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Michael Schade
Michael Schade (born 23 January 1965) is a Canadian operatic tenor, who was born in Geneva and raised in Germany and Canada. He and his wife Dee McKee, and their youngest child live in Vienna, Austria; the rest of the family lives in Canada. Life and career Schade attended St. Michael's Choir School in Toronto, then the Faculty of Music in the University of Western Ontario and on to the Curtis Institute of Music for his master's degree. Schade has performed at the Canadian Opera Company, Vienna State Opera, Salzburg Festival, Metropolitan Opera, Washington Opera, Opéra National de Paris, San Francisco Opera, Hamburg State Opera, the Lyric Opera of Chicago and the Los Angeles Opera. At the Vienna State Opera, Schade has appeared in ''Daphne'', ''Don Giovanni'', ''Così fan tutte'', ''Die Entführung aus dem Serail'', ''Die Zauberflöte'', ''Arabella'', ''Il barbiere di Siviglia'', ''L'elisir d'amore'', ''Die schweigsame Frau'' and ''Die Meistersinger von Nürnberg''. He is ...
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Order Of Canada
The Order of Canada (french: Ordre du Canada; abbreviated as OC) is a Canadian state order and the second-highest honour for merit in the system of orders, decorations, and medals of Canada, after the Order of Merit. To coincide with the centennial of Canadian Confederation, the three-tiered order was established in 1967 as a fellowship that recognizes the outstanding merit or distinguished service of Canadians who make a major difference to Canada through lifelong contributions in every field of endeavour, as well as the efforts by non-Canadians who have made the world better by their actions. Membership is accorded to those who exemplify the order's Latin motto, , meaning "they desire a better country", a phrase taken from Hebrews 11:16. The three tiers of the order are Companion, Officer, and Member; specific individuals may be given extraordinary membership and deserving non-Canadians may receive honorary appointment into each grade. , the reigning Canadian monarch, is ...
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Daphne (opera)
''Daphne'', Op. 82, is an opera in one act by Richard Strauss, subtitled "Bucolic Tragedy in One Act". The German libretto was by Joseph Gregor. The opera is based loosely on the mythological figure Daphne from Ovid's ''Metamorphoses'' and includes elements taken from ''The Bacchae'' by Euripides. Performance history The first performance of the opera took place at the Semperoper in Dresden on 15 October 1938. It was originally intended as a double bill with Strauss' ''Friedenstag'', but as the scale of ''Daphne'' grew, that idea was abandoned. The conductor of the first performance was Karl Böhm, to whom the opera was dedicated. The United States premiere of the opera was performed on October 10, 1960 in a concert version at Town Hall in Manhattan with Gloria Davy in the title role, Florence Kopleff as Gaea, Robert Nagy as Leukippos, Jon Crain as Apollo, Lawrence Davidson as Peneios, and The Little Orchestra Society under conductor Thomas Scherman. Roles Synopsis ...
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Royal Opera, London
The Royal Opera is a British opera company based in central London, resident at the Royal Opera House in Covent Garden. Along with the English National Opera, it is one of the two principal opera companies in London. Founded in 1946 as the Covent Garden Opera Company, the company had that title until 1968. It brought a long annual season and consistent management to a house that had previously hosted short seasons under a series of impresarios. Since its inception, it has shared the Royal Opera House with the dance company now known as The Royal Ballet. When the company was formed, its policy was to perform all works in English, but since the late 1950s most operas have been performed in their original language. From the outset, performers have comprised a mixture of British and Commonwealth singers and international guest stars, but fostering the careers of singers from within the company was a consistent policy of the early years. Among the many guest performers have been Ma ...
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Maskarade
''Maskarade'' (''Masquerade'') is an opera in three acts by Carl Nielsen to a Danish libretto by Vilhelm Andersen, based on the comedy by Ludvig Holberg. It was first performed on 11 November 1906 at Royal Danish Theatre, Copenhagen. ''Maskarade'' has enjoyed enduring popularity in Denmark where it is considered to be the country's national opera. Background and performance history Nielsen first considered writing an opera based on Holberg's play ''Maskarade'' around the turn of the 20th century. He contacted Vilhelm Andersen (1864–1953) whom he knew from his student days, hoping to persuade him to write a libretto. Andersen initially refused but finally agreed, allowing Nielsen to start composing in May 1904. The Royal Theatre scheduled the opera even before it was finished. In fact, Nielsen completed the overture only on 3 November, a week before the opera's premiere. The world premiere of ''Maskarade'' took place at Royal Danish Theatre in Copenhagen on 11 November 1906. It ...
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Schwarzenberg, Austria
Schwarzenberg is a municipality in the Bregenz Forest in the western Austrian state of Vorarlberg, part of the district of Bregenz. Schwarzenberg has an area of 25.76 km². It lies south of Lake Constance. The village center is heritage-protected for its traditional rustic wooden houses. Population According to the last count in September 2011, the municipality has 1810 inhabitants. Economy The main sources of income in Schwarzenberg are crafts, tourism and agriculture. In addition to a dozen larger companies, there are also around 100 small and micro companies. Every year, about 50,000 guests spend the night in Schwarzenberg, around 55% of them during the summer months. The municipality of Schwarzenberg offers many opportunities for recreation in nature, offering the Schwarzenberg-Bödele ski area, cross-country trails, and around 40 km of winter and summer hiking trails. Women’s World Cup downhill competitions were also held in Schwarzenberg. Livestock farming is ...
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Schubertiade
A Schubertiade (also spelled Schubertiad) is an event held to celebrate the music of Franz Schubert (1797–1828). Modern Schubertiades also include concert series and festivals, such as the Schubertiade Vorarlberg. History During Schubert's lifetime, these events were generally informal, unadvertised gatherings, held at private homes. Schubertiades in early 19th-century Vienna were typically sponsored by wealthier friends or aficionados of Schubert's music. Numerous such concerts were organised from 1815 onwards in the large apartment of the Austrian jurist and patron Ignaz von Sonnleithner in the Gundelhof (Brandstätte 5, Vienna), later also by Franz von Schober, Eduard von Bauernfeld and many others. Schubert's friend Leopold Kupelwieser claimed to hold them on his own, writing, "I treat myself to a Schubertiade now and again".#GibbsLife, Gibbs (2000), p. 74 While in those years many Schubertiades included the composer's participation, accompanying notable baritones like Johann ...
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Die Meistersinger Von Nürnberg
(; "The Master-Singers of Nuremberg"), WWV 96, is a music drama, or opera, in three acts, by Richard Wagner. It is the longest opera commonly performed, taking nearly four and a half hours, not counting two breaks between acts, and is traditionally not cut. With Hans von Bülow conducting, it was first performed on 21 June 1868 at the National Theatre Munich, National Theater in Munich, today home of Bavarian State Opera. The story is set in Nuremberg in the mid-16th century. At the time, Nuremberg was a free imperial city and one of the centers of the Renaissance in Northern Europe. The story revolves around the city's guild of ''Meistersinger'' (Master Singers), an association of amateur poets and musicians who were primarily Master craftsman, master craftsmen of various trades. The master singers had developed a craftsmanlike approach to music-making, with an intricate system of rules for composing and performing songs. The work draws much of its atmosphere from its depictio ...
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Die Schweigsame Frau
''Die schweigsame Frau'' (''The Silent Woman''), Op. 80, is a 1935 comic opera in three acts by Richard Strauss with libretto by Stefan Zweig after Ben Jonson's '' Epicoene, or the Silent Woman''. Composition history Since '' Elektra'' and ''Der Rosenkavalier'', with only the exception of ''Intermezzo'', all previous operas by Strauss were based on libretti by Hugo von Hofmannsthal, who died in 1929. Stefan Zweig, who was then a celebrated author, had never met Strauss, who was his senior by 17 years. In his autobiography '' The World of Yesterday'', Zweig describes how Strauss got in touch with him after Hofmannsthal's death to ask him to write a libretto for a new opera. Zweig chose a theme from Ben Jonson. Politics of the opera Strauss was seen as an important icon of German music by the Nazis, who had seized power in Germany in April 1933. Strauss himself was co-operating with the Nazis and became the president of the Reichsmusikkammer in November 1933. Zweig had gotten to ...
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L'elisir D'amore
''L'elisir d'amore'' (''The Elixir of Love'', ) is a ' (opera buffa) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's ' (1831). The opera premiered on 12 May 1832 at the Teatro della Canobbiana in Milan. Background Written in haste in a six-week period, ''L'elisir d'amore'' was the most often performed opera in Italy between 1838 and 1848 and has remained continually in the international opera repertory. Today it is one of the most frequently performed of all Donizetti's operas: it appears as number 13 on the Operabase list of the most-performed operas worldwide in the five seasons between 2008 and 2013. There are a large number of recordings. It contains the popular tenor aria "Una furtiva lagrima", a ''romanza'' that has a considerable performance history in the concert hall. Donizetti insisted on a number of changes from the original Scribe libretto. The best known of these ...
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Il Barbiere Di Siviglia
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ...
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Arabella
''Arabella'', Op. 79, is a lyric comedy, or opera, in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration. Performance history It was first performed on 1 July 1933 at the Dresden Sächsisches Staatstheater. The opera received its premiere in the UK on 17 May 1934 at London's Royal Opera House. Two decades later, on 10 February 1955, it was performed at the Metropolitan Opera in New York with Eleanor Steber in the title role. The Met has given numerous performances of the work since that date. At the 2008 Helpmann Awards, the production by Opera Australia won the Award for Best Opera."Best Opera"
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Die Zauberflöte
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ...
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