Michiyuki Yamada
is the term for a journey scene in Japanese theatre, which shows the characters dancing or conversing while travelling. The term , in its generic sense of ''michi wo yuku'' "to go on a road", is used in lyrical descriptions of journeys from the 8th century. It was also a term for the music in bugaku dances of the Heian period, played while a dancer was moving onto the stage. As a technical term in Noh and Kabuki theatre, ''michiyuki'' is used from the 16th century. In Noh, the michiyuki customarily takes the function of a prologue, the characters introducing the play while travelling to the location where the main action will take place. In Kabuki, by contrast, the michiyuki often takes place in the last act. The michiyuki is performed by the travelling characters moving about in a steady pace either on the main stage or on the hanamichi (a walkway or "corridor" attached to the main stage). References *Martina Schönbein, ''Die Michiyuki-Passagen in den Sewa-Jōruri des Dramat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... Words ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Japanese Theatre
This article is an overview of traditional and modern Japanese theatre. Traditional Japanese theatre is among the oldest theatre traditions in the world. Traditional theatre includes Noh, a spiritual drama, and its comic accompaniment ; kabuki, a dance and music theatrical tradition; , puppetry; and , a spoken drama. Modern Japanese theatre includes (experimental Western-style theatre), shinpa (new school theatre) and (little theatre). In addition, there are many classical western plays and musical adaptations of popular television shows and movies that are produced in Japan. Traditional forms of theatre Noh and Noh and theatre traditions are among the oldest continuous theatre traditions in the world. The earliest existing scripts date from the 15th century. Noh was a spiritual drama, combining symbolism from Buddhism and Shinto and focusing on tales with mythic significance. , its comic partner, served as a link between the theological themes of the Noh play with the ped ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Travel
Travel is the movement of people between distant geographical locations. Travel can be done by foot, bicycle, automobile, train, boat, bus, airplane, ship or other means, with or without luggage, and can be one way or round trip. Travel can also include relatively short stays between successive movements, as in the case of tourism. Etymology The origin of the word "travel" is most likely lost to history. The term "travel" may originate from the Old French word ''travail'', which means 'work'. According to the Merriam-Webster dictionary, the first known use of the word ''travel'' was in the 14th century. It also states that the word comes from Middle English , (which means to torment, labor, strive, journey) and earlier from Old French (which means to work strenuously, toil). In English, people still occasionally use the words , which means struggle. According to Simon Winchester in his book ''The Best Travelers' Tales (2004)'', the words ''travel'' and ''travail'' bot ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bugaku
is a Japanese traditional dance that has been performed to select elites, mostly in the Japanese imperial court, for over twelve hundred years. In this way, it has been known only to the nobility, although after World War II, the dance was opened to the public and has even toured around the world in 1959. The dance is marked by its slow, precise and regal movements. The dancers wear intricate traditional Buddhist costumes, which usually include equally beautiful masks. The music and dance pattern is often repeated several times. It is performed on a square platform, usually 6 yards by 6 yards. Gerald Jonas, in his 2008 book ''Dancing: The pleasure power and art of movement'' explains that "some bugaku dances depict legendary battles, others enact encounters with divine personages or mythical beasts like the phoenix; one famous set-piece shows two dragons frolicking" (p. 102). He also discusses the ancient instruction manual that describes precisely the refined movements and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Heian Period
The is the last division of classical Japanese history, running from 794 to 1185. It followed the Nara period, beginning when the 50th emperor, Emperor Kanmu, moved the capital of Japan to Heian-kyō (modern Kyoto). means "peace" in Japanese. It is a period in Japanese history when the Chinese influences were in decline and the national culture matured. The Heian period is also considered the peak of the Japanese imperial court and noted for its art, especially poetry and literature. Two types of Japanese script emerged, including katakana, a phonetic script which was abbreviated into hiragana, a cursive alphabet with a unique writing method distinctive to Japan. This gave rise to Japan's famous vernacular literature, with many of its texts written by court women who were not as educated in Chinese compared to their male counterparts. Although the Imperial House of Japan had power on the surface, the real power was in the hands of the Fujiwara clan, a powerful aristocratic f ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hanamichi
The is an extra stage section used in Japanese kabuki theater. It is a long, raised platform, running left of centre to the stage through the audience, connecting to the main stage. The is typically used for character entrances and exits, though is also used for asides and scenes that do not take place in the location as scenes on the main stage; the also typically features a trapdoor just before the runway meets the stage, placed to be visible to everyone in the audience, which is commonly used for character entrances. Some kabuki plays also require the use of two , running along the left and right of the audience. History The was first used in 1668 in the , in the form of a simple wooden plank that reached from the centre of the stage to the middle of the theatre. It was not used in performances, but allowed actors to step into the audience after a performance to receive flowers, with the word literally meaning "flower path." The modern style of , sometimes called (, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tōkaidōchū Hizakurige
, abbreviated as ''Hizakurige'' and known in translation as ''Shank's Mare'', is a comic picaresque novel (kokkeibon) written by Jippensha Ikku (十返舎一九, 1765–1831) about the misadventures of two travelers on the Tōkaidō, the main road between Kyoto and Edo during the Edo period. The book was published in twelve parts between 1802 and 1822. The two main characters, traveling from Edo to Kyoto on their pilgrimage to Ise Grand Shrine, are called Yajirobē (彌次郎兵衛) and Kitahachi (喜多八). The book, while written in a comical style, was written as a traveler's guide to the Tōkaidō Road. It details famous landmarks at each of the 53 post towns along the road, where the characters, often called Yaji and Kita, frequently find themselves in hilarious situations. They travel from station to station, predominantly interested in food, sake, and women. As Edo men, they view the world through an Edo lens, deeming themselves more cultured and savvy in comparison ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |