|
Michael (poem)
"Michael" is a pastoral poem, written by William Wordsworth and first published in the 1800 edition of ''Lyrical Ballads,'' a series of poems that were said to have begun the English Romantic movement in literature. The poem is one of Wordsworth's best-known poems and the subject of much critical literature. It tells the story of an ageing shepherd, Michael, his wife Isabel, and his only child Luke. Analyses have claimed "Michael" to have been a political statement regarding the modernization of England, due to the advent of the enclosure system—erasing the idyllic pastoral way of life that Michael formerly enjoyed. Nevertheless, scholar Deanne Westbrook interpreted the worked to be as a New Testament-esque parable and even a metaparable. Structure and style As noted by scholar Judith Page, traditional pastorals generally stretched back to Ancient Greece, with pastorals contemporary to Wordsworth following ancient Greek models—often giving their protagonist Ancient Grecian n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyrical Ballads
''Lyrical Ballads, with a Few Other Poems'' is a collection of poems by William Wordsworth and Samuel Taylor Coleridge, first published in 1798 and generally considered to have marked the beginning of the English Romantic movement in literature. The immediate effect on critics was modest, but it became and remains a landmark, changing the course of English literature and poetry. Most of the poems in the 1798 edition were written by Wordsworth, with Coleridge contributing only four poems to the collection (although these made about a third of the book in length), including one of his most famous works, ''The Rime of the Ancient Mariner''. A second edition was published in 1800, in which Wordsworth included additional poems and a preface detailing the pair's avowed poetical principles. For another edition, published in 1802, Wordsworth added an appendix titled ''Poetic Diction'' in which he expanded the ideas set forth in the preface. A third edition was published in 1802, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastoral
A pastoral lifestyle is that of shepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasture. It lends its name to a genre of literature, art, and music (pastorale) that depicts such life in an idealized manner, typically for urban audiences. A ''pastoral'' is a work of this genre, also known as bucolic, from the Greek , from , meaning a cowherd. Literature Pastoral literature in general Pastoral is a mode of literature in which the author employs various techniques to place the complex life into a simple one. Paul Alpers distinguishes pastoral as a mode rather than a genre, and he bases this distinction on the recurring attitude of power; that is to say that pastoral literature holds a humble perspective toward nature. Thus, pastoral as a mode occurs in many types of literature (poetry, drama, etc.) as well as genres (most notably the pastoral elegy). Terry Gifford, a prominent literary theorist, define ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Wordsworth
William Wordsworth (7 April 177023 April 1850) was an English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with their joint publication ''Lyrical Ballads'' (1798). Wordsworth's ''magnum opus'' is generally considered to be ''The Prelude'', a semi-autobiographical poem of his early years that he revised and expanded a number of times. It was posthumously titled and published by his wife in the year of his death, before which it was generally known as "the poem to Coleridge". Wordsworth was Poet Laureate from 1843 until his death from pleurisy on 23 April 1850. Early life The second of five children born to John Wordsworth and Ann Cookson, William Wordsworth was born on 7 April 1770 in what is now named Wordsworth House in Cockermouth, Cumberland, (now in Cumbria), part of the scenic region in northwestern England known as the Lake District. William's sister, the poet and diarist Dorothy Wordsworth, to whom he wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism, clandestine literature, paganism, idealization of nature, suspicion of science and industrialization, and glorification of the past with a strong preference for the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the social and political norms of the Age of Enlightenment, and the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, chess, social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing conservatism, libe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enclosure
Enclosure or Inclosure is a term, used in English landownership, that refers to the appropriation of "waste" or " common land" enclosing it and by doing so depriving commoners of their rights of access and privilege. Agreements to enclose land could be either through a formal or informal process. The process could normally be accomplished in three ways. First there was the creation of "closes", taken out of larger common fields by their owners. Secondly, there was enclosure by proprietors, owners who acted together, usually small farmers or squires, leading to the enclosure of whole parishes. Finally there were enclosures by Acts of Parliament. The primary reason for enclosure was to improve the efficiency of agriculture. However, there were other motives too, one example being that the value of the land enclosed would be substantially increased. There were social consequences to the policy, with many protests at the removal of rights from the common people. Enclosure riots a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blank Verse
Blank verse is poetry written with regular metrical but unrhymed lines, almost always in iambic pentameter. It has been described as "probably the most common and influential form that English poetry has taken since the 16th century", and Paul Fussell has estimated that "about three quarters of all English poetry is in blank verse". The first known use of blank verse in English was by Henry Howard, Earl of Surrey in his translation of the '' Æneid'' (composed c. 1540; published posthumously, 1554–1557). He may have been inspired by the Latin original since classical Latin verse did not use rhyme, or possibly he was inspired by Ancient Greek verse or the Italian verse form of '' versi sciolti'', both of which also did not use rhyme. The play ''Arden of Faversham'' (around 1590 by an unknown author) is a notable example of end-stopped blank verse. History of English blank verse The 1561 play '' Gorboduc'' by Thomas Norton and Thomas Sackville was the first English pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iambic Pentameter
Iambic pentameter () is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in that line; rhythm is measured in small groups of syllables called "feet". "Iambic" refers to the type of foot used, here the iamb, which in English indicates an unstressed syllable followed by a stressed syllable (as in ''a-bove''). "Pentameter" indicates a line of five "feet". Iambic pentameter is the most common meter in English poetry. It was first introduced into English by Chaucer in 14th century on the basis of French and Italian models. It is used in several major English poetic forms, including blank verse, the heroic couplet, and some of the traditionally rhymed stanza forms. William Shakespeare famously used iambic pentameter in his plays and sonnets, John Milton in his ''Paradise Lost'', and William Wordsworth in ''The Prelude''. As lines in iambic pentameter usually contain ten syllables, it is consider ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pen (enclosure)
A pen is an enclosure for holding livestock. It may also perhaps be used as a term for an enclosure for other animals such as pets that are unwanted inside the house. The term describes types of enclosures that may confine one or many animals. Construction and terminology vary depending on the region of the world, purpose, animal species to be confined, local materials used and tradition. ''Pen'' or ''penning'' as a verb refers to the act of confining animals in an enclosure. Similar terms are kraal, boma, and corrals. Encyclopædia Britannica notes usage of the term "kraal" for elephant corrals in India, Sri Lanka, and Thailand. Australia and New Zealand In Australia and New Zealand a ''pen'' is a small enclosure for livestock (especially sheep or cattle), which is part of a larger construction, e.g. ''calf pen'', ''forcing pen'' (or yard) in sheep or cattle yards, or a ''sweating pen'' or ''catching pen'' in a shearing shed. In Australian and New Zealand English, a paddoc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Covenant
Covenant may refer to: Religion * Covenant (religion), a formal alliance or agreement made by God with a religious community or with humanity in general ** Covenant (biblical), in the Hebrew Bible ** Covenant in Mormonism, a sacred agreement between God and a person or group of people ** Covenant of allegiance in Ahmadiyya Islam, which requires followers to fulfill the Ten Conditions of Bai'at ** Covenant of Bahá'u'lláh, in the Bahá'í faith, two separate binding agreements between God and man *** Greater Covenant, the covenant made between each Manifestation from God and his followers regarding the coming of the next Manifestation from God *** Lesser Covenant, regarding the successorship of authority within the religion ** Covenant theology, in Christianity interpretations of a covenant surrounding Jesus's death and resurrection ** Mosaic covenant, a biblical covenant between God and the biblical Israelites, including their proselytes. ** New Covenant theology, a Christia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parable
A parable is a succinct, didactic story, in prose or verse, that illustrates one or more instructive lessons or principles. It differs from a fable in that fables employ animals, plants, inanimate objects, or forces of nature as characters, whereas parables have human characters. A parable is a type of metaphorical analogy. Some scholars of the canonical gospels and the New Testament apply the term "parable" only to the parables of Jesus, although that is not a common restriction of the term. Parables such as the parable of the Prodigal Son are important to Jesus's teaching method. Etymology The word ''parable'' comes from the Greek παραβολή (''parabolē''), literally "throwing" (''bolē'') "alongside" (''para-''), by extension meaning "comparison, illustration, analogy." It was the name given by Greek rhetoricians to an illustration in the form of a brief fictional narrative. History The Bible contains numerous parables in the Gospels of the New Testament ( Jesus' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parable Of The Prodigal Son
The Parable of the Prodigal Son (also known as the parable of the Two Brothers, Lost Son, Loving Father, or of the Forgiving Father) is one of the parables of Jesus Christ in the Bible, appearing in Luke 15:11–32. Jesus shares the parable with his disciples, the Pharisees and others. In the story, a father has two sons. The younger son asks for his portion of inheritance from his father, who grants his son's request. This son, however, is (i.e., wasteful and extravagant), thus squandering his fortune and eventually becoming destitute. As consequence, he must now return home empty-handed and intends to beg his father to accept him back as a servant. To the son's surprise, he is not scorned by his father but is welcomed back with celebration and a welcoming party. Envious, the older son refuses to participate in the festivities. The father tells the older son: "you are ever with me, and all that I have is yours, but thy younger brother was lost and now he is found." The Prodiga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Eliot
Mary Ann Evans (22 November 1819 – 22 December 1880; alternatively Mary Anne or Marian), known by her pen name George Eliot, was an English novelist, poet, journalist, translator, and one of the leading writers of the Victorian era. She wrote seven novels: ''Adam Bede'' (1859), ''The Mill on the Floss'' (1860), ''Silas Marner'' (1861), ''Romola'' (1862–63), ''Felix Holt, the Radical'' (1866), ''Middlemarch'' (1871–72) and '' Daniel Deronda'' (1876). Like Charles Dickens and Thomas Hardy, she emerged from provincial England; most of her works are set there. Her works are known for their realism, psychological insight, sense of place and detailed depiction of the countryside. ''Middlemarch'' was described by the novelist Virginia Woolf as "one of the few English novels written for grown-up people"Woolf, Virginia. "George Eliot." ''The Common Reader''. New York: Harcourt, Brace, and World, 1925. pp. 166–76. and by Martin Amis and Julian Barnes as the greatest novel in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Enclosure")
