|
Michel De Cubières
Michel, chevalier de Cubières (27 September 1752 – 23 August 1820) was an 18th-century French writer, known under the pen-names of ''Palmézaux'' and ''Dorat-Cubières'', taking the latter name as he had Claude Joseph Dorat as his master. He was born in Roquemaure, Gard, and was the brother of Louis Pierre de Cubières. He wrote short verses for the ''Almanachs'' and the ''Étrennes lyriques'' of the time, and a large number of plays and "écrits de circonstance". He backed the French Revolution, being made secretary to the Paris Commune and pronouncing an Elogy on Jean-Paul Marat. He was a lover of Fanny de Beauharnais and collaborated, with Claude Joseph Dorat, on some of her writings. He died in Paris, aged 67. Publications Essays *1773: ''Lettre d'un solitaire de Chalcide à une dame romaine'', suivie de pièces fugitives. *1780: ''Les Hochets de ma jeunesse''. *1789: ''L'École des filles'', histoire morale, *1789: ''Les États-Généraux de Cythère'', very free ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Joseph Dorat
Claude Joseph Dorat (31 December 1734 – 29 April 1780) was a French writer, also known as Le Chevalier Dorat. He was born in Paris, of a family consisting of generations of lawyers, and he joined the corps of the king's musketeers. He became fashionable for his work, ''Réponse d'Abélard à Héloise'' ("Abelard's Answer to Heloise"), and followed up this first success with a number of heroic epistles, ''Les Victimes de l'amour, ou lettres de quelques amants célébres'' (1776) ("Victims of Love, or Letters from some famous lovers"). Besides light verse he wrote comedies, fables and, among other novels, ''Les Sacrifices de lamour, ou lettres de la vicomtesse de Senanges et du chevalier de Versenay'' (1771). He tried to cover his failures as a dramatist by buying up large numbers of seats for performances, and his books were lavishly illustrated by good artists and expensively produced, in order to secure their success. Nevertheless, he managed to attract hatred both of the '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virgil
Publius Vergilius Maro (; traditional dates 15 October 7021 September 19 BC), usually called Virgil or Vergil ( ) in English, was an ancient Roman poet of the Augustan period. He composed three of the most famous poems in Latin literature: the ''Eclogues'' (or ''Bucolics''), the ''Georgics'', and the epic ''Aeneid''. A number of minor poems, collected in the ''Appendix Vergiliana'', were attributed to him in ancient times, but modern scholars consider his authorship of these poems as dubious. Virgil's work has had wide and deep influence on Western literature, most notably Dante's ''Divine Comedy'', in which Virgil appears as the author's guide through Hell and Purgatory. Virgil has been traditionally ranked as one of Rome's greatest poets. His ''Aeneid'' is also considered a national epic of ancient Rome, a title held since composition. Life and works Birth and biographical tradition Virgil's biographical tradition is thought to depend on a lost biography by the Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre-Louis Moline
Pierre-Louis Moline ( – 20 March 1820)Mahul 1823, p. 157. Rushton 1992, p. 425, gives his date of death as 19 February 1821. Pitou 1985, p. 367, gives his date of death as 19 February 1820. was a prolific French dramatist, poet and librettist. His play ''La Réunion du six août'' was one of the longest-running patriotic pieces during the time of the French Revolution with 52 performances at the Paris Opéra. He also wrote the epitaph for the tomb of Jean-Paul Marat. However, he is best remembered today for having adapted Ranieri de' Calzabigi, Calzabigi's libretto for Gluck's ''Orphée et Euridice'' (a reworked version of his ''Orfeo ed Euridice''). Biography Moline was born in Montpellier and studied art at the University of Avignon. He then went to Paris, where he studied law.Rushton 1992, p. 425. He was accepted as a lawyer to the French parliament, but devoted most of his time to literary pursuits. Two of his librettos for the Paris Opera were highly successful: his adaptat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie Lyrique
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Marais
The Théâtre du Marais has been the name of several theatres and theatrical troupes in Paris, France. The original and most famous theatre of the name operated in the 17th century. The name was briefly revived for a revolutionary theatre in 1791, and revived again in 1976. The present-day Théâtre du Marais operates at 37, rue Volta in the 3rd arrondissement of Paris. First incarnation (1634–1673) The Théâtre du Marais was founded in 1634, at which time there had been only one theatre company in Paris, the '' comédiens du Roi'' ("comedians of the King"), at the Hôtel de Bourgogne. The actors Charles Lenoir and Montdory decided to create their own troupe, and situated it in the fashionable Le Marais district of Paris, where they converted the Jeu de Paume des "Maretz", an unused tennis court on the Vieille Rue du Temple opposite the Capuchins, into a theatre.Scott 2000, p. 40. The new theatre's repertory was made up mainly of farces by Jodelet and works by Pierre Corn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre-Augustin Caron De Beaumarchais
Pierre-Augustin Caron de Beaumarchais (; 24 January 1732 – 18 May 1799) was a French polymath. At various times in his life, he was a watchmaker, inventor, playwright, musician, diplomat, spy, publisher, horticulturist, arms dealer, satirist, financier and revolutionary (both French and American). Born a Parisian watchmaker's son, Beaumarchais rose in French society and became influential in the court of Louis XV as an inventor and music teacher. He made a number of important business and social contacts, played various roles as a diplomat and spy, and had earned a considerable fortune before a series of costly court battles jeopardized his reputation. An early French supporter of American independence, Beaumarchais lobbied the French government on behalf of the American rebels during the American War of Independence. Beaumarchais oversaw covert aid from the French and Spanish governments to supply arms and financial assistance to the rebels in the years before France's fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molière
Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière". Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy. Through the patronage of aristocrats including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One-act Play
A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, '' Cyclops'', a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon.Francis M. Dunn. ''Tragedy's End: Closure and Innovation in Euripidean Drama''. Oxford University Press (1996). One act plays became more common in the 19th century and are now a stand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Corneille
Pierre Corneille (; 6 June 1606 – 1 October 1684) was a French tragedian. He is generally considered one of the three great seventeenth-century French dramatists, along with Molière and Racine. As a young man, he earned the valuable patronage of Cardinal Richelieu, who was trying to promote classical tragedy along formal lines, but later quarrelled with him, especially over his best-known play, ''Le Cid'', about a medieval Spanish warrior, which was denounced by the newly formed ''Académie française'' for breaching the unities. He continued to write well-received tragedies for nearly forty years. Biography Early years Corneille was born in Rouen, Normandy, France, to Marthe Le Pesant and Pierre Corneille, a distinguished lawyer. His younger brother, Thomas Corneille, also became a noted playwright. He was given a rigorous Jesuit education at the ''Collège de Bourbon'' (Lycée Pierre-Corneille since 1873), where acting on the stage was part of the training. At 18 he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Ludwig Schröder
Friedrich Ludwig Schröder (3 November 1744 – 3 September 1816) was a German actor, manager, dramatist and prominent masonic leader. He was born in Schwerin. Shortly after his birth, his mother, Sophie Charlotte Bierreichel (1714–1792), separated from her husband, and, joining a theatrical company, toured with success in Poland and Russia. Subsequently, she married Konrad Ernst Ackermann and appeared with his company in many German cities, finally settling in Hamburg. Young Schröder early showed considerable talent, but his childhood was rendered so unhappy by his stepfather that he ran away from home and learned the trade of a shoemaker. He rejoined his parents, however, in 1759, and became an actor. In 1764 he appeared with the Ackermann company in Hamburg, playing leading comedy parts; but these he soon exchanged for the tragic roles in which he became famous. These included Hamlet, King Lear and Philip in Schiller's ''Don Carlos''. After Ackermann's deat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Pierre-Louis Moline")
.jpg "Click for more on -> Molière")
