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Michael Angelo Pergolesi
Michael Angelo Pergolesi () was an Italian decorative artist from the 18th century who worked mainly in England. Biographical details are almost entirely lacking, but like Cipriani he was brought, or attracted, to England by Robert Adam after his famous continental tour. He worked so extensively for the Adams', and his designs are so closely typical of much upon which their reputation rests, that it is impossible to doubt his influence upon their style. His range, like theirs, was catholic. He designed furniture, mantelpieces, ceilings, chandeliers, doors and mural ornament with equal felicity, and as an artist in plaster work in low relief he was unapproached in his day. He delighted in urns and sphinxes and interlaced gryphons, in amorini with bows and torches, in trophies of musical instruments and martial weapons, and in flowering arabesques which were always graceful if sometimes rather thin. The centre panels of his walls and ceilings were often occupied by classical and ...
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Decorative Arts
] The decorative arts are arts or crafts whose object is the design and manufacture of objects that are both beautiful and functional. It includes most of the arts making objects for the interiors of buildings, and interior design, but not usually architecture. Ceramic art, metalwork, furniture, jewellery, fashion, various forms of the textile arts and glassware are major groupings. Applied arts largely overlaps with decorative arts, and the modern making of applied art is usually called design. The decorative arts are often categorized in distinction to the " fine arts", namely painting, drawing, photography, and large-scale sculpture, which generally produce objects solely for their aesthetic quality and capacity to stimulate the intellect. Distinction from the fine arts The distinction between the decorative and fine arts essentially arose from the post-Renaissance art of the West, where the distinction is for the most part meaningful. This distinction is much less meani ...
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Angelica Kauffman
Maria Anna Angelika Kauffmann ( ; 30 October 1741 – 5 November 1807), usually known in English as Angelica Kauffman, was a Swiss Neoclassical painter who had a successful career in London and Rome. Remembered primarily as a history painter, Kauffmann was a skilled portraitist, landscape and decoration painter. She was, along with Mary Moser, one of two female painters among the founding members of the Royal Academy in London in 1768. Early life Kauffman was born at Chur in Graubünden, Switzerland. Her family moved to Morbegno in 1742, then Como in Lombardy in 1752 at that time under Austrian rule. In 1757 she accompanied her father to Schwarzenberg in Vorarlberg/Austria where her father was working for the local bishop. Her father, Joseph Johann Kauffmann, was a relatively poor man but a skilled Austrian muralist and painter, who was often travelling for his work. He trained Angelica and she worked as his assistant, moving through Switzerland, Austria, and Italy. Angeli ...
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Italian Interior Designers
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ...
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Italian Furniture Designers
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ...
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Italian Artists
Listed below are Italian people of note, who are identified with the Italian nation through residential, legal, historical, or cultural means, grouped by their area of notability. Acting Actors * Stefano Accorsi (born 1971), actor, known for '' Jack Frusciante è uscito dal gruppo'' (1995) *Henry Armetta (1888–1945), character actor who appeared in at least 150 American films, beginning in silent movies * Roberto Benigni (born 1952), actor, comedian, screenwriter, director, known outside of Italy for directing and acting in the 1997 tragicomedy ''Life is Beautiful'', for which he won the 1999 Oscar for Best Actor *Rossano Brazzi (1916–1994), actor. Was propelled to international fame with his role in the English-language film ''Three Coins in the Fountain'' (1954), followed by the leading male role in David Lean's ''Summertime'' (1955), opposite Katharine Hepburn. *Lando Buzzanca (born 1935), theatrical, film and television actor, whose career spanned over 55 ye ...
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Marquetry
Marquetry (also spelled as marqueterie; from the French ''marqueter'', to variegate) is the art and craft of applying pieces of veneer to a structure to form decorative patterns, designs or pictures. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial panels appreciated in their own right. Marquetry differs from the more ancient craft of inlay, or intarsia, in which a solid body of one material is cut out to receive sections of another to form the surface pattern. The word derives from a Middle French word meaning "inlaid work". Materials The veneers used are primarily woods, but may include bone, ivory, turtle-shell (conventionally called "tortoiseshell"), mother-of-pearl, pewter, brass or fine metals. Marquetry using colored straw was a specialty of some European spa resorts from the end of the 18th century. Many exotic woods as well as common European varieties ...
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Satinwood (other)
Satinwood may refer to: * A name for a wood that can be polished to a high gloss derived from certain species of flowering plants: * '' Brosimum rubescens'', Red satinwood, Suriname satinwood * ''Ceratopetalum apetalum'', Scented satinwood * ''Chloroxylon swietenia'', Ceylon, Sri Lanka satinwood or East Indian satinwood * ', Madagascar satinwood * ''Chloroxylon swietenia'', East Indian satinwood * ''Cordia alliodora'', Satinwood * '' Diospyros ferrea'' (Syn.: '' Maba buxifolia''), Satinwood * '' Distemonanthus benthamianus'', Yellow or Nigerian, African satinwood * '' Euxylophora paraensis'', Brazilian satinwood * ''Lagerstroemia'' spp., Asian or Cambodian satinwood * ''Liquidambar styraciflua'', Satinwood, Nut satinwood * '' Murraya exotica''; Andaman satinwood * ''Murraya paniculata'', Satinwood, from Southeast Asia and Australia * '' Nematolepis squamea'', Satinwood from Australia * ''Pericopsis elata'', Yellow or African satinwood * ''Rhodosphaera rhodanthema'', Tulip or Go ...
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Antonio Zucchi
Antonio Pietro Francesco Zucchi (1 May 1726 – 1 December 1795) was an Italian painter and printmaker of the Neoclassic period. Life Zucchi was born in Venice, he studied under his uncle Carlo Zucchi and later Francesco Fontebasso and Jacopo Amigoni. He married the painter Angelica Kauffman in 1781, who late in life moved with him to Rome. In Rome Zucchi produced a number of etchings of '' capriccio'' and ''veduta'' of classical buildings or ruins. He worked with Robert Adam in the decoration of houses in England, including Kenwood, Newby Hall, Osterley Park, Nostell Priory, and Luton House. In 1756, he was elected to the membership of the Accademia di Belle Arti in Venice. In England, he was elected as an associate to the Royal Academy of Arts in 1770. Lady Boringdon commissioned him to paint the ceilings of rooms redesigned by Robert Adam at Saltram House in Devon. She also bought paintings from his wife for the house. He died in Rome , established_title = ...
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Arabesque
The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foliate ornament, used in the Islamic world, typically using leaves, derived from stylised half-palmettes, which were combined with spiralling stems". It usually consists of a single design which can be ' tiled' or seamlessly repeated as many times as desired. Within the very wide range of Eurasian decorative art that includes motifs matching this basic definition, the term "arabesque" is used consistently as a technical term by art historians to describe only elements of the decoration found in two phases: Islamic art from about the 9th century onwards, and European decorative art from the Renaissance onwards. Interlace and scroll decoration are terms used for most other types of similar patterns. Arabesques are a fundamental element of ...
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Giovanni Battista Cipriani
Giovanni Battista Cipriani (1727 – 14 December 1785) was an Italian painter and engraver, who lived in England from 1755. He is also called Giuseppe Cipriani by some authors. Much of his work consisted of designs for prints, many of which were engraved by his friend Francesco Bartolozzi. Life Cipriani was born in Florence. His family were originally from Pistoia. He first studied with Ignatius Hugford, a Florentine artist of English descent, and then under Anton Domenico Gabbiani. He spent the years 1750–53 in Rome, where he became acquainted with the architect, Sir William Chambers, and the sculptor, Joseph Wilton whom he accompanied to England in August 1755. He had already painted two pictures, a ''St Tesauro'' and ''St Peter Igneo'' for the abbey of San Michele in Pelago, Pistoia, which had brought him a favorable reputation. He also painted one of the canvases of the organ of the church of Santa Maria Maddalena dei Pazzi in Florence and the main altarpiece of ...
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Putto
A putto (; plural putti ) is a figure in a work of art depicted as a chubby male child, usually naked and sometimes winged. Originally limited to profane passions in symbolism,Dempsey, Charles. ''Inventing the Renaissance Putto''. University of North Carolina Press, Chapel Hill and London, 2001. the putto came to represent the sacred cherub (plural cherubim), and in Baroque art the putto came to represent the omnipresence of God. A putto representing a cupid is also called an amorino (plural amorini) or amoretto (plural amoretti). Etymology The more commonly found form ''putti'' is the plural of the Italian word ''putto''. The Italian word comes from the Latin word ''putus'', meaning "boy" or "child". Today, in Italian, ''putto'' means either toddler winged angel or, rarely, toddler boy. It may have been derived from the same Indo-European root as the Sanskrit word "putra" (meaning "boy child", as opposed to "son"), Avestan ''puθra''-, Old Persian ''puça''-, Pahlavi (Middle ...
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Griffin
The griffin, griffon, or gryphon (Ancient Greek: , ''gryps''; Classical Latin: ''grȳps'' or ''grȳpus''; Late Latin, Late and Medieval Latin: ''gryphes'', ''grypho'' etc.; Old French: ''griffon'') is a legendary creature with the body, tail, and Hindlimb, back legs of a lion; the head and wings of an eagle; and sometimes an eagle's talons as its front feet. Because the lion was traditionally considered the king of the beasts, and the eagle the king of the birds, by the Middle Ages, the griffin was thought to be an especially powerful and majestic creature. Since classical antiquity, griffins were known for guarding treasures and priceless possessions. In Greek and Roman texts, griffins and Arimaspians were associated with gold deposits of Central Asia. Indeed, as Pliny the Elder wrote, "griffins were said to lay eggs in burrows on the ground and these nests contained gold nuggets." In medieval heraldry, the griffin became a Christian symbol of Divinity, divine power and a g ...
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