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Michael Schopper
Michael Schopper (born 28 May 1942) is a German bass-baritone in opera and concert, and an academic teacher. Michael Schopper was educated with the Regensburger Domspatzen and studied on a scholarship of the Studienstiftung des deutschen Volkes church music and voice at the Hochschule für Musik und Theater München. He won a first prize of the ARD International Music Competition in 1968, which resulted in an international career. His operatic parts have included Osmin in Mozart's ''Die Entführung aus dem Serail'', Ochs in ''Der Rosenkavalier'' by Richard Strauss, and the Wagner parts Sachs in '' Die Meistersinger von Nürnberg'', Daland in Der fliegende Holländer, and Wotan in ''Der Ring des Nibelungen. He turned more to Lied and oratorio, with a focus on historically informed performances conducted by Philippe Herreweghe, Ton Koopman and Gustav Leonhardt, among others. On 23 June 1990 he was a soloist in the premiere of Wilfried Hiller's oratorio ''Schulamit'' at the fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regensburger Domspatzen
The Regensburger Domspatzen (literally: Regensburg Cathedral Sparrows) is the cathedral choir at the Regensburg Cathedral in Regensburg, Bavaria, Germany. The boys' choir dates back to 975, and consists of boys and young men only. They perform in liturgy and concert, and have made international tours and recordings. History and organization The Domspatzen, literally "Cathedral Sparrows", trace their origins back to the year 975 when bishop Wolfgang of Regensburg founded a cathedral school that – among other things – instructed boys to sing in the liturgy. It is the oldest choir in the world.Regensburger Domspatzen (Boys Choir) Bach Cantatas website The boys choir has seen various ups and downs during its history of more than a thousand years. In the 20th century, however, the Domspatzen became wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustav Leonhardt
Gustav Maria Leonhardt (30 May 1928 – 16 January 2012) was a Dutch keyboardist, conductor, musicologist, teacher and editor. He was a leading figure in the historically informed performance movement to perform music on period instruments. Leonhardt professionally played many instruments, including the harpsichord, pipe organ, claviorganum (a combination of harpsichord and organ), clavichord, fortepiano and piano. He also conducted orchestras and choruses. Biography Gustav Leonhardt was born in 's-Graveland, near Hilversum, and studied organ and harpsichord from 1947 to 1950 with Eduard Müller at the Schola Cantorum Basiliensis in Basel. In 1950, he made his debut as a harpsichordist in Vienna, where he studied musicology. He was professor of harpsichord at the Academy of Music from 1952 to 1955 and at the Amsterdam Conservatory from 1954. He was also a church organist. Career Leonhardt performed and conducted a variety of solo, chamber, orchestral, operatic, and choral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Operatic Baritones
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goldberg Early Music Magazine
''Goldberg Magazine'' was a Spanish-based bimonthly magazine devoted to early music and Baroque music. History and profile ''Goldberg Magazine'' was started in 1997. The magazine was initially published in bilingual English/Spanish and English/French versions. Starting September 2003, the magazine published three separate editions in English, French and Spanish and in 2004 it went from four to six issues per year. ''Goldberg Magazine'' launched a website called GoldbergWeb.com -- "the early-music portal"—to diversify communication channels for lovers of early music. On 21 November 2008 Goldberg Ediciones announced that it was suspending publication of the magazine due to financial difficulties. Then it folded on the same date. The website was also shut down. See also * List of magazines in Spain * Roger Tellart Roger Tellart (9 March 1932 in Paris – 22 July 2013 id.) was a French musicologist and journalist, a specialist of Claudio Monteverdi, Heinrich Schütz, the madr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Jacobs
René Jacobs (born 30 October 1946) is a Belgian musician. He came to fame as a countertenor, but later in his career he became known as a conductor of baroque and classical opera. Biography Countertenor Born in Ghent, Jacobs began his musical career as a boy chorister at the Cathedral. Later he studied classical philology at the University of Ghent while continuing to sing in Brussels and in The Hague. The Kuijken brothers, Gustav Leonhardt and Alfred Deller all encouraged him to pursue a career as a countertenor, and he quickly became known as one of the best of his time. He recorded a large amount of less-known Baroque music by such composers as Antonio Cesti, d'India, Ferrari, Marenzio, Lambert, Guédron, William Lawes and others. He also sang in much-acclaimed recordings of the major works of Bach (such as the ''St Matthew Passion'' led by Gustav Leonhardt and Philippe Herreweghe). Conductor In 1977, he founded the ensemble Concerto Vocale. As a conductor, Jacobs r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'incoronazione Di Poppea
''L'incoronazione di Poppea'' ( SV 308, ''The Coronation of Poppaea'') is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 carnival season. One of the first operas to use historical events and people, it describes how Poppaea, mistress of the Roman emperor Nero, is able to achieve her ambition and be crowned empress. The opera was revived in Naples in 1651, but was then neglected until the rediscovery of the score in 1888, after which it became the subject of scholarly attention in the late 19th and early 20th centuries. Since the 1960s, the opera has been performed and recorded many times. The original manuscript of the score does not exist; two surviving copies from the 1650s show significant differences from each other, and each differs to some extent from the libretto. How much of the music is actually Monteverdi's, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Israeliten In Der Wüste
''Die Israeliten in der Wüste'' (The Israelites in the Desert) is an oratorio by Carl Philipp Emanuel Bach. Background While known mainly for his works in other genres, Carl Philipp Emanuel Bach also composed several oratorios during his career as a composer. After arriving in Hamburg in 1768, he found himself in an atmosphere that was much more conducive to musical creativity than his previous post in Berlin had provided him. With his new post came many new responsibilities and Bach found himself composing pieces in the longer symphony and concerto genres. One of his first compositions at his new Hamburg post was the oratorio ''Die Israeliten in der Wüste'' (The Israelites in the Desert), which he began in the second half of 1768 and finished early in 1769. The piece was based on a libretto by German librettist Daniel Schiebeler who, rather than creating the libretto by using direct quotes from scripture, used poetry based on scripture.Ottenberg, Hans-Günter. Carl Philipp Ema ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolaus Harnoncourt
Johann Nikolaus Harnoncourt or historically Johann Nikolaus Graf de la Fontaine und d'Harnoncourt-Unverzagt; () (6 December 1929 – 5 March 2016) was an Austrian conductor, particularly known for his historically informed performances of music from the Classical era and earlier. Starting out as a classical cellist, he founded his own period instrument ensemble, Concentus Musicus Wien, in 1953, and became a pioneer of the Early Music movement. Around 1970, Harnoncourt began conducting opera and concert performances, soon leading international symphony orchestras, and appearing at leading concert halls, operatic venues and festivals. His repertoire then widened to include composers of the 19th and 20th centuries. In 2001 and 2003, he conducted the Vienna New Year's Concert. Harnoncourt was also the author of several books, mostly on subjects of performance history and musical aesthetics. Early life Johann Nikolaus Harnoncourt was born as an Austrian citizen in Berlin, German ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Matthew Passion
The ''St Matthew Passion'' (german: Matthäus-Passion, links=-no), BWV 244, is a '' Passion'', a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets the 26th and 27th chapters of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the greatest masterpieces of Baroque sacred music. The original Latin title translates to "The Passion of our Lord J susC[hrist">rist.html" ;"title="susC[hrist">susC[hristaccording to the Evangelist Matthew".Markus Rathey. 2016. ''Bach's Major Vocal Works. Music, Drama, Liturgy'', Yale University Press History The ''St Matthew Passion'' is the second of two Passion settings by Bach that have survived in their entirety, the first being the '' St John Passion'', first performed in 1724. Versions and contemporaneous performances Little is known with certainty about the creation proc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Schneider (conductor)
Michael Schneider (born 10 August 1953) is a German flautist, recorder player, conductor and academic teacher. He is especially connected with later Baroque repertoire such as the works of Telemann and with early Classical repertoire such as the works of Carl Philipp Emanuel Bach, and founded the orchestra La Stagione to perform and record such repertoire. Career Schneider was born in Nordhorn. He studied flute and recorder at the Musikhochschule Köln. In 1978 he was a winner of the ARD International Music Competition in the category recorder.Michael Schneider University of Music and Performing Arts, Frankfurt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Stagione Frankfurt
La Stagione Frankfurt is a German ensemble of Baroque and classical music, adept at historically informed performance. History The ensemble La Stagione Frankfurt was founded in 1988 by the German flautist and conductor Michael SchneiderBooklet of the CD ''Harpsichord Concertos'' by Georg Anton Benda (CPO 777 088-2). around the members of the ensemble Camerata Köln. Schneider began his career as a solo flutist by winning a prize at the 1978 ARD International Competition in Munich. In 1979, he was one of the founding members of the chamber music ensemble Camerata Köln. In 1988, he founded the ensemble La Stagione Frankfurt with which he recorded more than 100 discs in the genres of opera, oratorio and symphony, in the spirit of historically informed interpretation, i.e. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collegium Vocale Gent
Collegium Vocale Gent is a Belgian musical ensemble of vocalists and supporting instrumentalists, founded by Philippe Herreweghe. The group is dedicated to historically informed performance. Founding and program Collegium Vocale Gent was founded in 1970 by a group of friends studying at the University of Ghent, on Philippe Herreweghe’s initiative. They were one of the first vocal ensembles to use new ideas about baroque performance practice. Their authentic, text-oriented and rhetorical approach gave the ensemble the transparent sound with which it would acquire world fame and perform at major concert venues and music festivals of Europe, Israel, the United States, Russia, South America, Japan, Hong Kong and Australia. Repertoire Collegium Vocale Gent has grown organically into an ensemble whose wide repertoire encompasses a range of different stylistic periods. German Baroque music, particularly J. S. Bach’s vocal works, quickly became a speciality of the group. The group ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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