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Michelagnolo Galilei
Michelagnolo Galilei (sometimes spelled Michelangelo; 18 December 1575 – 3 January 1631) was an Italian composer and lutenist of the late Renaissance and early Baroque eras, active mainly in Bavaria and Polish–Lithuanian Commonwealth. He was the son of music theorist and lutenist Vincenzo Galilei, and the younger brother of the scientist Galileo Galilei. Life Galilei was born in Florence. He learned to play the lute at an early age, like his father. Most likely he was destined for a career in Florence, but when his father died in 1591, the sixteen-year-old lutenist was put in the charge of his older brother Galileo Galilei, who was in Padua. Some other employment had to be found for Michelagnolo, so in 1593 he went to Polish–Lithuanian Commonwealth, where foreign musicians were much in demand. Most likely he went there with the powerful Lithuanian Radziwiłł family. The Polish–Lithuanian Commonwealth had several sophisticated musical establishments at the end of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can sho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toruń
)'' , image_skyline = , image_caption = , image_flag = POL Toruń flag.svg , image_shield = POL Toruń COA.svg , nickname = City of Angels, Gingerbread city, Copernicus Town , pushpin_map = Kuyavian-Pomeranian Voivodeship#Poland#Europe , pushpin_relief=1 , pushpin_label_position = top , subdivision_type = Country , subdivision_name = , subdivision_type1 = Voivodeship , subdivision_name1 = , leader_title = City mayor , leader_name = Michał Zaleski , established_title = Established , established_date = 8th century , established_title3 = City rights , established_date3 = 1233 , area_total_km2 = 115.75 , population_as_of = 31 December 2021 , population_total = 196,935 (16th) Data for territorial unit 0463000. , population_density_km2 = 1716 , population_metro = 297646 , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , coordinates = , elevation_m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saltarello
The ''saltarello'' is a musical dance originally from Italy. The first mention of it is in Add MS 29987, a late-fourteenth- or early fifteenth-century manuscript of Tuscan origin, now in the British Library. It was usually played in a fast triple meter and is named for its peculiar leaping step, after the Italian verb ''saltare'' ("to jump"). This characteristic is also the basis of the German name ''Hoppertanz'' or ''Hupfertanz'' ("hopping dance"); other names include the French ''pas de Brabant'' and the Spanish ''alta'' or ''alta danza''. History The saltarello enjoyed great popularity in the courts of medieval Europe. During the 14th century, the word saltarello became the name of a particular dance step (a double with a hop on the final or initial upbeat), and the name of a meter of music (a fast triple), both of which appear in many choreographed dances. Entire dances consisting of only the saltarello step and meter are described as being improvised dances in 15th-cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passamezzo
The passamezzo (plural: ''passamezzi'' or ''passamezzos'') is an Italian folk dance of the 16th and early 17th centuries. Many pieces named "passamezzo" follow one of two chord progressions that came to be named after the dance, passamezzo antico and passamezzo moderno. The chord progression would be repeated numerous times in succession while the dance was being performed. According to Renaissance practices, the passamezzo dance is often followed by other dances in a triple time, such as the saltarello, gagliarda or paduana. Name There are many variant spellings. In Italian or international usage, the name is also rendered as ''pass'e mez(z)o'', ''passo e mezzo'', and ''passomez(z)o''. In early English usage, the names frequently incorporated the word measure in a folk etymology, giving such renderings as ''passemeasure'', ''passingmeasure'', ''passy-measures'' or ''passemeasure(s) pavan'', particularly to designate the ''passamezzo antico'' progression. Passamezzi followin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toccata
Toccata (from Italian ''toccare'', literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally emphasizing the dexterity of the performer's fingers. Less frequently, the name is applied to works for multiple instruments (the opening of Claudio Monteverdi's opera ''L'Orfeo'' being a notable example). History Renaissance The form first appeared in the late Renaissance period. It originated in northern Italy. Several publications of the 1590s include toccatas, by composers such as Claudio Merulo, Andrea and Giovanni Gabrieli, Adriano Banchieri, and Luzzasco Luzzaschi. These are keyboard compositions in which one hand, and then the other, performs virtuosic runs and brilliant cascading passages against a chordal accompaniment in the other hand. Among the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suite (music)
A suite, in Western classical music and jazz, is an ordered set of instrumental or orchestral/ concert band pieces. It originated in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude, by the early 17th century. The separate movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Turkish fasıl and the Arab nuubaat. In the Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), ''Partita'', or ''Ouverture'' (after the theatrical " overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Telemann and J.S. Bach. During the 18th century, the suite fell out of favour as a cyclical form, giving way to the symphony, sonata and concerto. It was revived in the later 19th century, but in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corrente
The ''courante'', ''corrente'', ''coranto'' and ''corant'' are some of the names given to a family of triple metre dances from the late Renaissance and the Baroque era. In a Baroque dance suite an Italian or French courante is typically paired with a preceding allemande, making it the second movement of the suite or the third if there is a prelude. Types ''Courante'' literally means "running", and in the later Renaissance the courante was danced with fast running and jumping steps, as described by Thoinot Arbeau. But the courante commonly used in the baroque period was described by Johann Mattheson in ''Der vollkommene Capellmeister'' (Hamburg, 1739) as "chiefly characterized by the passion or mood of sweet expectation. For there is something heartfelt, something longing and also gratifying, in this melody: clearly music on which hopes are built."Quoted in Alfred Dürr, preface to Johann Sebastian Bach, ''Französische Suiten: die verzierte Fassung / The French Suites: Embell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lavolta
The volta (plural: voltas) (Italian: "the turn" or "turning") is an anglicised name for a dance for couples that was popular during the later Renaissance period. This dance was associated with the galliard and done to the same kind of music. Its main figure consisted of a turn and lift in a sort of closed position, which could be done either to the right or to the left. It is also called La volta, Volta, Volte. Spelling variants include la volta and levolto; its name is ''la volte'' in French and ''la volta'' in Italian. It was considered at first to be risque and controversial. Although the dance was known at the court of Elizabeth I, the popular notion (much portrayed in film and television) that Elizabeth and her favourite Lord Robert Dudley regularly performed the volta has been repudiated.Ian Pittaway Description Detailed instructions for voltas were written by Thoinot Arbeau; some brief notes appear in MS Douce 280. (about 1606) These instructions are open to some int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galliard
The ''galliard'' (; french: gaillarde; it, gagliarda) was a form of Renaissance dance and music popular all over Europe in the 16th century. It is mentioned in dance manuals from England, Portugal, France, Spain, Germany, and Italy. Dance form The ''galliard'' is not an improvised dance, but rather, it consists of choreographed patterns of steps, which occupy one or more measures of music. In one measure, a galliard typically has five steps; in French such a basic step is called a ''cinq pas'' and in Italy, ''cinque passi''. This is sometimes written in English sources as ''sinkapace''. These steps are: right, left, right, left, cadence. The galliard is an athletic dance, characterised by leaps, jumps, hops and other similar figures. The main feature that defines a galliard step is a large jump, after which the dancer lands with one leg ahead of the other. This jump is called a ''cadence,'' and the final landing is called the ''posture.'' The cadence is typically preceded by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tablature
Tablature (or tabulature, or tab for short) is a form of musical notation indicating instrument fingering rather than musical pitches. Tablature is common for fretted stringed instruments such as the guitar, lute or vihuela, as well as many free reed aerophones such as the harmonica. Tablature was common during the Renaissance and Baroque eras, and is commonly used today in notating many forms of music. Three types of organ tablature were used in Europe: German, Spanish and Italian. To distinguish standard musical notation from tablature, the former is usually called " staff notation" or just "notation". Etymology The word ''tablature'' originates from the Latin word ''tabulatura''. ''Tabula'' is a table or slate, in Latin. To tabulate something means to put it into a table or chart. Origin The first known occurrence in Europe is around 1300, and was first used for notating music for the organ. Concepts While standard notation represents the rhythm and duration of each ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orlande De Lassus
Orlande de Lassus ( various other names; probably – 14 June 1594) was a composer of the late Renaissance. The chief representative of the mature polyphonic style in the Franco-Flemish school, Lassus stands with Giovanni Pierluigi da Palestrina and Tomás Luis de Victoria as the leading composers of the later Renaissance. Immensely prolific, his music varies considerably in style and genres, which gave him unprecedented popularity throughout Europe. Name Lassus's name appears in many spellings, often changed depending on the place in which his music was being performed or published. In addition to Orlande de Lassus, variations include Roland de Lassus, Orlando di Lasso, Orlandus Lassus, Orlande de Lattre and Roland de Lattre. Life and career Orlande de Lassus was born in Mons in the County of Hainaut, Habsburg Netherlands (modern-day Belgium). Information about his early years is scanty, although some uncorroborated stories have survived, the most famous of which is that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maximilian I, Elector Of Bavaria
Maximilian I (17 April 157327 September 1651), occasionally called the Great, a member of the House of Wittelsbach, ruled as Duke of Bavaria from 1597. His reign was marked by the Thirty Years' War during which he obtained the title of a Prince-elector of the Holy Roman Empire at the 1623 Diet of Regensburg. Maximilian was a capable monarch who, by overcoming the feudal rights of the local estates (''Landstände''), laid the foundations for absolutist rule in Bavaria. A devout Catholic, he was one of the leading proponents of the Counter-Reformation and founder of the Catholic League of Imperial Princes. In the Thirty Years' War, he was able to conquer the Upper Palatinate region, as well as the Electoral Palatinate affiliated with the electoral dignity of his Wittelsbach cousin, the "Winter King" Frederick V. The 1648 Peace of Westphalia affirmed his possession of Upper Palatinate and the hereditary electoral title, though it returned Electoral Palatinate to Frederick's heir a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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