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Mezrab (plectrum)
A mezrāb or mizrab (, , hi, मिज़राब), also known as a zakhmeh or (, also spelled as ''zakhma'') is a plectrum which is used for several Iranian and Indian string instruments. For sitar, a mezrab is worn on the finger of a sitar player. It is a plectrum made by hand from a continuous strand of iron used to strike the strings of the sitar. Although it is generally worn on the index finger, a second mezrab is sometimes worn on the middle or little finger. The mezrab fits tightly on the end of the finger so that it does not move while playing, intended to be projected roughly 1/4 inch from the end of the finger. Mezrab is also the name for the lightweight wooden hammer used to play the Persian santur. Different strokes used There are four different Bols (strokes) used when playing sitar: Da, Ra, Dir and Dra. *Da Bol - When the stroke is from outward to inward on the first string. *Ra Bol - When the stroke is from inward to outward on the first string. *D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinky Finger
The little finger, or pinkie, also known as the baby finger, fifth digit, or pinky finger, is the most ulnar and smallest digit of the human hand, and next to the ring finger. Etymology The word "pinkie" is derived from the Dutch word ''pink'', meaning "little finger". The earliest recorded use of the term "pinkie" is from Scotland in 1808. The term (sometimes spelled "pinky") is common in Scottish English and American English, and is also used extensively in other Commonwealth countries such as New Zealand, Canada, and Australia. Nerves and muscles The little finger is nearly impossible for most people to bend independently (without also bending the ring finger), due to the nerves for each digit being intertwined. There are also nine muscles that control the fifth digit: Three in the hypothenar eminence, two extrinsic flexors, two extrinsic extensors, and two more intrinsic muscles: * Hypothenar eminence: ** Opponens digiti minimi muscle ** Abductor minimi digiti muscle (a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hybrid Picking
Hybrid picking is a guitar-playing technique that involves picking with a pick (plectrum) and one or more fingers alternately or simultaneously. Hybrid picking allows guitar players who use a pick to perform music which would normally require fingerstyle playing. It also facilitates wide string leaps (e.g. from the sixth string to the second string, etc.) which might otherwise be quite difficult. The technique is not widespread in most genres of guitar playing (though notable exceptions exist), but is most often employed in "chicken pickin'"; rockabilly, country, honky-tonk, and bluegrass flatpicking styles who play music which occasionally demands fingerstyle passages.The National Guitar Workshop (2001). Guitar Technique Encyclopedia', p.117. Alfred Music. . Generally the pick is used to play bass notes, which are emphasized by increased amplitude, longer duration, and timbral difference. In notation the flatpicked notes are indicated by placing the down bow and up bow symb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Pick
A guitar pick (American English) is a plectrum used for guitars. Picks are generally made of one uniform material—such as some kind of plastic (nylon, Delrin, celluloid), rubber, felt, tortoiseshell, wood, metal, glass, tagua, or stone. They are often shaped in an acute isosceles triangle with the two equal corners rounded and the third corner less rounded. They are used to strum chords or to sound individual notes on a guitar. In British English, guitar picks are referred to as ''plectrums'', reserving the term ''pick'' to identify the difference between this and finger picks. History Musicians have used plectra to play stringed instruments for thousands of years.Hoover, ''pp. 11-12''. Feather quills were likely the first standardized plectra and became widely used until the late 19th century. At that point, the shift towards what became the superior plectrum material took place; the outer shell casing of an Atlantic hawksbill sea turtle, which would colloquially be r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flatpicking
Flatpicking (or simply picking) is the technique of striking the strings of a guitar with a pick (also called a plectrum) held between the thumb and one or two fingers. It can be contrasted to fingerstyle guitar, which is playing with individual fingers, with or without wearing fingerpicks. While the use of a plectrum is common in many musical traditions, the exact term "flatpicking" is most commonly associated with Appalachian music of the American southeastern highlands, especially bluegrass music, where string bands often feature musicians playing a variety of styles, both fingerpicking and flatpicking. Musicians who use a flat pick in other genres such as rock and jazz are not commonly described as flatpickers or even plectrum guitarists. As the use of a pick in those traditions is commonplace, generally only guitarists who play without a pick are noted by the term "fingerpicking" or "fingerstyle". Probably starting around 1930, flatpicking in American music was de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fingerpick
A fingerpick is a type of plectrum used most commonly for playing bluegrass style banjo music. Most fingerpicks are composed of metal or plastic (usually Celluloid or Delrin). Unlike flat guitar picks, which are held between the thumb and finger and used one at a time, fingerpicks clip onto or wrap around the end of the fingers and thumb; thus one hand can pick several strings at once. Generally four are used: one for the thumb, and one each for the ring, middle and index fingers. Fingerpicks worn on the thumb are generally called "thumbpicks". Some players use a plastic thumbpick while using metal fingerpicks. Fingerpicks come in a variety of thicknesses to accommodate different musicians' styles of playing. Thin picks produce a quieter, more delicate sound, while thick picks produce a heavier sound. But as with standard plectrums, thumbpicks come in different styles and employ different materials. Fingerpicks are also used by guitar, Hawaiian guitar, lap steel, autoharp, pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crosspicking
Crosspicking is a technique for playing the mandolin or guitar using a plectrum or flatpick in a rolling, syncopated style across three strings. This style is probably best known as one element of the flatpicking style in bluegrass music, and it closely resembles a banjo roll, the main difference being that the banjo roll is fingerpicked rather than flatpicked. A typical element of the technique is the use of three pitches played repeatedly within a four-pulse rhythm. This results in a continual shifting of the pitches ''vis-a-vis'' the accented pulse. The three pitches are usually played on three adjacent strings—one per string. The pick direction can vary, depending on the required emphasis and the melody. Using "D" for down" and "U" for "up" (and slashes to indicate groups of three), mandolin player Jesse McReynolds used a crosspicking roll of :D - U - U / D - U - U / D - U . . . creating a repeating pattern of notes that expresses the melody. Guitarist George Shuffler u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tremolo Picking
Alternate picking is a guitar playing technique that employs alternating downward and upward strokes in a continuous fashion. If the technique is performed at high speed on a single string or course voicing the same note, it may be referred to as "tremolo picking" or "double picking". Good alternate picking involves a continuous down-up or up-down motion of the picking hand, even when not picking a note (except when the gap lasts longer than one full up-down motion). In this manner, an up-beat (such as an even-numbered eighth note or, at faster tempos, sixteenth note) will always be played with an upward picking stroke, while the down-beats are always played with downward picking strokes. This allows for fluid incorporation of legato-based notes such as hammer-ons and/or pull-offs in the middle of picked phrases. The technique has many advantages and some disadvantages, largely depending on the licks the guitarist is attempting to play. For example, during fast passages, alt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santoor (Persian Instrument)
The santur (also ''santūr'', ''santour'', ''santoor'') ( fa, سنتور), is a hammered dulcimer of Iranian origins.--- Rashid, Subhi Anwar (1989). ''Al-ʼĀlāt al-musīqīyya al-muṣāhiba lil-Maqām al-ʻIrāqī''. Baghdad: Matbaʻat al-ʻUmmāl al-Markazīyya. History The santur was invented and developed in the area of Iran and Mesopotamia. "The earliest sign of it comes from Assyrian and Babylonian stone carvings (669 B.C.); it shows the instrument being played while hanging from the player's neck" (35). This instrument was traded and traveled to different parts of the Middle East. Each country customized and designed its own versions to adapt to their musical scales and tunings. The original santur was made with wood and stones and strung with goat intestines. The Mesopotamian santur has been claimed to be the father of the harp, the Chinese yangqin, the harpsichord, the qanun, the cimbalom, and the American and European hammered dulcimers. Name The name 'santur' co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santoor
The Indian santoor instrument is a trapezoid-shaped hammered dulcimer, and a variation of the Iranian santur. The instrument is generally made of walnut and has 25 bridges. Each bridge has 4 strings, making for a total of 100 strings. It is a traditional instrument in Jammu and Kashmir (union territory), Jammu and Kashmir, and dates back to ancient times. It was called ''Shatha Tantri Veena'' in ancient Sanskrit texts. Development In ancient Sanskrit texts, it has been referred to as ''shatatantri vina'' (100-stringed vina). In Kashmir the santoor was used to accompany Music of Kashmir, folk music. It is played in a style of music known as the ''Sufiana Mausiqi''. Some researchers slot it as an improvised version of a primitive instrument played in the Mesopotamian times (1600–900 B.C.) Sufi mystics used it as an accompaniment to their hymns. In Indian santoor playing, the specially-shaped mallets (''mezrab'') are lightweight and are held between the index and middle fingers. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle Finger
The middle finger, long finger, second finger, third finger, toll finger or tall man is the third digit of the human hand, located between the index finger and the ring finger. It is typically the longest digit. In anatomy, it is also called ''the third finger'', ''digitus medius'', ''digitus tertius'' or ''digitus III''. In Western countries, The finger, extending the middle finger (either by itself, or along with the index finger The index finger (also referred to as forefinger, first finger, second finger, pointer finger, trigger finger, digitus secundus, digitus II, and many other terms) is the second digit of a human hand. It is located between the thumb and the mid ... in the United Kingdom: see V sign) is an offensive and obscene gesture, widely recognized as a form of insult, due to its resemblance of an Erection, erect penis, It is known, colloquially, as "flipping the bird", "flipping (someone) off", or "giving (someone) the finger". The middle finger is ofte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sitar Striker Mirzab
The sitar ( or ; ) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in medieval India, flourished in the 18th century, and arrived at its present form in 19th-century India. Khusrau Khan, an 18th century figure of Mughal Empire has been identified by modern scholarship as the originator of Sitar. According to most historians he developed sitar from setar, an Iranian instrument of Abbasid or Safavid origin. Another view supported by a minority of scholars is that Khusrau Khan developed it from ''Veena''. Used widely throughout the Indian subcontinent, the sitar became popularly known in the wider world through the works of Ravi Shankar, beginning in the late 1950s and early 1960s. In the 1960s, a short-lived trend arose for the use of the sitar in Western popular music, with the instrument appearing on tracks by bands such as the Beatles, the Doors, the Rolling Stones and others. Etymol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
