|
Mind Fruit
''Mind Fruit'' is the debut album by British electronic music group Opus III. Their hit single "It's a Fine Day" is a cover of a 1983 single by Jane & Barton, while "I Talk to the Wind" is a cover of a King Crimson song from their 1969 debut album ''In the Court of the Crimson King''. "Stars in My Pocket" is a reference to a novel by Samuel R. Delany, while "Into This Universe" features a recital of an English translation of a poem by medieval Persian poet Omar Khayyam. Critical reception AllMusic editor MacKenzie Wilson wrote, "Their debut, ''Mind Fruit'', (1992) was more than just another techno record in the face of the genre's underground taking shape during the early '90s. Hawkshaw's dove-like vocals transcended into freewheeling soundscapes; the remake of Barton & Jane's "It's a Fine Day" is melodically enchanting with loopy trance vibes and textured synth waves, but the crafty version of King Crimson's "I Talk to the Wind" composes a dreamy synthetic wave. Opus III w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a cop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trance Music
Trance is a genre of electronic dance music that emerged from the British new-age music scene and the early 1990s German techno and hardcore scenes. Trance music is characterized by a tempo generally lying between 135–150 beats per minute (BPM), repeating melodic phrases and a musical form that distinctly builds tension and elements throughout a track often culminating in 1 to 2 "peaks" or "drops". Although trance is a genre of its own, it liberally incorporates influences from other musical styles such as techno, house, pop, chill-out, classical music, tech house, ambient and film music. A trance is a state of hypnotism and heightened consciousness. This is portrayed in trance music by the mixing of layers with distinctly foreshadowed build-up and release. A common characteristic of trance music is a mid-song climax followed by a soft breakdown disposing of beats and percussion entirely, leaving the melody or atmospherics to stand alone for an extended period before gradu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Barton (musician)
Edward Barton (born 1958) is an English poet, artist and musician from Manchester, known for his eccentric stage performances and use of home-made instruments. He has had top 30 success as a songwriter with hits including "It's a Fine Day" ( Opus III) - the tune of which was then used in Kylie Minogue's hit "Confide in Me" - "Halcyon" ( Orbital) and "Happiness" ( Pizzaman). He also wrote a trio of hits for Lost Witness - "Happiness Happening", "Red Sun Rising" and "7 Colours". Biography He grew up in Libya, the son of an Royal Navy officer, before attending boarding school in Britain. He moved to Manchester in the mid-1970s where he studied History of Art at Manchester University, and was signed by Cherry Red Records in 1982.Interview with Barton in ''The Word'' magazine, issue # 84, February 2010 He is probably best known for composing the song "It's a Fine Day", originally released on Cherry Red as an a cappella single by Jane – his friend Jane Lancaster –in 198 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirsty Hawkshaw
Kirsty Hawkshaw (born 26 October 1969) is an English electronic music vocalist and songwriter. In addition to her work as a solo artist, she is known as the lead vocalist of early 1990s dance group Opus III, and her collaborative work with other musicians and producers. Career Kirsty Hawkshaw is the daughter of the late British production music/film music composer and disco record producer Alan Hawkshaw, who was known for composing themes for TV programmes such as ''Grange Hill'' and Channel 4 game show ''Countdown''. Her mother is German-born Christiane Bieberbach.''The Champ (The Hawk Talks)'', Alan Hawkshaw autobiography, published 2011. At a rave in 1990, she was noticed by producers Ian Munro, Kevin Dodds and Nigel Walton, who at the time were known as A.S.K. and were signed to MCA Records UK. The trio had released a single called "Dream", when she was invited to appear on stage as their dancer. It was through this meeting that they would form a dance act called Opus I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Omar Khayyam
Ghiyāth al-Dīn Abū al-Fatḥ ʿUmar ibn Ibrāhīm Nīsābūrī (18 May 1048 – 4 December 1131), commonly known as Omar Khayyam ( fa, عمر خیّام), was a polymath, known for his contributions to mathematics, astronomy, philosophy, and Persian poetry. He was born in Nishapur, the initial capital of the Seljuk Empire. As a scholar, he was contemporary with the rule of the Seljuk dynasty around the time of the First Crusade. As a mathematician, he is most notable for his work on the classification and solution of cubic equations, where he provided geometric solutions by the intersection of conics. Khayyam also contributed to the understanding of the parallel axiom.Struik, D. (1958). "Omar Khayyam, mathematician". ''The Mathematics Teacher'', 51(4), 280–285. As an astronomer, he calculated the duration of the solar year with remarkable precision and accuracy, and designed the Jalali calendar, a solar calendar with a very precise 33-year intercalation cycle''The Cam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian People
The Persians are an Iranian ethnic group who comprise over half of the population of Iran. They share a common cultural system and are native speakers of the Persian language as well as of the languages that are closely related to Persian. The ancient Persians were originally an ancient Iranian people who had migrated to the region of Persis (corresponding to the modern-day Iranian province of Fars) by the 9th century BCE. Together with their compatriot allies, they established and ruled some of the world's most powerful empires that are well-recognized for their massive cultural, political, and social influence, which covered much of the territory and population of the ancient world.. Throughout history, the Persian people have contributed greatly to art and science. Persian literature is one of the world's most prominent literary traditions. In contemporary terminology, people from Afghanistan, Tajikistan, and Uzbekistan who natively speak the Persian language are know ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubaiyat Of Omar Khayyam
''Rubáiyát of Omar Khayyám'' is the title that Edward FitzGerald gave to his 1859 translation from Persian to English of a selection of quatrains (') attributed to Omar Khayyam (1048–1131), dubbed "the Astronomer-Poet of Persia". Although commercially unsuccessful at first, FitzGerald's work was popularised from 1861 onward by Whitley Stokes, and the work came to be greatly admired by the Pre-Raphaelites in England. FitzGerald had a third edition printed in 1872, which increased interest in the work in the United States. By the 1880s, the book was extremely popular throughout the English-speaking world, to the extent that numerous "Omar Khayyam clubs" were formed and there was a " cult of the Rubaiyat". FitzGerald's work has been published in several hundred editions and has inspired similar translation efforts in English, Hindi and in many other languages. Sources The authenticity of the poetry attributed to Omar Khayyam is highly uncertain. Khayyam was famous dur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel R
Samuel ''Šəmūʾēl'', Tiberian: ''Šămūʾēl''; ar, شموئيل or صموئيل '; el, Σαμουήλ ''Samouḗl''; la, Samūēl is a figure who, in the narratives of the Hebrew Bible, plays a key role in the transition from the biblical judges to the United Kingdom of Israel under Saul, and again in the monarchy's transition from Saul to David. He is venerated as a prophet in Judaism, Christianity, and Islam. In addition to his role in the Hebrew scriptures, Samuel is mentioned in Jewish rabbinical literature, in the Christian New Testament, and in the second chapter of the Quran (although Islamic texts do not mention him by name). He is also treated in the fifth through seventh books of ''Antiquities of the Jews'', written by the Jewish scholar Josephus in the first century. He is first called "the Seer" in 1 Samuel 9:9. Biblical account Family Samuel's mother was Hannah and his father was Elkanah. Elkanah lived at Ramathaim in the district of Zuph. His genealog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stars In My Pocket Like Grains Of Sand
''Stars in My Pocket Like Grains of Sand'' (1984) is a science fiction novel by Samuel R. Delany. It is part of what would have been a "diptych", in Delany's description, of which the second half, ''The Splendor and Misery of Bodies, of Cities'', remains unfinished. Plot summary Setting The novel takes place in a distant future in which diverse human societies have developed on some 6,000 planets. Many of these worlds are shared with intelligent nonhumans, although only one alien species (the mysterious Xlv) also possesses faster-than-light travel. In an attempt to find a stable defense against the phenomenon known as Cultural Fugue (a process where "socioeconomic pressures eacha point of technological recomplication and perturbation where the population completely destroys all life across the planetary surface"), many human worlds have aligned themselves with one of two broad factions: the Sygn, which promotes and celebrates social diversity, and the Family, which promotes adh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In The Court Of The Crimson King
''In the Court of the Crimson King'' (subtitled ''An Observation by King Crimson'') is the debut studio album by English rock band King Crimson, released on 10 October 1969 by Island Records. The album is one of the earliest and most influential of the progressive rock genre, where the band combined the musical influences that rock music was founded upon with elements of jazz, classical, and symphonic music. The album reached number five on the UK Albums Chart and number 28 on the US ''Billboard'' 200, where it was certified Gold by the Recording Industry Association of America. Production Composition The song "I Talk to the Wind" was written for King Crimson predecessor group Giles, Giles and Fripp (the only song on the album for which this was the case), but was retained by King Crimson in order to show the group's soft side. According to lyricist Peter Sinfield, the song was influenced by Joni Mitchell; in a 1997 interview, he said it is still his favourite lyric that h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
