Middelheim Open Air Sculpture Museum
Middelheim Open Air Sculpture Museum (Dutch ''Beeldentuin Middelheim Museum'') is a sculpture park of 30 acres in the park part of the Middelheim Nachtegalen Park at Antwerp. The Middelheim Museum collection has approximately 400 works of art on display. These include around 215 sculptures, featuring artists such as Carl Andre, Franz West, Auguste Rodin and many more. Along with the addition of new works every year, the museum invites contemporary artists to engage in an artistic conversation with works part of the permanent collection and the environment surrounding them, leading to the establishment of performances and exhibitions and by various kinds of artists. Works such as ones by Roman Signer and Ai Weiwei are also created specifically for the museum. (“Middelheim Museum”) The museum includes the Braem pavilion, designed by the Belgian architect Renaat Braem. He is seen as a significant symbol for post-war architecture in Belgium and aimed to blur the boundaries between ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lawrence Weiner
Lawrence Charles Weiner (February 10, 1942December 2, 2021) was an American conceptual artist. He was one of the central figures in the formation of conceptual art in the 1960s. His work often took the form of typographic texts, a form of word art. Early life and career Lawrence Charles Weiner was born on February 10, 1942, in Manhattan, to Toba (Horowitz) and Harold Weiner. His parents owned a candy store. After graduating from Stuyvesant High School at 16, he had a variety of jobs—he worked on an oil tanker, on docks, and unloading railroad cars. After studying philosophy and literature at Hunter College for less than a year, he traveled throughout North America before returning to New York.Lawrence Weiner Guggenheim Collection. Work Weiner ...[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tony Cragg
Sir Anthony Douglas Cragg (born Liverpool 9 April 1949) is an Anglo-German sculptor, resident in Wuppertal, Germany since 1977. Early life and training Tony Cragg was born in Liverpool."Tony Cragg." ''Contemporary Artists''. Farmington Hills, Mich.: Gale, 2001. Retrieved via ''Biography In Context'' database, 23 November 2018. His father was an aerospace engineer. He first worked as a lab technician for the British Rubber Producers Research Association after high school. He studied art at Gloucestershire College of Arts and Technology, Cheltenham, from 1968 to 1970, and painted at the Wimbledon School of Art, London, from 1970 to 1973. The same year he went on to study sculpture at the Royal College of Art, London, completing an MA in 1977. He moved to Wuppertal in 1977 because his first wife was from there. There were also cheap studio spaces and exhibition organisers looking for new artists. He was fascinated by the importance of sculpture in Germany, and struck by German ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Agustín Cárdenas
250px, ''Untitled'' (1961), sculpture by Auguste Cardenas in the area above the Roman quarry in Sankt Margarethen im Burgenland near Lake Neusiedl.">Lake_Neusiedl.html" ;"title="Sankt Margarethen im Burgenland near Lake Neusiedl">Sankt Margarethen im Burgenland near Lake Neusiedl. Agustín Cárdenas Alfonso (April 10, 1927, Matanzas, Cuba – February 9, 2001, Havana, Cuba) was a Cuban sculptor who was active in the Surrealist movement in Paris. His sculpture was influenced by Brâncuși, Henry Moore, and Jean Arp. Poet André Breton said of his artistic hand that it was "efficient as a dragonfly." Biography Cárdenas was a descendant of slaves from Senegal and the Congo, and was born in Matanzas, a major port in the sugar industry. In Cuba, Cárdenas studied under Juan José Sicre, and from 1943 to 1949 at Escuela Nacional de Bellas Artes “San Alejandro” in Havana. He was member of ''Asociación de Grabadores de Cuba'' (AGC) from 1951 to 1955, and of the creativ ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alexander Calder
Alexander Calder (; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. Calder preferred not to analyze his work, saying, "Theories may be all very well for the artist himself, but they shouldn't be broadcast to other people." Early life Alexander "Sandy" Calder was born in 1898 in Lawnton, Pennsylvania. His birthdate remains a source of confusion. According to Calder's mother, Nanette (née Lederer), Calder was born on August 22, yet his birth certificate at Philadelphia City Hall, based on a hand-written ledger, stated July 22. When Calder's family learned of the birth certificate, they asserted with certainty that city officials had made a mistake. Calder's grandfather, sculptor Alexander Milne Calder, was born in Scotland, had immigrated to Philadelphia in 1868, and is best ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Guillaume Bijl
Guillaume Bijl (born 1946 in Antwerp) is a Belgian conceptual and an installation artist. He lives and works in Antwerp. Early life and education Bijl was born in 1946 to a working-class family in Antwerp. The artist's father worked at the local docks and his mother worked for the Bell Telephone Company. A self-taught artist, Bijl came to art as an outsider initially making paintings during the 1960s. During this time, he mimicked numerous artistic movements such as Impressionism, Expressionism, Surrealism, abstract movements and more. During a period of self-guided studies in economics, Bijl worked at a bank in Brussels. Shortly thereafter his parents sent him to a local vocational trade school in the hopes of gaining professional skills. For nearly a decade, Bijl worked part-time in the art section of a bookstore in Antwerp. In the late 1960s, he studied theater and film at the Royal Institute for Theatre, Cinema, and Sound in Brussels before dropping out after only a year. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chris Burden
Christopher Lee Burden (April 11, 1946 – May 10, 2015) was an American artist working in performance, sculpture and installation art. Burden became known in the 1970s for his performance art works, including ''Shoot'' (1971), where he arranged for a friend to shoot him in the arm with a small-caliber rifle. A prolific artist, Burden created many well-known installations, public artworks and sculptures before his death in 2015. Early life and career Burden was born in Boston in 1946 to Robert Burden, an engineer, and Rhoda Burden, a biologist.Margalit Fox (May 11, 2015)Chris Burden, a Conceptualist With Scars, Dies at 69''The New York Times''Roberta Smith (October 3, 2013)The Stuff of Building and Destroying: ‘Chris Burden: Extreme Measures,’ at the New Museum''The New York Times'' He grew up in Cambridge, Massachusetts, France and Italy.Peter Schjeldahl (May 14, 2007)Performance: Chris Burden and the limits of art''The New Yorker''. At the age of 12, Burden had emergency ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Emile-Antoine Bourdelle
Antoine Bourdelle (30 October 1861 – 1 October 1929), born Émile Antoine Bordelles, was an influential and prolific French sculptor and teacher. He was a student of Auguste Rodin, a teacher of Giacometti and Henri Matisse, and an important figure in the Art Deco movement and the transition from the Beaux-Arts style to modern sculpture. His studio became the Musée Bourdelle, an art museum dedicated to his work, located at 18, rue Antoine Bourdelle, in the 15th arrondissement of Paris, France. Early life and education Émile Antoine Bourdelle was born at Montauban, Tarn-et-Garonne in France on 30 October 1861. His father was a wood craftsman and cabinet-maker. In 1874, at the age of thirteen, he left school to work in his father's workshop, and also began carving his first sculptures of wood. In 1876, with the assistance of writer Émile Pouvillon, he received a scholarship to attend the School of Fine Arts in Toulouse, though he remained fiercely independent and resisted t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Stig Blomberg
Stig Blomberg (October 16, 1901 – December 19, 1970) was a Swedish sculptor. He was born in Linköping. In 1936 he won a bronze medal in the art competitions of the summer Olympic Games for his "Brottande pojkar" ("Wrestling Youths"). In 1956 he was awarded the Prince Eugen Medal for sculpture. See also *Art competitions at the 1936 Summer Olympics Art competitions were held as part of the 1936 Summer Olympics in Berlin, Germany. Medals were awarded in five categories (architecture, literature, music, painting, and sculpture), for works inspired by sport-related themes. The art exhibitio ... References External links profile 1901 births 1970 deaths People from Linköping Swedish male sculptors Olympic bronze medalists in art competitions 20th-century Swedish sculptors Recipients of the Prince Eugen Medal Olympic competitors in art competitions Medalists at the 1936 Summer Olympics {{Sweden-sculptor-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Max Bill
Max Bill (22 December 1908 – 9 December 1994) was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer. Early life and education Bill was born in Winterthur. After an apprenticeship as a silversmith during 1924–1927, Bill took up studies at the Bauhaus in Dessau under many teachers including Wassily Kandinsky, Paul Klee and Oskar Schlemmer from 1927 to 1929, after which he moved to Zurich. Work Art and design After working on graphic designs for the few modern buildings being constructed, he built his first work, his own house and studio (1932–3) in Zurich-Höngg.Max Bill , New York. From 1937 onwards he was a prime ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Joseph Bernard
Joseph Bernard (1866, Vienne, Isère – 1931) was a modern classical French sculptor, featured on the frontispiece of Elie Faure's 1927 survey of modern art, "Spirit of Forms". Bernard was trained at the École des Beaux-Arts in the atelier of Pierre-Jules Cavelier Pierre-Jules Cavelier (30 August 1814, Paris – 28 January 1894, Paris) was a French academic sculptor. Biography The son of a silversmith and furniture maker, Cavelier was born in Paris. He was a student of the sculptors David d'Angers an .... Gallery File:Dallas Crow Center 13 Bernard Young Girl Carrying Water.jpg, ''Young Girl Carrying Water''Crow Center, Dallas File:Joseph Bernard - Kiss.JPG, ''Kiss'' File:Nîmes-Faune dansant.jpg, ''Faune Dansant'' File:Buste C Jouffray par J Bernard Musée BA Vienne 28072011.jpg, ''Camille Jouffray'' File:Le Remords, Elément du Monument à Michel Servet. 1908-1911. Signé J. Bernard 1907. Pierre d’Euville. Taille directe. Vienne, Jardin public. Photo, Jamie Mul ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rudolf Belling
Rudolf Belling (26 August 1886 – 9 June 1972) was a German sculptor. His work was part of the sculpture event in the art competition at the 1932 Summer Olympics. Artistic theories At the very beginning of the 20th century Rudolf Belling's name was something like a battlecry. The composer of the "Dreiklang" (triad) evoked frequent and hefty discussions. He was the first, who took up again thoughts of the famous Italian sculptor Benvenuto Cellini (1500-1570), who, at his time, stated, that a sculpture should show several good views. These were the current assumptions at the turn of the century. However they foreshadow an indication of sculpture being three-dimensional. Rudolf Belling amplified: a sculpture should show only good views. And so he became an opponent to one of the German head scientists of art in Berlin, Adolf von Hildebrandt, who, in his book, ''The problem of Form in Sculpture'' (1903) said: "Sculpture should be comprehensible – and should never force ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |