Mibu No Tadamine
Mibu no Tadamine (壬生忠岑) was an early Heian ''waka'' poet of the court (active 898–920), and a member of the ''sanjūrokkasen'' or Thirty-six Poetry Immortals. His son Mibu no Tadami was also a distinguished poet. He emerged as an important poet in an early utaawase or poetry match, ''Koresada no miko no ie no uta'awase'' (是貞の親王家歌合, "The Poetry Match at Prince Koresada's Residence", c.893), and was involved in many of the poetic activities of the day, including a position as a compiler of the ''Kokin Wakashū The , commonly abbreviated as , is an early anthology of the ''waka'' form of Japanese poetry, dating from the Heian period. An imperial anthology, it was conceived by Emperor Uda () and published by order of his son Emperor Daigo () in about ...''. A collection of his personal poems appeared as the ''tadamine shū'', though more than half of it is not certainly canon. He is also famous for the ''Tadamine Juttei'' (忠岑十体, "Ten Styles o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Heian Period
The is the last division of classical Japanese history, running from 794 to 1185. It followed the Nara period, beginning when the 50th emperor, Emperor Kanmu, moved the capital of Japan to Heian-kyō (modern Kyoto). means "peace" in Japanese. It is a period in Japanese history when the Chinese influences were in decline and the national culture matured. The Heian period is also considered the peak of the Japanese imperial court and noted for its art, especially poetry and literature. Two types of Japanese script emerged, including katakana, a phonetic script which was abbreviated into hiragana, a cursive alphabet with a unique writing method distinctive to Japan. This gave rise to Japan's famous vernacular literature, with many of its texts written by court women who were not as educated in Chinese compared to their male counterparts. Although the Imperial House of Japan had power on the surface, the real power was in the hands of the Fujiwara clan, a powerful aristocratic f ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Waka (poetry)
is a type of poetry in classical Japanese literature. Although ''waka'' in modern Japanese is written as , in the past it was also written as (see Wa, an old name for Japan), and a variant name is . Etymology The word ''waka'' has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as ''chōka'' and ''sedōka'' (discussed below); the later, more common definition refers to poetry in a 5-7-5-7-7 metre. Up to and during the compilation of the ''Man'yōshū'' in the eighth century, the word ''waka'' was a general term for poetry composed in Japanese, and included several genres such as , , and . However, by the time of the '' Kokinshūs compilation at the beginning of the tenth century, all of these forms except for the ''tanka'' and ''chōka'' had effectively gone extinct, and ''chōka'' had significantly diminished in prominence. As a result, the word ''waka'' became effectively synonymous with ''tanka'', and t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Thirty-six Poetry Immortals
The are a group of Japanese poets of the Asuka, Nara, and Heian periods selected by Fujiwara no Kintō as exemplars of Japanese poetic ability. The oldest surviving collection of the 36 poets' works is ''Nishi Honganji Sanju-rokunin Kashu'' ("Nishi Honganji 36 poets collection") of 1113. Similar groups of Japanese poets include the Kamakura period ''Nyōbō Sanjūrokkasen'' (女房三十六歌仙), composed by court ladies exclusively, and the , or Thirty-Six Heian-era Immortals of Poetry, selected by (1107–1165). This list superseded an older group called the Six Immortals of Poetry. Sets of portraits (essentially imaginary) of the group were popular in Japanese painting and later woodblock prints, and often hung in temples. Kintō's Thirty-Six Immortals of Poetry # Kakinomoto no Hitomaro # Ki no Tsurayuki # Ōshikōchi Mitsune # Lady Ise # Ōtomo no Yakamochi # Yamabe no Akahito # Ariwara no Narihira # Henjō # Sosei # Ki no Tomonori # Sarumaru no Taifu # ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mibu No Tadami
Mibu no Tadami (dates unknown, 壬生忠見) was a middle Heian period ''waka'' poet and Japanese nobleman. He is designated as a member of the Thirty-six Poetry Immortals. His father Mibu no Tadamine Mibu no Tadamine (壬生忠岑) was an early Heian ''waka'' poet of the court (active 898–920), and a member of the ''sanjūrokkasen'' or Thirty-six Poetry Immortals. His son Mibu no Tadami was also a distinguished poet. He emerged as an imp ... was also a distinguished poet. His poems are included in several imperial poetry anthologies; a personal poetry collection known as the ''Tadamishū'' (忠見集) also remains. External links E-text of his poemsin Japanese Japanese poets Year of birth unknown Year of death unknown Hyakunin Isshu poets {{japan-writer-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Utaawase
, poetry contests or ''waka'' matches, are a distinctive feature of the Japanese literary landscape from the Heian period. Significant to the development of Japanese poetics, the origin of group composition such as ''renga'', and a stimulus to approaching ''waka'' as a unified sequence and not only as individual units, the lasting importance of the poetic output of these occasions may be measured also from their contribution to the imperial anthologies: 92 poems of the Kokinshū and 373 of the Shin Kokinshū were drawn from ''uta-awase''. Social context , the matching of pairs of things by two sides, was one of the pastimes of the Heian court. The items matched might be , , sweet flag or iris roots, flowers, or poems. The last took on new seriousness at the end of the ninth century with the , the source of over fifty poems in the Kokinshū. The twenty-eight line diary of the devotes two of its lines to the musical accompaniments, gagaku and saibara, and four to the costu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kokin Wakashū
The , commonly abbreviated as , is an early anthology of the ''waka'' form of Japanese poetry, dating from the Heian period. An imperial anthology, it was conceived by Emperor Uda () and published by order of his son Emperor Daigo () in about 905. Its finished form dates to 920, though according to several historical accounts the last poem was added to the collection in 914. The compilers of the anthology were four court poets, led by Ki no Tsurayuki and also including Ki no Tomonori (who died before its completion), Ōshikōchi no Mitsune, and Mibu no Tadamine. Significance The ''Kokinshū'' is the first of the , the 21 collections of Japanese poetry compiled at Imperial request. It was the most influential realization of the ideas of poetry at the time, dictating the form and format of Japanese poetry until the late nineteenth century; it was the first anthology to divide itself into seasonal and love poems. The primacy of poems about the seasons pioneered by the ''Kokinsh ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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9th-century Births
The 9th century was a period from 801 ( DCCCI) through 900 ( CM) in accordance with the Julian calendar. The Carolingian Renaissance and the Viking raids occurred within this period. In the Middle East, the House of Wisdom was founded in Abbasid Baghdad, attracting many scholars to the city. The field of algebra was founded by the Muslim polymath al-Khwarizmi. The most famous Islamic Scholar Ahmad ibn Hanbal was tortured and imprisoned by Abbasid official Ahmad ibn Abi Du'ad during the reign of Abbasid caliph al-Mu'tasim and caliph al-Wathiq. In Southeast Asia, the height of the Mataram Kingdom happened in this century, while Burma would see the establishment of the major kingdom of Pagan. Tang China started the century with the effective rule under Emperor Xianzong and ended the century with the Huang Chao rebellions. While the Maya experienced widespread political collapse in the central Maya region, resulting in internecine warfare, the abandonment of cities, and a northward ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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10th-century Deaths
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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10th-century Japanese Poets
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |