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Michiyo Aratama
was a Japanese film and stage actress. Biography After graduating from the Takarazuka Music and Dance School, Aratama joined the Takarazuka Revue in 1945. She gave her film debut in 1951, but it was not before 1955 that she left the Takarazuka Revue, signing first with Nikkatsu film studios, then, after her contract expired, with Toho. She worked for directors such as Mikio Naruse, Yasujirō Ozu and Masaki Kobayashi, appearing in films like ''The Human Condition'', ''The End of Summer'', ''Kwaidan'' and ''47 Ronin''. Since the late 1970s, she concentrated solely on stage and television work. Due to health problems, she reduced her appearances after 1994. She died of heart failure in 2001. Selected filmography Films Television Awards Michiyo Aratama received the Blue Ribbon Award for Best Supporting Actress for ''The Human Condition'' and ''Watashi wa kai ni naritai'', and the Kinema Junpo Award , commonly called , is Japan's oldest film magazine and began publication i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nara (city)
is the capital city of Nara Prefecture, Japan. As of 2022, Nara has an estimated population of 367,353 according to World Population Review, making it the largest city in Nara Prefecture and sixth-largest in the Kansai region of Honshu. Nara is a core city located in the northern part of Nara Prefecture bordering the Kyoto Prefecture. Nara was the capital of Japan during the Nara period from 710 to 794 as the seat of the Emperor before the capital was moved to Kyoto. Nara is home to eight temples, shrines, and ruins, specifically Tōdai-ji, Saidai-ji, Kōfuku-ji, Kasuga Shrine, Gangō-ji, Yakushi-ji, Tōshōdai-ji, and the Heijō Palace, together with Kasugayama Primeval Forest, collectively form the Historic Monuments of Ancient Nara, a UNESCO World Heritage Site. Etymology By the Heian period, a variety of different characters had been used to represent the name Nara: , , , , , , , , , , , , , , , and . A number of theories for the origin of the name "Nara" have been prop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Balloon (1956 Film)
is a 1956 black and white Japanese film drama directed by Yuzo Kawashima based on a novel by Jiro Osaragi and adapted for the screen by Kawashima and Shohei Imamura. Plot In post-war Japan a middle aged family man connects with a woman from his past. He has two children, an arrogant son who is torn between his mistress and a new lover, and a disabled daughter who gets mixed up in the affair. Availability In 2018 the Japanese film studio Nikkatsu and VOD platform MUBI collaborated on a retrospective of the work of Kawashima to be available to stream in the US to celebrate the 100th anniversary of his birth. ''The Balloon'' was among the films that were screened. In February 2020 the same retrospective was available to stream on MUBI in the Nordic countries. Cast * Masayuki Mori - Haruki Murakami * Tatsuya Mihashi - Keikichi Murakami * Mie Kitahara - Mikiko Mikihara * Izumi Ashikawa - Tamako Murakami * Michiyo Aratama was a Japanese film and stage actress. Biography ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noboru Nakamura
was a Japanese film director and screenwriter. Biography After graduating from Tokyo Imperial University in 1936, Nakamura joined the Shochiku film studios, working as an assistant director for Torajirō Saitō and Yasujirō Shimazu. He debuted as director in 1941 with ''Life and Rhythm'', and finally received recognition with his 1951 film ''Home Sweet Home''. His most noted works include the Yasunari Kawabata adaptation ''Twin Sisters of Kyoto'' (1963), ''The Kii River'' (1966) and ''Portrait of Chieko'' (1968). Both ''Twin Sisters of Kyoto'' and ''Portrait of Chieko'' were nominated for the Academy Award for Best Foreign Language Film His 1967 film ''Lost Spring'' was entered into the 17th Berlin International Film Festival. Legacy To celebrate Nakamura's 100th birthday, three of his films, ''Home Sweet Home'' (1951), '' When It Rains, It Pours'' (1957) and ''The Shape of Night'' (1964), were screened at the Tokyo Filmex in 2013. Filmography (selected) * ''Life and Rhythm' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lost Spring
is a 1967 Japanese drama film directed by Noboru Nakamura. It was entered into the 17th Berlin International Film Festival. Cast * Michiyo Aratama * Yoshiko Kayama * Mariko Kaga * Mikijiro Hira * Mitsuko Mori * Eijirō Tōno was a Japanese actor who, in a career lasting more than 50 years, appeared in over 400 television shows, nearly 250 films and numerous stage productions. He is best known in the West for his roles in films by Akira Kurosawa, such as ''Seven Samu ... References External links * 1967 films Japanese drama films 1967 drama films Films directed by Noboru Nakamura 1960s Japanese-language films Films scored by Masaru Sato 1960s Japanese films {{1960s-drama-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sword Of Doom
''The Sword of Doom'', known in Japan as , is a 1966 Japanese ''jidaigeki'' film directed by Kihachi Okamoto and starring Tatsuya Nakadai. It is based on the serial novel of the same title by Kaizan Nakazato. Plot The story follows the life of Ryunosuke Tsukue (Tatsuya Nakadai), an amoral samurai and a master swordsman with an unorthodox style. Ryunosuke is first seen when he kills an elderly Buddhist pilgrim who he finds praying for death. He appears to have no feeling. Later, he kills an opponent in self-defense in a fencing competition that was intended to be non-lethal, but became a duel after he raped his opponents wife in exchange for throwing the match and allowing her husband to win. His opponent finds out about the rape prior to the match, and is shown giving his wife a notice of divorce. His rage at Ryunosuke during the match causes him to take an illegal lunging attack after the judge proclaims a draw, and Ryunosuke, the better swordsman, parries and kills him with one st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Stranger Within A Woman
is a 1966 Japanese drama film directed by Mikio Naruse. It is based on the 1951 novel ''The Thin Line'' by Edward Atiyah. Plot Isao and Masako Toshiro are what looks like a happily married middle-class couple with two children. One day, Sayuri, wife of close friend Ryukichi Sugimoto, is found strangled. As it turns out, Sayuri had an affair with another man. Isao, struggling with his conscience, confesses to Masako that he was the man Sayuri had the affair with, and was responsible for her death, although inadvertently. To preserve the family's reputation and sheltered life, Masako begs her husband to keep his deed a secret. Isao also confesses to Ryukichi, who slaps him in return, but refrains from bringing charges against him. When Isao eventually announces to turn himself in to the police, which he sees as the only way to find peace and maintain his personal honour, Masako poisons him with a soporific. His death is classified as suicide. Some time later, while taking a walk o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samurai Assassin
is a 1965 Japanese film directed by Kihachi Okamoto and starring Toshiro Mifune, Koshiro Matsumoto, Yūnosuke Itō, and Michiyo Aratama. It is set in 1860, immediately before the Meiji Restoration changed Japanese society forever by doing away with the castes in society and reducing the position of the samurai class. Plot summary The film tells the story of Niiro Tsurichiyo (Mifune) as the illegitimate son of a powerful nobleman, and the way of his life that made him a swordfighter but also a social outcast. He joins forces with the multiple clans against the Lord of Hikone, Sir Ii Kamonnokami Naosuke. Ii is the right hand of the shogunate and brought upon himself the wrath of the Satsuma, Mito, and Choshuu provinces after making an unpopular choice for the appointment of the 14th shogunate. Many critics arose after the controversial appointment, and Ii initiated the Ansei Purge to quiet critics of his choices. This, in turn, led to an assassination plot hatched by the three pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kihachi Okamoto
was a Japanese film director who worked in several different genres. Career Born in Yonago, Okamoto attended Meiji University, but was drafted into the Air Force 1943 and entered World War II, an experience that had a profound effect on his later film work, one third of which dealt with war. Finally graduating after the war, he entered the Toho studies in 1947 and worked as an assistant under such directors as Mikio Naruse, Masahiro Makino, Ishirō Honda, and Senkichi Taniguchi. He made his debut as a director in 1958 with '' All About Marriage''. Okamoto directed almost 40 films and wrote the scripts for at least 24, in a career that spanned almost six decades. He worked in a variety of genres, but most memorably in action genres such as the jidaigeki and war films. He was known for making films with a twist. Inspired to become a filmmaker after watching John Ford's ''Stagecoach'', he would insert elements of the Western in war films like '' Desperado Outpost'' (1959) and ''West ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Elegant Life Of Mr
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiroshi Inagaki
was a Japanese filmmaker best remembered for the Academy Award-winning '' Samurai I: Musashi Miyamoto'', which was released in 1954. Career Born in Tokyo as the son of a shinpa actor, Inagaki appeared on stage in his childhood before joining the Nikkatsu studio as an actor in 1922. Wishing to become a director, he joined Chiezō Kataoka's Chiezō Productions and made his directorial debut with ''Tenka taiheiki'' (1928). Returning to Nikkatsu, he continued making jidaigeki and participated in the Naritaki Group of young filmmakers such as Sadao Yamanaka and Fuji Yahiro who collaboratively wrote screenplays under the made up name "Kinpachi Kajiwara". Like others in the group, Inagaki was known for his cheerful and intelligent samurai films. Inagaki later moved to Daiei and then Toho, where he made big budget color spectacles as well as delicate works depicting the feelings of children. He also produced many films and wrote the scripts for dozens of others. Recognition His film ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Summer Clouds
is a 1958 Japanese drama film directed by Mikio Naruse. It was Naruse's first film in colour and in widescreen format. Plot Journalist Okawa interviews farming woman Yae for his article on the present situation of farmers under the new constitution and after the agrarian reform. Yae tells of her hard labour life, financial worries, and her low status as a daughter-in-law and widow, which equals to "nothing" as long as her son is not married. At the same time, her older brother Wasuke, married already for the third time, tries to find a wife for his eldest son Hatsuji. When Yae tells Okawa of her brother's search for a daughter-in-law, he suggests a young woman who won a prize in an agricultural contest. During their travels to meet the young woman and her mother, Yae and the married Okawa start an affair. Hatsuji's marriage prospect, Michiko, turns out to be the stepchild of Wasuke's first wife Toyo, who had been thrown out by Wasuke's and Yae's patriarchal father for not showing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enjō
is a 1958 Japanese film directed by Kon Ichikawa and adapted from the Yukio Mishima novel '' The Temple of the Golden Pavilion''. Its English title is ''Conflagration''. Synopsis Told in an intricate flashback structure, ''Enjō'' dramatizes the psychological collapse of Goichi ( Raizo Ichikawa), a young Buddhist acolyte from a dysfunctional family who arrives at a Kyoto temple - the Golden Pavilion - for further study. Goichi is haunted by two events - the discovery of his psychologically abusive mother's infidelity, and the effect of the revelation upon his father, who suddenly falls ill and dies shortly thereafter. Shy and idealistic - and hindered by a stuttering problem - Goichi arrives at the temple haunted by his dying father's sentiment that "the Golden Pavilion of the Shukaku Temple is the most beautiful thing in the world." In the wake of entering into his studies, Goichi is visited by his now-widowed mother, who unexpectedly states her wish that he strive to succee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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