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Miguel De Irízar
Miguel de Irízar y Domenzain (1635–1684) was a Spanish Baroque composer. Irízar was born in Artajona and trained as a choirboy in León and Toledo. In August 1657 he became ''maestro de capilla'' in Vitoria, then in August 1671 appointed to Segovia Cathedral where he remained for his remaining thirteen years. He died at Segovia. The correspondence of Irízar preserved in the cathedral of Segovia archives contains a total of 362 letters received during the period 1663 to 1684. There are numerous requests to Irízar to compose music for the chapels of other cathedrals, or to exchange for works by composers such as Cristóbal Galán and Carlos Patiño. Some of these compositions were part of the repertoire taken to the New World. The correspondence also includes extensive detail on performance practice. The letters indicate in particular the wide and rapid circulation of ''villancicos'' between different cathedrals. Works * Masses * Motets * Lamentations * Villancicos * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Haar
James Haar (July 4, 1929 – September 15, 2018) was an American musicologist and W.R. Kenan Jr. Professor Emeritus of Music at the University of North Carolina at Chapel Hill. A specialist in Renaissance music, he was the Editor-in-chief of the ''Journal of the American Musicological Society'' from 1966 to 1969 and served as the president of American Musicological Society from 1976 to 1978. He was elected a member of the American Academy of Arts and Sciences in 1987.Slonimsky, Nicolas and Kuhn, Laura (2001)"Haar, James" ''Baker's Biographical Dictionary of Musicians''. Schirmer Books. . Online version retrieved February 9, 2016 . Haar was born in St. Louis, Missouri. He received his BA from Harvard in 1950 and his MA from the University of North Carolina at Chapel Hill in 1954. He returned to Harvard to complete his PhD under John Ward and Nino Pirrotta, graduating in 1961. His doctoral dissertation, ''Musica mundana: Variations on a Pythagorean Theme'', explored the ancient be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Male Classical Composers
Spanish might refer to: * Items from or related to Spain: **Spaniards are a nation and ethnic group indigenous to Spain **Spanish language, spoken in Spain and many Latin American countries **Spanish cuisine Other places * Spanish, Ontario, Canada * Spanish River (other), the name of several rivers * Spanish Town, Jamaica Other uses * John J. Spanish (1922–2019), American politician * "Spanish" (song), a single by Craig David, 2003 See also * * * Español (other) * Spain (other) * España (other) * Espanola (other) * Hispania, the Roman and Greek name for the Iberian Peninsula * Hispanic, the people, nations, and cultures that have a historical link to Spain * Hispanic (other) * Hispanism * Spain (other) * National and regional identity in Spain * Culture of Spain * Spanish Fort (other) Spanish Fort or Old Spanish Fort may refer to: United States * Spanish Fort, Alabama, a city * Spanish Fort (Color ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicians From Navarre
A musician is a person who composes, conducts, or performs music. According to the United States Employment Service, "musician" is a general term used to designate one who follows music as a profession. Musicians include songwriters who write both music and lyrics for songs, conductors who direct a musical performance, or performers who perform for an audience. A music performer is generally either a singer who provides vocals or an instrumentalist who plays a musical instrument. Musicians may perform on their own or as part of a group, band or orchestra. Musicians specialize in a musical style, and some musicians play in a variety of different styles depending on cultures and background. A musician who records and releases music can be known as a recording artist. Types Composer A composer is a musician who creates musical compositions. The title is principally used for those who write classical music or film music. Those who write the music for popular songs may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1684 Deaths
Events January–March * January 5 – King Charles II of England gives the title Duke of St Albans to Charles Beauclerk, his illegitimate son by Nell Gwyn. * January 15 (January 5 O.S.) - To demonstrate that the River Thames, frozen solid during the Great Frost that started in December, is safe to walk upon, "a Coach and six horses drove over the Thames for a wager" and within three days "whole streets of Booths are built on the Thames and thousands of people are continually walking thereon." Sir Richard Newdigate, 2nd Baronet, records the events in his diary. * January 26 – Marcantonio Giustinian is elected Doge of Venice. * January – Edmond Halley, Christopher Wren and Robert Hooke have a conversation in which Hooke later claimed not only to have derived the inverse-square law, but also all the laws of planetary motion attributed to Sir Isaac Newton. Hooke's claim is that in a letter to Newton on 6 January 1680, he first stated the inverse-square law. * Februa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1635 Births
Events January–March * January 23 – 1635 Capture of Tortuga: The Spanish Navy captures the Caribbean island of Tortuga off of the coast of Haiti after a three-day battle against the English and French Navy. * January 25 – King Thalun moves the capital of Burma from Pegu to Ava. * February 22 – The ''Académie française'' in Paris is formally constituted, as the national academy for the preservation of the French language. * March 22 – The Peacock Throne of India's Mughal Empire is inaugurated in a ceremony in Delhi to support the seventh anniversary of Shah Jahan's accession to the throne as Emperor. * March 26 – Philipp Christoph von Sötern, the Archbishop-Elector of Trier, is taken prisoner in a surprise attack by Spanish Habsburg troops, leading to a declaration of war against Spain by France and the beginning of the Franco-Spanish War. April–June * April 13 – Druze warlord Fakhr-al-Din II is executed in Cons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Baroque Composers
Spanish might refer to: * Items from or related to Spain: **Spaniards are a nation and ethnic group indigenous to Spain **Spanish language, spoken in Spain and many Latin American countries **Spanish cuisine Other places * Spanish, Ontario, Canada * Spanish River (other), the name of several rivers * Spanish Town, Jamaica Other uses * John J. Spanish (1922–2019), American politician * "Spanish" (song), a single by Craig David, 2003 See also * * * Español (other) * Spain (other) * España (other) * Espanola (other) * Hispania, the Roman and Greek name for the Iberian Peninsula * Hispanic, the people, nations, and cultures that have a historical link to Spain * Hispanic (other) * Hispanism * Spain (other) * National and regional identity in Spain * Culture of Spain * Spanish Fort (other) Spanish Fort or Old Spanish Fort may refer to: United States * Spanish Fort, Alabama, a city * Spanish Fort (Color ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tono Humano
The tono humano (secular song) was one of the main genres of 17th Century Spanish and Portuguese music. :The term ''tonadas'' is also used for ''tonos humanos'' in 17th Century musical literature but the 17th Century ''tonada'' is to be distinguished from the modern folk tonada song in Chile or for guitar band in Argentina. In the early 17th Century the main vernacular forms for Spanish and Portuguese composers were the villancico, usually a Christmas song, and the solo tono; tono humano if secular, tono divino if sacred. The cantata form had not yet been introduced from Italy. At this point tonos were generally strophic songs (coplas) with a refrain (estribillo). However by the end of the 17th century some tonos had begun to include recitative and aria sections, as the cantada, Spanish form of the cantata became known around 1700. The tono humano and tono divino could also have 2, 3 or 4 voices. Nearly all tonos humanos and semi-sacred villancicos were preserved only in manuscrip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villancicos
The ''villancico'' (Spanish, ) or vilancete (Portuguese, ) was a common poetic and musical form of the Iberian Peninsula and Latin America popular from the late 15th to 18th centuries. Important composers of villancicos were Juan del Encina, Pedro de Escobar, Francisco Guerrero, Manuel de Zumaya, Juana Inés de la Cruz, Gaspar Fernandes, and Juan Gutiérrez de Padilla.Pope, "Villancico." Spain and the New World Derived from medieval dance forms, the 15th century Spanish villancico was a type of popular song sung in the vernacular and frequently associated with rustic themes. The poetic form of the Spanish villancico was that of an estribillo (or refrain) and coplas (stanzas), with or without an introduction. While the exact order and number of repetitions of the estribillo and coplas varied, the most typical form was a loose ABA framework, often in triple meter, ABA framework. The villancico developed as a secular polyphonic genre until religious villancicos gained popularity in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Grove
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artajona
Artajona is a town and municipality located in the province and autonomous community of Navarre, northern Spain , image_flag = Bandera de España.svg , image_coat = Escudo de España (mazonado).svg , national_motto = ''Plus ultra'' (Latin)(English: "Further Beyond") , national_anthem = (English: "Royal March") , i .... Demography Colors= id:lightgrey value:gray(0.9) id:darkgrey value:gray(0.7) id:sfondo value:rgb(1,1,1) id:barra value:rgb(0.6,0.7,0.9) ImageSize = width:580 height:300 PlotArea = left: 60 bottom: 30 top: 20 right: 20 DateFormat = x.y Period = from:0 till:4000 TimeAxis = orientation:vertical AlignBars = late ScaleMajor = gridcolor:darkgrey increment:1000 start:0 ScaleMinor = gridcolor:lightgrey increment:500 start:0 BackgroundColors = canvas:sfondo BarData= bar: 1877 text: 1877 bar: 1887 text: 1887 bar: 1900 text: 1900 bar: 1910 text: 1910 bar: 1920 text: 1920 bar: 1930 text: 1930 bar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villancico
The ''villancico'' (Spanish, ) or vilancete (Portuguese, ) was a common poetic and musical form of the Iberian Peninsula and Latin America popular from the late 15th to 18th centuries. Important composers of villancicos were Juan del Encina, Pedro de Escobar, Francisco Guerrero, Manuel de Zumaya, Juana Inés de la Cruz, Gaspar Fernandes, and Juan Gutiérrez de Padilla.Pope, "Villancico." Spain and the New World Derived from medieval dance forms, the 15th century Spanish villancico was a type of popular song sung in the vernacular and frequently associated with rustic themes. The poetic form of the Spanish villancico was that of an estribillo (or refrain) and coplas (stanzas), with or without an introduction. While the exact order and number of repetitions of the estribillo and coplas varied, the most typical form was a loose ABA framework, often in triple meter, ABA framework. The villancico developed as a secular polyphonic genre until religious villancicos gained popularity in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
