|
Mimes
A mime artist, or simply mime (from Greek , , "imitator, actor"), is a person who uses ''mime'' (also called ''pantomime'' outside of Britain), the acting out of a story through body motions without the use of speech, as a theatrical medium or as a performance art. In earlier times, in English, such a performer would typically be referred to as a mummer. Miming is distinguished from silent comedy, in which the artist is a character in a film or skit without sound. Jacques Copeau, strongly influenced by Commedia dell'arte and Japanese Noh theatre, used masks in the training of his actors. His pupil Étienne Decroux was highly influenced by this, started exploring and developing the possibilities of mime, and developed corporeal mime into a highly sculptural form, taking it outside the realms of naturalism. Jacques Lecoq contributed significantly to the development of mime and physical theatre with his training methods. As a result of this, the practice of mime has been includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Gaspard Deburau
Jean-Gaspard Deburau (born Jan Kašpar Dvořák; 31 July 1796 – 17 June 1846), sometimes erroneously called Debureau, was a Bohemian-French Mime artist, mime. He performed from 1816 to the year of his death at the Théâtre des Funambules, which was immortalized in Marcel Carné's Poetic realism, poetic-realist film ''Children of Paradise'' (1945); Deburau appears in the film (under his stage-name, "Baptiste") as a major character. His most famous pantomimic creation was Pierrot—a character that served as the godfather of all the Pierrots of Romanticism, Romantic, Decadent movement, Decadent, Symbolism (arts), Symbolist, and early Modernism, Modernist theater and art. Life and career Born in Kolín, Bohemia (now Czech Republic), Deburau was the son of a Czech servant, Kateřina Králová (or Catherine Graff), and a former French soldier, Philippe-Germain Deburau, a native of Amiens. Philippe turned showman and performed at the head of a nomadic troupe. In 1814 he took ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Étienne Decroux
Étienne Decroux (19 July 1898 in Paris, France – 12 March 1991 in Boulogne-Billancourt, France) was a French actor who studied at Jacques Copeau's École du Vieux-Colombier, where he saw the beginnings of what was to become his life's obsession–corporeal mime. During his long career as a film and theatre actor, he created many pieces, using the human body as the primary means of expression. Career Enrolled at the Théâtre du Vieux-Colombier Vieux-Colombier in 1923, as a student of Charles Dullin, Decroux began to envision a newly defined vision of mime and later developed an original, personal style of movement. His early "statuary mime" recalls Rodin's sculptures. Later, more plastic forms were called "mime corporeal" or corporeal mime. An intellectual and theoretician, his body training was based in part on what modern dancers call "isolations", in which body sections move in a prescribed sequence, and, in part, on the physics of compensation required to keep the body ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corporeal Mime
Corporeal mime is an aspect of physical theater whose objective is to place drama inside the moving human body, rather than to substitute gesture for speech as in pantomime. In this medium, the mime must apply to physical movement those principles that are at the heart of drama: pause, hesitation, weight, resistance and surprise. Corporeal mime accentuates the vital importance of the body and physical action on stage. Étienne Decroux’s dramatic corporeal mime is taking the body as a main means of expression and the actor as a starting point for creation with the aim of “making the invisible visible” (Étienne Decroux), of allowing the actor to show thought movement. Art of movement rather than art of silence, dramatic corporeal mime is first of all the art of the actor/actress. An actor, whatever his artistic ambition might be, must, before all, be present, “be” on stage and this presence is shown through the body. The body is what sustains the costume, what the spec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Lecoq
Jacques Lecoq (15 December 1921 – 19 January 1999) was a French stage actor and acting movement coach. He was best known for his teaching methods in physical theatre, movement, and mime which he taught at the school he founded in Paris known as École internationale de théâtre Jacques Lecoq. He taught there from 1956 until his death from a cerebral hemorrhage in 1999. Jacques Lecoq was known as the only noteworthy movement instructor and theatre pedagogue with a professional background in sports and sports rehabilitation in the twentieth century. Life As a teenager, Lecoq participated in many sports such as running, swimming, and gymnastics. Lecoq was particularly drawn to gymnastics. He began learning gymnastics at the age of seventeen, and through work on the parallel bars and horizontal bar, he came to see and understand the geometry of movement. Lecoq described the movement of the body through space as required by gymnastics to be purely abstract. He came to understand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decimus Laberius
Decimus Laberius (c. 105 BC43 BC) was a Roman eques and writer of mimes (farces). Biography Laberius seems to have been a man of caustic wit, who wrote for his own pleasure. In 46 BC, Julius Caesar ordered him to appear in one of his own plays in a public contest with the actor Publilius Syrus __NOTOC__ Publilius Syrus (fl. 85–43 BC), was a Latin writer, best known for his sententiae. He was a Syrian from Antioch who was brought as a slave to Roman Italy. Syrus was brought to Rome on the same ship that brought a certain Manilius, a .... Laberius pronounced a dignified prologue on the degradation thus thrust on his sixty years, and directed several sharp allusions against the dictator, including apparently predicting Caesar's demise: Needs must he fear, who makes all else adread. Later that day, he added: ''None the first place for ever can retain -'' ''But, ever as the topmost round you gain,'' ''Painful your station there and swift your fall.'' Caesar awarded the victory ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dumbshow
Dumbshow, also dumb show or dumb-show, is defined by the ''Oxford Dictionary of English'' as "gestures used to convey a meaning or message without speech; mime." In the theatre the word refers to a piece of dramatic mime in general, or more particularly a piece of action given in mime within a play "to summarise, supplement, or comment on the main action". In the ''Oxford Encyclopedia of Theatre and Performance'', Michael Dobson writes that the dumbshow was originally "an allegorical survival from the morality play". It came into fashion in 16th-century English drama in interludes featuring "personifications of abstract virtues and vices who contend in ways which foreshadow and moralize the fortunes of the play's characters".Dobson, Michael"dumb show" ''The Oxford Encyclopedia of Theatre and Performance'', Oxford University Press, 2003, retrieved 29 November 2015 There are examples in ''Gorboduc'' (1561) throughout which dumbshow plays a major part, and in Thomas Kyd's ''The Spa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mummers Play
Mummers' plays are folk plays performed by troupes of amateur actors, traditionally all male, known as mummers or guisers (also by local names such as ''rhymers'', ''pace-eggers'', ''soulers'', ''tipteerers'', ''wrenboys'', and ''galoshins''). Historically, mummers' plays consisted of informal groups of costumed community members that visited from house to house on various holidays. Today the term refers especially to a play in which a number of characters are called on stage, two of whom engage in a combat, the loser being revived by a doctor character. This play is sometimes found associated with a sword dance though both also exist in Britain independently. Mumming spread from the British Isles to a number of former British colonies. It is sometimes performed in the street but more usually during visits to houses and pubs. It is generally performed seasonally or annually, often at Christmas, Easter or on Plough Monday, more rarely on Halloween or All Souls' Day, and ofte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gigolo
A gigolo () is a male escort or social companion who is supported by a person in a continuing relationship, often living in her residence or having to be present at her beck and call. The term ''gigolo'' usually implies a man who adopts a lifestyle consisting of a number of such relationships serially rather than having other means of support. The gigolo is expected to provide companionship, to serve as a consistent escort with good manners and social skills, and often to serve as a dancing partner as required by the woman in exchange for the support. Many gifts, such as expensive clothing and an automobile to drive, may be lavished upon him. The relationship may include sexual services as well, and he also can be referred to as a "kept man." The word ''gigolo'' may be traced to a first usage in English as a neologism during the 1920s as a back-formation from ''gigolette'', a French word for a woman hired as a dancing partner. Both ''gigolo'' and ''gigolette'' were first recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Publius Syrus
__NOTOC__ Publilius Syrus ( fl. 85–43 BC), was a Latin writer, best known for his sententiae. He was a Syrian from Antioch who was brought as a slave to Roman Italy. Syrus was brought to Rome on the same ship that brought a certain Manilius, astronomer - not the famous Manilius of the 1st century AD (see Pliny, ''NH'' X, 4-5), and Staberius Eros the grammarian. By his wit and talent, Syrus won the favour of his master, who granted him manumission and educated him. He became a member of the Publilia gens. Publilius' name, due to the palatalization of 'l' between two 'i's in the Early Middle Ages, is often presented by manuscripts (and some printed editions) in corrupt form as ' Publius', Publius being a very common Roman praenomen. Work His mimes, in which he acted, had a great success in the provincial towns of Italy and at the games given by Julius Caesar in 46 BC. Publilius was perhaps even more famous as an improviser. He received from Julius Caesar himself the priz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Indian Musical Theatre
Classical Indian musical theatre is a sacred art of the Hindu temple culture. It is performed in different styles. Overview Classical Indian musical theatre theory can be traced back to the Natya Shastra of Bharata Muni (400 BC). The Sangeet Natak Akademi currently confers classical status on eight styles: #Bharatanatyam #Odissi #Kuchipudi # Kathak # Mohiniaattam #Kathakali # Manipuri #Sattriya Classical Indian musical theatre at its best is Natya Yoga, has the most powerful means to lead its worshipers, the artist, to the Divine. It is a sincere depiction of the Divine. It is a sincere depiction of the realities in life, an embodiment of the imagination and gracefulness, the very soul which thereby creates as it were the “Idol of the Beautiful”. While Bharatanatyam, Odissi and Kuchipudi are the orthodox styles that claim to preserve the knowledge of the Natya Shastra most faithfully, Kathak is different from other styles as it is a mixture of the Persian dance and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natya Shastra
The ''Nāṭya Śāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The text consists of 36 chapters with a cumulative total of 6000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, one which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is a desired effect of performance arts but not t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nero
Nero Claudius Caesar Augustus Germanicus ( ; born Lucius Domitius Ahenobarbus; 15 December AD 37 – 9 June AD 68), was the fifth Roman emperor and final emperor of the Julio-Claudian dynasty, reigning from AD 54 until his death in AD 68. He was Adoption in Ancient Rome, adopted by the Roman emperor Claudius at the age of 13 and succeeded him on the throne. Nero was popular with the members of his Praetorian Guard and lower-class commoners in Rome and its provinces, but he was deeply resented by the Roman aristocracy. Most contemporary sources describe him as tyrannical, self-indulgent, and debauched. After being declared a public enemy by the Roman Senate, he committed suicide at age 30. Nero was born at Antium in AD 37, the son of Gnaeus Domitius Ahenobarbus (father of Nero), Gnaeus Domitius Ahenobarbus and Agrippina the Younger, a great-granddaughter of the emperor Augustus. When Nero was two years old, his father died. His mother married the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
