|
Michel Trempont
Michel Trempont (28 July 1928 – 30 January 2021) was a Belgian operatic baritone whose repertoire extended from the 18th century to the creation of contemporary works. His brother was Pol Trempont (1923–2007), operatic tenor and one time director of the Théâtre de Mons. Life and career After studies with Rogatchewsky, Trempont made his debut in Liège in 1952 as Valentin. He then appeared at La Monnaie in 1956, where he went on to sing, among other roles: Le mari in Menotti's '' Amelia Goes to the Ball'', Le Mesge in Henri Tomasi's ''L'atlantide'', Ajax Deuxième in Offenbach's ''La belle Hélène'', Marcello in Puccini's ''La bohème'', Moralès in Bizet's ''Carmen'', Silvio in Leoncavallo's '' Pagliacci'', Tourillon in Johann Strauss's ''Die Fledermaus'' (as ''La chauve-souris''), Roger de Lansquenet in Reynaldo Hahn's '' Ciboulette'', Jean in Bohuslav Martinů's '' Comedy on the Bridge'' (as ''Comédie sur le pont''), Masetto in Mozart's Don Giovanni (as ''Don Juan''), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fille Du Tambour-major
''La fille du tambour-major'' (''The Drum Major's Daughter'') is an opéra comique in three acts, with music by Jacques Offenbach and words by Alfred Duru and Henri Chivot. It was one of the composer's last works, premiered less than a year before his death. It opened at the Théâtre des Folies-Dramatiques, Paris, on 13 December 1879, and, after a successful initial run, was frequently revived in Paris and internationally, but in recent times has not been among the Offenbach operas most frequently staged. The plot, which has elements in common with Gaetano Donizetti's 1840 comic opera ''La fille du régiment'', depicts a young woman discovering her real identity, renouncing her aristocratic upbringing, and marrying a dashing soldier. Background and first performance After immense success in the 1860s, Offenbach suffered a brief period of unpopularity with the Parisian public in the early 1870s for his association with the fallen Second Empire. His position as the pre-emininent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'oiseau Bleu (opera)
''L'oiseau bleu'' (''The Blue Bird'') is an opera in four acts (eight tableaux) by the French composer and conductor Albert Wolff. The libretto by Maurice Maeterlinck is based on his 1908 play of the same name. Boris Anisfeld designed the sets. Performance history It was first performed at the Metropolitan Opera House, New York City on 27 December 1919. Maeterlinck, the playwright and Nobel laureate, was present at the premiere, which, in the immediate aftermath of World War I, was a benefit for four charities: the Queen of the Belgians Fund, the Millerand Fund for French Orphans, the Three Big Sister Organizations (Catholic, Protestant, Jewish), and the Milk for the Children of America Fund. The first Belgian performance was on 21 April 1920, and it was revived at the Théâtre de la Monnaie The Royal Theatre of La Monnaie (french: Théâtre Royal de la Monnaie, italic=no, ; nl, Koninklijke Muntschouwburg, italic=no; both translating as the "Royal Theatre of the M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Å’dipe (opera)
''Å’dipe'' (Oedipe) is an opera in four acts by the Romanian composer George Enescu, set to a French libretto by Edmond Fleg. It is based on the mythological tale of Oedipus, as told by Sophocles in ''Oedipus the King''. Enescu had the idea to compose an Oedipus-inspired opera even before finding a libretto and began to sketch music for it in 1910. The first-draft libretto from Fleg arrived in 1913. Enescu completed the music in 1922 and the orchestration in 1931. The opera received its world premiere in Paris on 13 March 1936. The first Romanian production was conducted by Constantin Silvestri in Bucharest on 22 September 1958, using a Romanian translation of the libretto by . The first German production was in Berlin in 1996, in a production that subsequently traveled to the Vienna State Opera. The United States premiere was in 2005 at the University of Illinois at Urbana-Champaign. The first performance at the Salzburg Festival took place during the summer of 2019 with Christop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Mousquetaires Au Couvent
''Les mousquetaires au couvent'' (''The Musketeers at the Convent'') is an opérette in three acts by Louis Varney, with a libretto by Jules Prével and Paul Ferrier, after the 1835 vaudeville ''L'habit ne fait pas le moine'' by Amable de Saint-Hilaire and Paul Dupont. It was Varney's most successful work, and the only one to have maintained a place in the French repertoire. Performance history It was first performed at the Théâtre des Bouffes-Parisiens in Paris on 16 March 1880, where it was revived in a revised version on 2 September 1880 and then in 1883, 1896 and 1906. It was also produced in Paris at the Théâtre des Folies-Dramatiques from 1886 to 1909, as well as at the Théâtre des Menus-Plaisirs in 1896 and 1897 and the Théâtre de la Gaîté in 1899, 1901 and 1913. Since 1945, the operetta has had a few major productions in France, notably at the Théâtre de la Gaîté-Lyrique in 1952 and 1957. There were also presentations in 1968 at the Porte Saint Martin Fes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monsieur Beaucaire (opera)
''Monsieur Beaucaire'' is a romantic opera in three acts, composed by André Messager.Wagstaff J. "Monsieur Beaucaire", ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. The libretto, based on the Monsieur Beaucaire (novel), 1900 novel by Booth Tarkington, is by Frederick Lonsdale, with lyrics by Adrian Ross. The piece premiered at the Prince of Wales Theatre in Birmingham, England, on 7 April 1919, before opening at the Prince's Theatre in London under the management of Frank Curzon on 19 April 1919 and transferring to the Palace Theatre, London, Palace Theatre on 29 July 1919, for a successful run. ''Monsieur Beaucaire'' was also produced on Broadway theatre, Broadway in 1919-20 and enjoyed many revivals and international tours. The French premiere was delayed by difficulties in finding a suitable theatre; it opened at the Théâtre Marigny, Paris on 21 November 1925, with a French adaptation by André Rivoire and Pierre Veber, and starring Marcelle Den ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monna Vanna (Février)
''Monna Vanna'' is a drame lyrique or opera in four acts by composer Henry Février. The opera's French libretto is by playwright Maurice Maeterlinck and is based on his play of the same name. The opera premiered on 13 January 1909 at the Académie Nationale de Musique in Paris. Roles See also * Mary Garden A Mary garden is a small sacred garden enclosing a statue or shrine of the Virgin Mary, who is known to many Christians as the Blessed Virgin, Our Lady, or the Mother of God. In the New Testament, Mary is the mother of Jesus of Nazareth. Mary ... External links Online French libretto Operas by Henry Février [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miss Helyett (opera)
''Miss Helyett'' is an opérette in three acts with music by Edmond Audran and words by Maxime Boucheron. It depicts the complications ensuing when the excessively puritanical heroine believes herself duty-bound to marry an unknown man who, in rescuing her from a serious fall in the Pyrenees, has been unable to avoid seeing the exposed lower half of her body. The piece was first performed at the Théâtre des Bouffes-Parisiens on 12 November 1890. Productions followed in continental Europe, Britain, the US and Australia. The most recent revival in Paris was in 1921, and the piece remained popular in the French provinces during the next two decades, but fell out of the repertoire after that. Background and first production By 1890 Audran was a well-established composer of opérette and opéra comique, with 18 full-length pieces to his credit, including the very popular ''La mascotte'' (1880). Boucheron was also experienced, having written librettos for Paul Burani, Georges Grisier, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmond Audran
Achille Edmond Audran (12 April 184017 August 1901) was a French composer best known for several internationally successful comic operas and operettas. After beginning his career in Marseille as an organist, Audran composed religious music and began to write works for the stage in the 1860s and 1870s. Among these, '' Le grand mogol'' (1877) was the most popular and was later revived in Paris, London and New York. In 1879 he moved to Paris, where some of his pieces achieved considerable success both in France and abroad, including ''Les noces d'Olivette'' (1879), ''La mascotte'' (1880), ''Gillette de Narbonne'' (1882), ''La cigale et la fourmi'' (1886), '' Miss Helyett'' (1890) and ''La poupée'' (1896). Most of his works are now neglected, but ''La mascotte'' has been revived occasionally and has been recorded for the gramophone. Early life and career Audran was born in Lyon, the son of Marius-Pierre Audran (1816–87), who had a career as a tenor at the Opéra-Comique. Lamb, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manon
''Manon'' () is an ''opéra comique'' in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel '' L'histoire du chevalier des Grieux et de Manon Lescaut'' by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (act 1), Auguste Alfred Rubé and Philippe Chaperon (acts 2 and 3), and Jean-Baptiste Lavastre (act 4). Prior to Massenet's work, Halévy (''Manon Lescaut'', ballet, 1830) and Auber (''Manon Lescaut'', opéra comique, 1856) had used the subject for musical stage works. Massenet also wrote a one-act sequel to ''Manon'', ''Le portrait de Manon'' (1894), involving the Chevalier des Grieux as an older man. The composer worked at the score of ''Manon'' at his country home outside Paris and also at a house at The Hague once occupied by Prévost himself. ''Manon'' is Massenet's most popular and enduring opera and, having "quickly conquered th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macbeth (opera)
''Macbeth'' () is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on William Shakespeare's play of the same name. Written for the Teatro della Pergola in Florence, it was Verdi's tenth opera and premiered on 14 March 1847. ''Macbeth'' was the first Shakespeare play that Verdi adapted for the operatic stage. Almost twenty years later, ''Macbeth'' was revised and expanded in a French version and given in Paris on 19 April 1865. After the success of ''Attila'' in 1846, by which time the composer had become well established, ''Macbeth'' came before the great successes of 1851 to 1853 (''Rigoletto'', ''Il trovatore'' and '' La traviata'') which propelled him into universal fame. As sources, Shakespeare's plays provided Verdi with lifelong inspiration: some, such as an adaption of ''King Lear'' (as ''Re Lear'') were never realized, but he wrote his two final operas using ''Othello'' as the basis for ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Mond
' (''The Moon'') is an opera in one act by Carl Orff based on a Grimm's fairy tale with a libretto by the composer. It was first performed on 5 February 1939 by the Bavarian State Opera in Munich under the direction of Clemens Krauss. The composer describes it not as an opera but as ''Ein kleines Welttheater'' ("A little world theatre"); the performance lasts for about one hour and is often paired with Orff's ''Die Kluge''. Roles Synopsis The story involves characters who steal the moon for their country which does not have a moon. They take the moon to their graves upon their deathsThe '' interlude'' which marks the death of the four rascals is notated in the unusual key of C-flat major. and St. Peter goes to the underworld to retrieve it and hang it again in the sky. Two speaking roles include that of a child and a landlord. Singing roles include the four rascals who steal the moon, St. Peter, a farmer and the narrator. Instrumentation * Woodwind: 3 flutes (2 doubling picco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
