–1423) in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wen Zhengming
Wen Zhengming (28 November 1470 – 1559), born Wen Bi, was a Chinese painter, calligrapher, and poet during the Ming dynasty. He was regarded as one of the Four Masters of Ming painting. Biography Wen Zhengming was born Wen Bi near present-day Suzhou on 28 November 1470. He would later be known by his courtesy name, Zhengming. He had an elder brother, Wen Gui, who was born in 1469. When Zhengming was two years old, his father, Wen Lin, passed the imperial examination with the highest possible rank, ''jinshi''. Wen Lin was assigned a government position as a magistrate in Yongjia County in Zhejiang province, and left for his job, leaving his two sons in the care of his wife, Qi Shenning. In 1476, Qi died of an illness at the age of 32. Wen Lin commissioned the noted scholar Li Dongyang to write an inscription for her tomb. Wen Zhengming's family was originally from a line of military men who lived in Hengshan County, Hunan province. At the time of his great-great-grandfather We ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
