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Mikrokosmos (Bartók)
Béla Bartók's ''Mikrokosmos'' () Sz. 107, BB 105 consists of 153 progressive piano pieces in six volumes written between 1926 and 1939. The individual pieces progress from very easy and simple beginner études to very difficult advanced technical displays, and are used in modern piano lessons and education. In total, according to Bartók, the piece "appears as a synthesis of all the musical and technical problems which were treated and in some cases only partially solved in the previous piano works." Volumes one and two are dedicated to his son Péter, while volumes five and six are intended as professionally performable concert pieces. Bartók also indicated that these pieces could also be played on other instruments; Huguette Dreyfus, for example, has recorded pieces from Books 3 through 6 on the harpsichord. In 1940, shortly before they emigrated to the United States, he arranged seven of the pieces for two pianos, to provide additional repertoire for himself and his wife Ditt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Additive Rhythm
In music, the terms ''additive'' and ''divisive'' are used to distinguish two types of both rhythm and meter (music), meter: * A divisive (or, alternately, multiplicative) rhythm is a rhythm in which a larger period of time is divided into smaller rhythmic units or, conversely, some integer unit is regularly multiplied into larger, equal units. * This can be contrasted with additive rhythm, in which larger periods of time are constructed by concatenation, concatenating (joining end to end) a series of units into larger units of unequal length, such as a meter produced by the regular alternation of and . When applied to meters, the terms ''perfect'' and ''imperfect'' are sometimes used as the equivalents of ''divisive'' and ''additive'', respectively . For example, 4 may be evenly divided by 2 or reached by adding 2 + 2. In contrast, 5 is only evenly divisible by 5 and 1 and may be reached by adding 2 or 3. Thus, (or, more commonly, ) is divisive while is additive. The terms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Helffer
Claude Helffer (18 June 1922 – 27 October 2004) was a French pianist. Early life Helffer was born in Paris, and began piano lessons at the age of five and from the age of ten until the outbreak of World War II he studied with Robert Casadesus. During the War he entered École Polytechnique and fought for the French Resistance during World War II. After the War, he studied theory and composition with René Leibowitz. Career He made his debut in Paris in 1948 and from 1954 appeared regularly in the concerts of the Domaine musical. Helffer gave many premières of new works and was the dedicatee of several notable works, including ''Erikhthon'' ( Xenakis, 1974), Concerto ( Boucourechliev, 1975), ''Stances'' (Betsy Jolas, 1978), Concerto no. 1 (Luis de Pablo, 1980), ''Envoi'' ( Gilles Tremblay, 1982), and ''Modifications'' (Michael Jarrell, 1983). Conductors he collaborated with included Boulez, Bour, Gielen, Leibowitz, Maderna, Marriner, Martinon, Van Otterloo, Prà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jenő Jandó
Jenő Jandó (; born 1 February 1952) is a Hungarian pianist and Professor of the Franz Liszt Academy of Music in Budapest, Hungary. Background and education Jandó studied piano at the Liszt Academy with Katalin Nemes and Pál Kadosa, later going on to win many major international piano competitions, including the Georges Cziffra and Ciani Piano Competitions. However, his professional career began when he took third prize at the Beethoven Piano Competition at the age of 18. He was also the winner of the 1973 Hungarian Piano Concours and took first prize in the chamber music category at the Sydney International Piano Competition in 1977. Solo and collaborative pianist Jandó enjoys being both a solo and collaborative artist, as shown by his recordings, ranging from a complete recording of the Beethoven sonatas to Schubert's 'Trout' Quintet and Beethoven's ' Ghost' and ' Archduke' piano trios. As a collaborative pianist, Jenő Jandó has worked with Takako Nishizaki in rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dezső Ránki
Dezső Ránki (born 8 September 1951) is a Hungarian virtuoso concert pianist with a broad repertoire and a significant discography of solo, duo and concerto works. Life and career Born in Budapest, he began taking piano lessons at the Budapest Academy of Music at the age of eight. When he was thirteen, he enrolled at the Budapest Conservatory and from 1964 to 1969 was a pupil of Klára Máthé.Biographical note in booklet accompanying Teldec CDs 9031-76139-2, 1992. Subsequently he studied from 1969 to 1973 at the Franz Liszt Academy of Music, with his mentors Pál Kadosa and Ferenc Rados. Among his classmates were renowned pianists András Schiff and Zoltán Kocsis. With Kocsis he featured in two Hungarian documentaries, on the Budapest Symphony Orchestra tour of the US 'Tizenhatezer Kilometer... A MRT Szimfonikus Zenekara Amerikaban' (1971), and 'Kocsis Zoltán es Ránki Dezső – Kettős Arckép' (1976) 'Kocsis Zoltán and Ránki Dezső – Double Portrait'. From the time R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoltán Kocsis
Zoltán Kocsis (; 30 May 1952 – 6 November 2016) was a Hungarian pianist, conductor and composer. Biography Studies Born in Budapest, he began his musical studies at the age of five and continued them at the Béla Bartók Conservatory in 1963, studying piano and composition. In 1968 he was admitted to the Franz Liszt Academy of Music, where he was a pupil of Pál Kadosa, Ferenc Rados and György Kurtág, graduating in 1973. Career He won the Hungarian Radio Beethoven Competition in 1970, and made his first concert tour of the United States in the following year. He received the Liszt Prize in 1973, and the Kossuth Prize in 1978. Considered a great pianist, Kocsis performed with the Berlin Philharmonic, Chicago Symphony Orchestra, the San Francisco Symphony Orchestra, the New York Philharmonic, the Staatskapelle Dresden, the Philharmonia of London, and the Vienna Philharmonic. Kocsis recorded the complete solo piano works and works with piano and orchestra of Béla Bartó ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homero Francesch
Homero Francesch (born 6 December 1947, Montevideo, Uruguay) is a Uruguay-born Swiss pianist. Biography Francesch took piano lessons with Santiago Baranda Reyes in Uruguay. In 1967, he was awarded a scholarship by the German Academic Exchange Service (DAAD) and went on to study in Munich under Hugo Steurer and Ludwig Hoffmann. He has premiered the works of several contemporary composers, including Hans Werner Henze's ''Tristan''. His recordings include a complete survey of Bartók's '' Mikrokosmos'' and Stravinsky's ''Les Noces'' under Leonard Bernstein alongside Martha Argerich, Cyprien Katsaris and Krystian Zimerman Krystian Zimerman (born 5 December 1956) is a Polish-Swiss concert pianist, conductor and pedagogue who has been described as one of the greatest pianists of his generation. In 1975, he won the IX International Chopin Piano Competition. Follo .... External links Personal WebsiteProfile on the Swiss Music Database 1947 births Living people Music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edith Farnadi
Edith Farnadi (25 September 1921 – 12 or 14 December 1973) was a Hungarian pianist. She was born in Budapest and began her studies at the age of 7 at the Franz Liszt Academy of Music. She studied with Professor Arnold Székely (also a teacher of Louis Kentner). At the age of 9, she made her musical debut as a child prodigy. At the age of 12, she played Beethoven's Piano Concerto No. 1, directing the orchestra from the piano. She received her diploma from the Musical Academy in Budapest when she was 17 years old. During her studies at the Music Academy she won the Franz Liszt Prize twice. She became a professor at the Budapest Franz Liszt Academy where she remained until 1942. She then concertized widely throughout Europe in the 1950s and made recordings with the Westminster Label. In ensemble she performed with the Barylli Quartet. It was while still a student in Budapest that she became a steady musical partner with the great Hungarian violinist Jenő Hubay. At the Internat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
György Sándor
György Sándor (; 21 September 1912 – 9 December 2005) was a Hungarian pianist and writer. Early years Sándor was born in Budapest. He studied at the Liszt Academy in Budapest under Béla Bartók and Zoltán Kodály, and debuted as a performer in 1930. He toured as a concert pianist through the 1930s, making his Carnegie Hall debut in 1939. He became an American citizen and served in the Army Signal Corps and the Intelligence and Special Services from 1942 to 1944. Friends with Bartók Sándor remained friends with Bartók throughout his life, and was one of only ten people who attended Bartók's funeral in 1945. Sándor played the premiere of Bartók's Piano Concerto No. 3 on 8 February 1946 with the Philadelphia Orchestra conducted by Eugene Ormandy in Philadelphia, Pennsylvania. The performance was repeated on 26 February 1946 by the same ensemble in Carnegie Hall, New York, and recorded for Columbia Masterworks in April 1946. Concert artist Following World ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eighth Note
180px, Figure 1. An eighth note with stem extending up, an eighth note with stem extending down, and an eighth rest. 180px, Figure 2. Four eighth notes beamed together. An eighth note (American) or a quaver (British) is a musical note played for one eighth the duration of a whole note (semibreve). Its length relative to other rhythmic values is as expected—e.g., half the duration of a quarter note (crotchet), one quarter the duration of a half note (minim), and twice the value of a sixteenth note. It is the equivalent of the ''fusa'' in mensural notation. Eighth notes are notated with an oval, filled-in note head and a straight note stem with one note flag (see Figure 1). The stem is on the right of the notehead extending upwards or on the left extending downwards, depending primarily on where the notehead lies relative to the middle line of the staff. A related symbol is the eighth rest (or quaver rest), which denotes a silence for the same duration. Eighth notes may b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harriet Cohen
Harriet(t) may refer to: * Harriet (name), a female name ''(includes list of people with the name)'' Places *Harriet, Queensland, rural locality in Australia * Harriet, Arkansas, unincorporated community in the United States * Harriett, Texas, unincorporated community in the United States Ships * ''Harriet'' (1798 ship), built at Pictou Shipyard, Nova Scotia, Canada * ''Harriet'' (1802 EIC ship), East India Company ship * ''Harriet'' (1810 ship), American ship * ''Harriet'' (1813 ship), American ship * ''Harriet'' (1829 ship), British Royal Navy ship * ''Harriet'' (1836 ship), British ship * ''Harriet'' (fishing smack), 1893 British trawler preserved in Fleetwood Museum Other * Harriet (band), an alternative Americana band from Los Angeles * ''Harriet'' (film), a 2019 biographical film about Harriet Tubman * ''Harriet the Spy'' (TV series), a 2021 animated TV series * List of storms named Harriet See also * * Harriot (other) Harriot may refer to: * Elizabeth (H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Béla Bartók
Béla Viktor János Bartók (; ; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist, and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as Hungary's greatest composers. Through his collection and analytical study of folk music, he was one of the founders of comparative musicology, which later became ethnomusicology. Biography Childhood and early years (1881–98) Bartók was born in the Banatian town of Nagyszentmiklós in the Kingdom of Hungary (present-day Sânnicolau Mare, Romania) on 25 March 1881. On his father's side, the Bartók family was a Hungarian lower noble family, originating from Borsodszirák, Borsod. His paternal grandmother was a Catholic of Bunjevci origin, but considered herself Hungarian. Bartók's father (1855–1888) was also named Béla. Bartók's mother, Paula (née Voit) (1857–1939), also spoke Hungarian fluently. A native of Turócszentmárton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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